To celebrate the Ghostly International: Of Art and Artifice event Incase shared this amazing compilation of songs which includes a Kolombo remix of Tycho, Tensnake rework of Osborne, Fort Romeau edit of Beacon and many more.
Incase is proud to support Ghostly International: Of Art and Artifice, a multi-day event presented by the Art Directors Club CRE8 Series that promotes art connected through a spirit of inventiveness and anti-genre thinking. In the years since its birth in 1999, Ghostly has grown from a boutique label known for its experimental-pop and -techno acumen to an internationally recognized platform for the work of the world’s best visual artists, designers, technologists, and musicians.
As a multi-platform cultural curator, Ghostly International is a tightly knit aesthetic universe fulfilling the roles of art gallery, design house, clothing designer, technology innovator, music-publishing company and record label, all in one. From September 13-16, The Art Directors Club will house a comprehensive exhibition that gives a peek into what’s next after 13 years of creativity from Ghostly International, highlighting an essential selection of work from the Ghostly family in a never-before-seen collection. In addition to the exhibition, Of Art and Artifice will also encompass a series of events that include an Opening Gala with live performances by Com Truise, Lusine and NYC’s own Michna, as well as two days of talks with Ghostly artists hosted by Incase.
Came across a huge collection of camera and lens manuals from the Soviet Union, all of them have that DDR/Cold War feel and look. Being born in communist Poland i’ve been shown a lot of this kind of design thru my whole life, I find a strange attraction to it.
“Car art” is always a contentious subject for me, there’s alot of cartoonish colored pencil stuff out there that Road & Track likes to pass off as “fine art”. If there’s one thing i’ve tried to showcase in my livery posts, it’s that the geometric body of the car itself makes for a great canvas.
Earlier last week, fellow car porn addict (although he gets paid for his addiction) Jim Lau sent me the innocuous “you’ve seen this, right?” message. Above are some examples of Ricardo Santos’ work, and I think they’re absolutely fantastic. You’ll notice some farmilar ‘faces’ from alot of the car posts I’ve done here on the blog, needless to say I’ve solved the problem of hanging up pictures of cars on my wall without looking pubescent.
These prints all come in a variety of sizes & formats, the stretched canvas is barking at me and the moths futzing outside my window will soon find a nice warm home in my wallet. You can find all of Ricardo’s works seen above over on his Society 6 page.
Reverse Of Volume was an installation by artist Yatsuaki Onishi commissioned by Rice Gallery, which ran from April 13 – July 27 2012. The suspended fabricated mountainscape is formed from two materials; plastic sheeting and black colored hot-glue. Onishi shaped the floating sculpture within the gallery space by first draping the expansive plastic piece over stacked cardboard boxes, then removing the piled components following the white sheet having been attached to the ceiling by the quick-drying adhesive. This creative process or method is known to Yasuaki Onishi as ‘casting the invisible’ and aids in his artistic meditation on the reality of negative space.
1. Initial photo (architectural feature)
2. Cropped and mirrored
3. Cropped and mirrored and layered in Image Blender
1. Initial Photo of some shadows in a corner (taken with Stilla)
2. Cropped and mirrored
3. Final Image layered in Image Blender
1. Initial photo of some stairs
2. Mirrored (you may notice a habit here)
3. Final image layered in Image Blender
The first photos I started using in my designs were simple textures. (we’ve all seen the explosion of texture sites out there) but lately I’ve been using photos to get shapes that typically I would have drawn before. This has been largely driven by having a decent camera in my pocket at all times, allowing me to capture random staircases or light hitting the corner of an architectural feature just right. I find the natural light and texture in photographs have so much more depth in the final product then what I can come up with in photoshop …and its much easier to get to the end result.
Posted by: Seth Hardie
My friend Cameron Ballensky has been in town visiting for a few days, so we’ve been out and about shooting loads of film. Me, mostly 35mm, him Polaroid. After seeing some of the unpredictable results yielded by certain films he uses, I was really turned on by the idea of exploring this format myself (also two of my favorite photographers, Reuben Wu and Neil Krug, have inspired this in me as well). Cameron mostly get’s all of his film through The Impossible Project, a company that now produces Polaroid film, and as I was exploring their site, I came across the beautiful work of Chloe Aftel, a Los Angeles based photographer and film director.
Browse through her beautiful body of work on Flickr.
Chloe is also part of The Impossible Project’s launch of a new instant film material for 8×10 cameras (image below). More info can be found here.
The Art Directors Club CRE8 Series presents:
Ghostly International: Of Art and Artifice
Ghostly International and Art Directors Club collaborate on an exciting 4 day event in New York City this September showing the diversity in their artistic roster. Below is the information and schedule on what to catch and make sure to get your tickets soon, this site just launched today.
ABOUT THE EVENT
The Ghostly universe has been steadily expanding since its humble beginnings in Ann Arbor, Michigan in 1999.
The Art Directors Club begins its CRE8 series of music and art focusing on Ghostly International, a unique culture identity that has helped elevate the careers of visual artists including Michael Cina, Sougwen Chung, Andy Gilmore, Will Calcutt and Matt Shlian, while releasing work from musicians such as Matthew Dear, Com Truise, Gold Panda, Lusine and School of Seven Bells.
The Ghostly aesthetic and it’s accompanying ethos has always sought to cast off the restrictions of genre and form. An assertion that creativity, in its apolitical nature, is an act worth striving to achieve. Unconcerned with classification, Ghostly highlights the act of making in and of itself, no matter the medium.
In 2010, Ghostly launched Ghostly International Editions, a “label” of artwork and artists that has grown into a collective of some of North America’s best designers and artists.
Of Art and Artifice is not a retrospective—it is a comprehensive state of the union, a peek into what’s next after 13 years of creativity from Ghostly International, creating an essential selection of work from the Ghostly family into a never-before-seen collection.
ABOUT THE ART DIRECTORS CLUB
Founded in 1920, the Art Directors Club is the premier organization for leaders in visual communication, boasting one of the most concentrated groups of creative talent in the world. A not-for-profit membership organization, the ADC’s mission is to connect creative professionals around the globe while simultaneously provoking and elevating world-changing ideas.
September 13th / @6pm
Live music performances by:
→ Com Truise
→ Michna (DJ)
Live projection performance by:
→ Sougwen Chung
September 14th / @6pm
Artist Talks Day 1
Hosted By Incase:
→ Michael Cina
→ Andy Gilmore
→ Will Calcutt
September 15th / @6pm
Artist Talks Day 2
Hosted By Incase:
→ Matthew Shlian
→ Timothy Saccenti
→ Sougwen Chung
Open to public 12-5pm
TICKET AVAILABLE HERE
I don’t know who this guy is, or where he came from, but let’s hope he Kickstarts his app concept so we can give him a million dollars.