I’ve been having a good deal of fun editing on my iPhone lately and its even spilled over into some of my design work. I recently discovered a great little app called Grid Lens (well worth checking out), and created a custom grid for myself of skinny columns (Some inspiration from this painting) and took a sequence of photos of a white wall… It turned out like this (see image above).
I figured I was onto something and brought it into Image Blender (another invaluable app) and started layering it. First horizontally and then diagonally. I ended up with this:
This got me pretty excited, especially because it started with a photo of a white wall… I then layered it over another photo that I mirrored for more symmetry and ended up with this:
I find accidental creativity to be some of the most exciting, especially when it comes together quickly, when you almost cant keep up with it.
A few more examples of the same technique:
I am working on a logo right now and I figured this is great application to try out this same technique. I did it all in illustrator but the inspiration came from a $2 app.
Tools that fit in my pocket fit much better into my life.
All images by Seth Hardie
Find me on Instagram here: @hallwood
Explorers of Tomorrow is the title of the first book project I completed at the Academy of Art University in Spring 2009. Up to this point our projects consisted of posters and small printed materials, so this was the first time we were pushed to develop a consistent visual language and extend it across multiple pages. The assignment was to take a subject of interest, research its future 10 years from the present, and display our findings in a book.
Growing up, one of my favorite books was Automobiles of the Future by Irwin Stambler. Written in the 60s, it imagined the automobile in the 80s, 90s, and even the new millenium. The book was a window to a strange parallel dimension, where everything inside was a streamlined, pastel version of reality. Its pages held promise, for the future of automobiles was about more than spark plugs and oil filters, it was the story of man’s struggle to better himself. At the same time, it was very naive and simplified the world of tomorrow to a utopia that answered all of the problems facing their society. It never considered the possibility that the future would have its own set of obstacles to overcome. But that was its biggest appeal to me, to see the ways our society had advanced so far from their wildest dreams, yet fallen short on its fundamental ideals.
Space exploration has always been a fascination of mine. With that in mind I began to think about our future. 2019 will mark the 50th anniversary of the Apollo 11 flight, and I thought it would be interesting to look at the future of space exploration 10 years from the present, but from the perspective of writers in the past. Specifically, I wanted to look at how a society that had just landed on the moon would view space travel in the future: how would our idea of 2019 compare to a society’s that looked to the stars for answers?
Warp Records’Clark comes with a beautiful ballad named Com Touch, pretty much a synth journey that bubbles and grows into a classic for all the early lovers of IDM.
RxGibbs puts together a high gliding dreambeat piece for those who would want a gentle version of early Kompakt ala MFA.
The new Memoryhouse tracks keep coming which means the LP isn’t far from release date, the production is far from buried or lo-fi and much more glossy, I can see this becoming big this duo.
I did a rework of one of my favorite Warm Ghost tracks, plus testing out the new HTML5 on Soundcloud player below, looks pretty amazing.
Visuals are a big part of the Tycho live show and I’m often asked how they were created and presented in a live setting. The answer is VDMX, a modular video performance platform. For those of you familiar with video editing / effecting, you could think of it as a stripped down, real-time version of After Effects where every parameter is controllable via various protocols (MIDI, OSC) and even by other parameters. It can mix multiple sources using blending modes like multiply and color burn all while utilizing Quartz Composer effects.
I’ve been using VDMX for a few years now and it’s become one of those tools that I can’t live without. Because it’s modular, VDMX’s interface can be arranged in any way you prefer. I personally use three video decks with and effects bin on each and then a master effects bin. I trigger clips and modulate parameter via MIDI over IP from Reaper running on a Macbook Pro w/ a Vertex 3 MAX IOPS drive (VDMX eats data bandwidth alive!).
VDMX is an incredibly deep and flexible application which I have yet to see any real limitation to. The workflow and functionality is so abstract that there are myriad ways to accomplish pretty much anything you can think of. And therein lies the only real problem I can find with VDMX; the flexibility and modularity afforded by the abstract way in which the application functions comes at the expense of usability. The learning curve is very steep and many of the initial concepts are a little tough to wrap your head around. Vidvox (the developers of VDMX) have put together some great tutorial videos which can help move the learning process along.
Thankfully a new version is out, and with it come some very helpful additions and changes. VDMX 5 is an entirely new program, written from the ground up. For those coming from older versions a lot of the way VDMX works will feel familiar. But you’ll quickly notice that some subtle changes in workflow make a big difference. I just started learning the new version during this current tour and it was pretty straight forward.
VDMX, while certainly not geared toward the casual user, is one of those apps that will allow you to grow into it. The relatively steep learning curve will pay off pretty quickly when you realize just what it’s capable of.
Wes Anderson did it again, he made me hunt down a release date for his newest film and add it to gCal, I only usually do that for albums that I can’t wait to buy. This hits theaters May 25th, I can’t wait to see Bill Murray’s character in this.
Instagram has sort of become a way of life on tour, almost anything beautiful or funny we see outside the tour van we yell out “take the shot!”. Since i’ve jumped on Instagram i’ve looked for musicians that post on there since soo many get to travel, here’s just a few that I follow that I post about that make it in our ISO50 playlists.
@peakinglights ( Peaking Lights )
@mattmondanile ( Real Estate / Ducktails )
@benjamincurtis ( School Of Seven Bells / Secret Machines )
@dam_funk ( DaM FunK )
@nosajthing (Nosaj Thing)
@muxmool ( Mux Mool )
@sunglitters ( Sun Glitters )
@geejairmo ( Prefuse 73 )
@starslingeruk ( Star Slinger )
@poolside ( Poolside )
@foxesinfiction ( Foxes In Fiction )
@bisradio ( Tim Sweeney of DFA )
@willits ( Christopher Willits )
@ryanpitchfork ( Ryan @ Pitchfork )
@laurenflax ( Creep )
@__shigeto ( Shigeto )
@studioirisarri ( Rafael Anton Irisarri / The Sight Below )
@j_gossett ( 1/2 of Beacon )
@tm_iii ( 1/2 of Beacon )
@iso50 ( Tycho )
@nitemoves ( Rory O’Connor – Tycho’s Drummer / Com Truise )
@zryder ( Zac Brown – Tycho’s Bassist / Dusty Brown )
@heathered_pearls ( Jakub )
Somewhere between Toronto and Montreal. Really pretty, wide open spaces up there.
So I’m on the road for the first leg of the US Tycho tour and it’s been pretty intense; haven’t had a chance to post here in a while. Jakub is along tour managing and things have been going well. We’ve seen a lot of really beautiful landscapes along the way; so far we’ve driven from Chicago, up through Toronto and Montreal, and all the way from Buffalo down to Orlando where I’m currently holed up in a Travelodge taking a much needed night off from playing. We play Orlando tomorrow night, then on to Tampa and Miami, and then back north for a string of dates ending in Brooklyn. Beacon is along doing support, definitely check them out, really beautiful stuff.
Jakub took this one somewhere outside of Pontiac, MI
I can’t explain what a moving experience it has been to get out and meet so many people and share the work with them. I spent the last year locked in my basement working on the album so it’s been really refreshing to be out here performing it for people. I want to sincerely thank all of you who made it out so far and to all of you who have supported this project in other ways; it means the world to me and I feel fortunate every day to be able to work as an artist.
Gratuitous tour shot including the band, Jakub, and Brian Wenner who is our stage manager
I’ve been dreaming of having a proper visuals rig for a while now — we had been renting equipment — but this time out we finally have our own setup consisting of a 5K Lumen Christie LX45 projector, and Da-Lite Fast-Fold 16:9 screen, and a brand new custom rigging system (pictured below). It’s a great feeling to know that wherever we play, the show will be consistently presented. Thanks to everyone who helped out in Montreal getting this thing built, and to Darren from Home Depot in Watertown, NY for helping build the mounting plate.
Speaking of visuals, I’ve been getting a lot of work done on the new stuff. I’ve been working with Charles Bergquist on a new visuals set and things have been going great. Charles has been shooting beautiful HD footage and I have been arranging / effecting it using VDMX. It’s still a work in progress but we have been showing some previews here and there during the live show. I’m hoping to get that all wrapped up during our post Europe tour break.
As for upcoming stuff, we have a lot planned for the year: Europe, a full US tour, along with some festivals and no less than seven SXSW showcases. Hope to see you out there!
Happened upon this set of satellite program photos. Unfortunately there’s not much information to them, but I did find that there are a couple of gems like this to be seen here, and check out the rest of this set here
POLER CAMPING STUFF makes sleeping bags, tents, bags, and accessories that are simple, good looking, well designed gear for people that are travelers, couch surfers, regular surfers, skateboarders, snowboarders, bicyclists, parents, kids, car campers and anyone else looking for something that looks good, is a good value and is all about having fun on road trips and in the outdoors.
Be sure to check out the Adventures section on their website.
And dont forget to give them a follow on Instagram as well. @polerstuff
It’s finally happening, we’re happy to announce the first proper Tycho A/V tour with the band, here are the string of dates below, let us know if we’re missing anything or you have any suggestions, looking to also relax a few days after Antwerp.
Feb 16th Amsterdam, Holland @ Paradiso
Feb 17th Luxembourg, Luxembourg @ Exit07
Feb 18th Berlin, Germany @ Gretchen
Feb 19th Copenhagen, Denmark @ Loppen
Feb 22nd Milan, Italy @ Magnolia
Feb 24th Paris, France @ Batofar
Feb 25th London, UK @ Cargo
Feb 26th Antwerp, Belgium @ Trix
Beautiful halftone heavy poster work by Scott Campbell. Scott is a graphic designer & illustrator based in New Orleans. Check out more of his work here
Continuing my new year’s resolution, I wanted to share my experience working on a rebranding project for school. This project was completed over the course of Spring 2011, and the assignment was to choose a dying or defunct brand and breathe new life into it. Throughout the semester we developed a logo, letterhead, visual identity, and brand extensions for the revamped company, and the final deliverable was a brand guidelines book. Alex described his process working with Playboy, and I highly recommend you check them out if you haven’t yet.
I had a lot of fun designing the deck of playing cards for Beast in a Neon Cage, so I thought it would be interesting to work with a playing card company. Once I chose my industry, I looked at brands like Kem and Copag and ended up choosing Hoyle. Hoyle is part of the United States Playing Card Company, which also owns the Bicycle and Bee playing card lines.
Todd “are you kidding me!??” Terje literally just sits down and makes hits for this blog I swear, I know I post a lot of his tracks but its worth it, I mean listen to that! If it was 2001 i’d add a music player to this blog and this song would just automatically play right when you loaded the site. #synthmansion < holds a crystal in the air after song is over, head down, takes a knee >
Jonny from The Drums collabing with Matthew Dear makes soo much sense after you hear this song slowly merging with its own end. I haven’t heard a male duo this good in “electronic” in years.
Teen Daze goes French Disco on us, straight forward and high energy with a swirling synth line which will give you vertigo, he pretty much made something that could have come out on Roule in 1998.
Machinedrum rekindling and refreshing classic sounds that I invite with open arms, its like he dropped Detroit into the UK and stomped it into a pulp and gargled it and spit it at all the half ass house thats been made after minimal house died.
I’ve been taking pictures with my iPhone for about a year and half now and I’m continually surprised at the things I’m learning and new techniques I’m discovering.
I barely used to crop at all, especially when editing my DSLR photos. I was always (overly) concerned with resolution and making sure I didn’t lose any.
Enter lower resolution iPhone with a fixed focal length…
As I always have my iPhone on me this is how I take most of my photos these days. I often find my self on the other side of a river, across a huge field or just a little too far away from a mountain. This has literally forced me to crop in closer to get the photo I want. Because apps like Instagram publish quite a small image I don’t care as much about resolution anymore (although this can be frustrating later).
Having this “freedom” of no longer caring so much about resolution has encouraged me to crop more and often I find myself revisiting photos that I had written off, only to discover post crop a new favourite photo. Where I was concerned about resolution before I’m now concerned about the final composition. Now I just need a 50mp camera thats fits in my pocket!
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All images taken and edited on the iPhone and posted on Instagram by Seth Hardie.
Trust me on this one, this Tanlines track is worth your time. They started where they left off with a hooky melodic caribbean pop touch, once the track fills out you can’t deny its better than all that Vampire Weekend bullshit.
I’m on a Keep Shelly In Athens roll and that means hunting down even guest appearances. The new Solar Bears single has KSIA front and center on a 70s drenched swirling am-gold jam that could be one of the best songs either groups have done.
I’ve only heard one other Dirty Three song intentionally, it was with Cat Power and I don’t even listen to Cat Power but all I remember was being speechless after and I don’t like songs with singing. This new cut is amazing, reminds me of Broken Social Scene and The Books just playing together freely.
I’m sure some of you will be surprised with the sound of the new Bullion, its definitely a lot less hip hop and more like if Osborne or Luke Vibert did a song with Washed Out.
