We have a very limited quantity of special-edition covers available featuring ISO50 on the limited edition (100 copies) cover. Check them out here. We could only get our hands on 40 of the 100 printed with this limited cover.
Really excited to announce our SXSW party along with Unholy Rhythms for Hype Hotel’s Feed The Beat series. 5 days of music curated by music bloggers, celebrating 10 years of Hype Machine. Our day is the 21st from 12pm – 5pm, come say Hi!
1100 East 5th Street
The master of tone is back with another album on Kranky. Loscil has been a blog favorite since the beginning, we are proud to be debuting this album stream, as always, ENJOY.
Sea Island is a collection of new material composed and recorded over the past two years. While many of these compositions were performed live extensively prior to recording, others were constructed in the studio and are being heard for the first time here. Musically, the album represents a range of compositional approaches. Murky, densely textured depths of sound are explored with subtle pulses and pings woven within, contrasted with composed or improvised moments of acoustic instrumentation making a move into the foreground. Certain tracks on Sea Island such as album opener Ahull make rhythm their focus by exploring subtle polyrhythms and investigating colliding moments of repetition and variation.
Though staunchly electronic at its core, instruments such as vibraphone and piano make appearances, and layers of live musicality, improvisation and detail appear in the looped and layered beds of manipulated sound recordings. A varied cast of players appear in the loscil â€œensembleâ€, some familiar collaborators from the past such as Jason Zumpano on rhodes and Josh Lindstrom on vibraphone, and others new to the mix such as Fieldhead’s Elaine Reynolds who provides layered violin on Catalina 1943, and Ashley Pitre contributing vocals on Bleeding Ink. Seattle pianist Kelly Wyse, who collaborated with loscil on his 2013 edition of piano-centric reworks Intervalo, performs on the tracks Sea Island Murders and En Masse.
OUT: November 17th 2014 on Kranky
SUPPORT: 2X VINYL / CD
In a time where the devaluation of music seems to be at it’s peak, fans and audiences expect every release to be either for free or donation based, which forces musicians to tour extensively or resort to day jobs in order to support themselves. Deru, an electronic artist who questions this establishment, explores an innovative release of his latest album, 1979. His approach influences listeners to place themselves in an appropriate listening environment, delivering an entirely new experience.
I sat with Deru & Effixx to discuss the themes and concept behind 1979:
Hey Guys, I’m David. If you’ve ordered anything from the ISO50 store in the last 6 months, it’s been handled by me and my small team based out of S.F. I’ve worked with Scott in various ways over the years, beginning by carrying his prints at my design + electronics store, Dijital Fix in Brooklyn (RIP) and San Francisco since 2009. After I moved to S.F. in 2012, Scott moved his design studio into the store, and we’ve been working together making the store better since. I’ll be bringing you posts on industrial design and other gadgets, as well as other objects interest from my perspective as a design store owner.
For my inaugural post, I’m presenting a little bit of awesome I found nestled in a box filled with old prints, some very limited original pressings of the Dive Single (Black Vinyl). Enjoy!
We found a very limited amount of the already-limited-pressing of Tycho’s “Dive” single w/ remixes from Memoryhouse and Keep Shelly In Athens on Vinyl. Check out Jakub’s original post on its release here and check them out on the shop here. Wanted to let our blog readers in on this one first! This isn’t the clear vinyl version, but still rare!
I’ve collected all the remixes i’ve done and put them in one location and easily downloaded as a WAV or MP3 for everyone. Everything other than the Slowdive remix was a remix swap or a remix for a friend, hope you enjoy in your headphones and share it.
1. Loscil – Hundred (Heathered Pearls’ survey the wreckage remix) 04:48
2. Throwing Snow – Melum (Heathered Pearls’ dormancy remix) 03:33
3. Dirty Beaches – Casino Lisboa (Heathered Pearls’ dead time rework) 04:49
4. Diana – Born Again (Heathered Pearls’ avión remix) 05:38
5. Slowdive – Melon Yellow (Heathered Pearls’ tension rework) 04:46
6. Indian Wells – In The Streets (Heathered Pearls’ nautical remix) 02:59
7. Solar Year – Lines (Heathered Pearls’ serenity remix) 04:00
I haven’t felt this privileged since releasing Casino Versus Japan on Moodgadget. Here’s a perfected EP from Pop Ambient legend Markus Guentner. We’ve been sitting with this album for a few months just trying to find the right time to release and work up the right artwork. Would love some feedback to share with Markus, trying to get him to come out to the US for a tour. Also, download the single “Shadows of the City” for free in the Soundcloud player.
It wasn’t until the advent of time-lapse photography that humans were able to perceive slow and subtle processes on a comprehensible scale. New wisdom can be found in being able to perceive clouds flowing like a river, or the way heavy traffic on a city street begins to resemble the circulation of blood vessels through an artery. In many ways, “Shadows of the City,” Markus Guentner’s latest release captures this fleeting sensation of experiencing time and space on a novel but disarmingly-familiar scale, enthralling listeners with deftly-constructed soundscapes that tell a story widely-open to individual interpretation.
Opening with the track “Chromatic Fields,” Guentner envelopes the user in a warm, resonant sphere of energy, gliding over the shimmering surface of a moonlit pond. Continuing with “Ashes,” a stark but uplifting and meditative movement, the listener is prepared for the first of two longer pieces as the sense of anticipation grows. The title track emerges from the shadowy silence before a Voigt-like four-to-the-floor beat takes hold of the listener and carries them through canyon-like resonance separating monolithic structures of percussion, snaps of air and cracks of sunlight flashing through to illuminate the dust. With the following track, “The Run,” Guentner releases the built-up energy, returning the listener to the center, preparing them for what comes next. “The Coral Crowd” is ushered in much like it’s long-playing counterpart (or counterpoint, to some), graceful yet grounded, organic, but orderly. Ending symmetrically with “Eternal,” listeners are gently returned to consciousness, new insights revealed and ready for the next play-through. A wholly satisfying low-levels listening experience from beginning to end, “Shadows of the City” may represent some of Markus Guentner’s finest and most mature work to-date.
I know some of you have been bugging me for this stream so i’m happy to be able to share the Nitemoves Themes LP on the blog. Rory is one my dearest friends and the talented man you see on stage with Tycho and Com Truise and the one that posts the great vintage motor posts here. I hope you enjoy and give feedback, i’m sure Rory will stop in here and answer any questions below in the comments.
Like a dusty memory whose vivid nostalgia renders you powerless to resist smiling, the newest full-length from Nitemoves, Themes has a certain power to flood your mind with imagery, but not without reminding you of your frame of reference in the now. Setting out to refine his sound following the release of his Moodgadget debut, Longlines, Rory O’Connor, who over the past few years has been touring the world as the drummer for both Com Truise and Tycho, has left us speechless over how far things have advanced. A colorful collage of live instrumentation, modern technology, and analog recording techniques, Themes holds the listener from start to finish.
Opening with the frenetic Polypel, the tone of Themes is established in subtle details that shimmer as the horizon comes into view. Not long into the second track, Veaquis, the listener is engulfed in warm synth-drenched nostalgia that washes over the ears, punctuated by live drums. Drawing on decades bygone, Themes continues to flutter like the reflection of light off water, giving in to raw emotion that plays out in syncopated drums, F1 screams and ambient swells, fading away to gently return the listener to their childhood bedroom with a music box at their feet.