Started a new disco edit series on Moodgadget, we’re actually taking demos(info below), i’ll keep posting them on the blog, with art direction from longtime ISO50 commenter H34dUp.
Moodgadget presents a new series of split singles, featuring disco edits from Brooklyn Bass helmsman Evan Michael, and introducing the secret edit project of veteran Moodgadget designer, Alex Koplin, as Choplin. An update to one of the SOS Band’s classic hits, “After All” adds a bass heavy push and pull with minor chords and glitzy arpeggiation creating a new dynamic. “Never Forget” presents a re-working of Dexter Wansel honing in on an impeccable groove you might have inadvertently passed over in the original. – Moodgadget
To submit a demo to the series: info at moodgadget dot com
This has been one the most outstanding branding for a release/musician i’ve ever seen. The vision for Oneohtrix Point Never’sR Plus Seven album has pristine art direction touching on early 90′s european surrealism which I have a have such a soft spot for. The main stand out is this video by Takeshi Murata, if you haven’t seen it yet then I highly recommend it, its like still life 2.0.
Sam Chirnside does some great font branding for musicians, I dug a little deeper into his catalog and grabbed up most of them. My favorite has to be the AVOCA type, its those subtle clean changes that takes the uniqueness up more than just a few notches.
I dare you to watch this all the way through; I still haven’t made it. Is this a joke? If so, who’s in on it? I have to imagine that someone at WSJ, at some point between filming and uploading the video to Youtube, realized this man was completely insane but just decided to roll with it. Either that or Will.i.am has an incredible sense of humor and this is just the first in a series of hilarious lectures where he just fires off random thoughts from the top of his head about various topics ranging from foreign policy to automotive design.
Who thought it would be a good idea to interview Will.i.am about logo design in the first place? What was that whole thing about India? So many questions…
To make it easier on you I’ve distilled the wisdom of this video down to some key concepts you need to be familiar with when developing a logo: “The New World”, “What India is going to do to the world”, “English, but with a different alphabet”, “Problems”, “Don’t use the word brand”, “New types of fonts”.
BVD perfectly executes a rebrand for 7-Eleven in Sweden, look at that cup! Projects like these serve as excellent reminders that even an experience as steeped in mediocrity as patronizing a 7-Eleven can be made desirable through good design. I suddenly have a craving for bad coffee.
Ghostly has always pushed the boundaries beyond being just a record label, recently for a limited time in New York they have paired up with the handsome boutique Odin and opened a shop carrying everything from the Ghostly catalog on vinyl, to limited editions shirts, headphones and some of the nicest office supply that you need to see and hold in person. The address is below, i’ll be behind the counter this Sunday, stop by and say hello, we have Tycho – Dive vinyl and a Charles Bergquist poster that is pretty amazing in person.
We are thrilled to announce our first collaboration with the renowned New York men’s boutique Odin. Now through January 6th, Ghostly fans living in New York (or visiting) can stop by our temporary space beside Odin’s original East Village store and shop from a specially curated selection of Ghostly art, design, graphic tees, and vinyl.
Ghostly at Odin features a collection of some of our favorite limited edition prints, offered both framed and unframed. In addition, the collaboration includes a small co-branded capsule collection of our graphic tees, some never before available. The space is rounded out with our favorite design objects, selected with a mind for holiday gifting.
Ghostly at Odin
330 East 11th Street
(between 1st and 2nd Avenue)
New York, NY 10003
Now through January 6th
Hours of operation:
Monday-Friday 12 PM – 8 PM
Sunday 12 PM – 7 PM
We’ve discussed Vitsoe around here before, primarily focusing on what they are most known for: Dieter Rams’ furniture designs, including the 606 Universal Shelving System and the 620 Chair Programme. Founded in 1959, they have worked with arguably some of the most influential mid century graphic designers in Germany, and their attention to detail in the company graphic identity and literature has always been just as impressive as the furniture itself. Now, Vitsoe has started to release some of it’s amazing archival material via it’s newly created Tumblr page, and it’s worth a visit.
I find myself most drawn to the posters and graphic identity that Wolfgang Schmidt created for Vitsoe early on. Being a record collector, I’m obviously obsessed with this 7″ that they pressed in the 1971 for one of the various live performance events in the showrooms.
The poster he designed in 1972 for the 620 Chair Programme is genius – it really captures the idea of ‘furniture as a system’ that both the 606 and 620 embody. Each unfolding of the poster reveals a new layout, ultimately culminating in a whimsical layout featuring the Vitsoe employees as the models.
Schmidt’s book of invitations for the Frankfurt fair in 1971 delivers humor via his iconography combinations.
Finally, Günther Kieser, most famous for his jazz and rock posters, art directed various photo shoots for Vitsoe. This is a postcard featuring one from 1968.