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Todd Terje is back with a pair of heavy hitters, loving the artwork as always.
Do you want proper trance and you’ve worn out your Kaito albums? Petar Dundov is the next best thing, his album “Sailing Off The Grid” is flying too low under the radar.
Steve Moore is becoming my favorite find of 2013, he’s really thoughtful on his sound selection, every track is a piece of artwork.
First off, just realized Lopazz is part of Ame? that…makes a lot of sense actually. Second, i’m soo happy some reworked this track, I play the original out a lot and it needs a break.
I’ve been working with local SF brand Mission Workshop on some upcoming projects and they sent photographer Marc Lemoine along with us for the recent Tycho tour. He got some great shots from the trip, above are a few early edits. Excited to share what we have coming up!
I haven’t felt this privileged since releasing Casino Versus Japan on Moodgadget. Here’s a perfected EP from Pop Ambient legend Markus Guentner. We’ve been sitting with this album for a few months just trying to find the right time to release and work up the right artwork. Would love some feedback to share with Markus, trying to get him to come out to the US for a tour. Also, download the single “Shadows of the City” for free in the Soundcloud player.
It wasn’t until the advent of time-lapse photography that humans were able to perceive slow and subtle processes on a comprehensible scale. New wisdom can be found in being able to perceive clouds flowing like a river, or the way heavy traffic on a city street begins to resemble the circulation of blood vessels through an artery. In many ways, “Shadows of the City,” Markus Guentner’s latest release captures this fleeting sensation of experiencing time and space on a novel but disarmingly-familiar scale, enthralling listeners with deftly-constructed soundscapes that tell a story widely-open to individual interpretation.
Opening with the track “Chromatic Fields,” Guentner envelopes the user in a warm, resonant sphere of energy, gliding over the shimmering surface of a moonlit pond. Continuing with “Ashes,” a stark but uplifting and meditative movement, the listener is prepared for the first of two longer pieces as the sense of anticipation grows. The title track emerges from the shadowy silence before a Voigt-like four-to-the-floor beat takes hold of the listener and carries them through canyon-like resonance separating monolithic structures of percussion, snaps of air and cracks of sunlight flashing through to illuminate the dust. With the following track, “The Run,” Guentner releases the built-up energy, returning the listener to the center, preparing them for what comes next. “The Coral Crowd” is ushered in much like it’s long-playing counterpart (or counterpoint, to some), graceful yet grounded, organic, but orderly. Ending symmetrically with “Eternal,” listeners are gently returned to consciousness, new insights revealed and ready for the next play-through. A wholly satisfying low-levels listening experience from beginning to end, “Shadows of the City” may represent some of Markus Guentner’s finest and most mature work to-date.
Do you have a friend that doesn’t buy physical music? does it make you want to pull out your hair? well send him or her this. Its literally physical music porn weekly in your inbox. I just get the email and instantly become jealous and fall in love with vinyl. Cheers to the guys at Boomkat for making these photos always unique.
Sam Smith is one of my favorite designers and an all around great guy. Living in Nashville he produces many posters for the independent theatre The Belcourt. I’m always impressed with Sam’s ability to use simple shapes and warm colors. His art is anachronistic, moving and always makes me take a second look. Check out more work on his website and don’t forget to take a look at the numerous covers and packages he has created for The Criterion Collection.
I know some of you have been bugging me for this stream so i’m happy to be able to share the NitemovesThemes LP on the blog. Rory is one my dearest friends and the talented man you see on stage with Tycho and Com Truise and the one that posts the great vintage motor posts here. I hope you enjoy and give feedback, i’m sure Rory will stop in here and answer any questions below in the comments.
Like a dusty memory whose vivid nostalgia renders you powerless to resist smiling, the newest full-length from Nitemoves, Themes has a certain power to flood your mind with imagery, but not without reminding you of your frame of reference in the now. Setting out to refine his sound following the release of his Moodgadget debut, Longlines, Rory O’Connor, who over the past few years has been touring the world as the drummer for both Com Truise and Tycho, has left us speechless over how far things have advanced. A colorful collage of live instrumentation, modern technology, and analog recording techniques, Themes holds the listener from start to finish.
Opening with the frenetic Polypel, the tone of Themes is established in subtle details that shimmer as the horizon comes into view. Not long into the second track, Veaquis, the listener is engulfed in warm synth-drenched nostalgia that washes over the ears, punctuated by live drums. Drawing on decades bygone, Themes continues to flutter like the reflection of light off water, giving in to raw emotion that plays out in syncopated drums, F1 screams and ambient swells, fading away to gently return the listener to their childhood bedroom with a music box at their feet.
A game designer and programmer, James D. Sachs created his art using his Amiga, usually at lowest resolution (320×200). Amazing stuff. Makes me feel like I’m playing EcoQuest again.
This has been one the most outstanding branding for a release/musician i’ve ever seen. The vision for Oneohtrix Point Never’sR Plus Seven album has pristine art direction touching on early 90′s european surrealism which I have a have such a soft spot for. The main stand out is this video by Takeshi Murata, if you haven’t seen it yet then I highly recommend it, its like still life 2.0.
