So I came across this great collection of vinatge ski posters a while back, but unfortunately they were all watermarked. I really hate watermarks and try to avoid posting images containing them at all costs; but these were just too good to pass up so you’ll have to try and see past the giant “ORIGINAL SKI POSTERS” and enjoy the underlying greatness. Growing up in Sacramento I always had a thing for 70s ski culture — Tahoe was a short drive up the mountain and a lot of the style and imagery tricked down into the valley. A lot of these perfectly capture the spirit of those times for me.
So, as you may have guessed, these are all from the Original Ski Posters site, where you can purchase many of them. Sadly, these watermarked Jpegs are as close as most of us will ever get to these as they start at around £500 and go upwards of £3000. there is an open image directory here where you can grab all the images with a utility like Downthemall. A couple seem ripe for watermark removal and some of the resolutions are high enough to get a good print out of.
Checked in on old favorite Network Osaka today and was reminded of what an excellent body of poster work he has amassed over the last few years. Always great to see modern designers paying homage to such classic design ideals. More over here.
Just got home from tour and was pleasantly surprised to see all these nice gig posters from DKNG Studios on GrainEdit. DKNG are apparently the in-house firm for the Troubadour, pretty good gig. Seeing stuff like this (almost) makes me wish I was practicing freelance still. Would be nice to get a spec once in a while for something outside my comfort zone. Bonus: the images are huge! Nice of them to post the high-res versions. You can get the original Gif format ones over at DKNG’s site.
The Ghostly Store just released an exclusive interview and series of prints from Andy Gilmore, below is the beginning of the interview and here’s a link to check out the rest of the designs.
GI: Tell us about your first memory.
AG: Drawing is at the center of a lot of my childhood memories, the most profound of which is watching my father draw. I remember being astonished in watching his lines take form into realistic depictions of horses
GI: So you were into skateboarding, how did that affect you?
AG: Yes, I starting skateboarding in 1987 or so, in the era of H-street. Skateboarding has introduced me to a lot of great and talented people that have guided me on my personal and professional path.
In 2002, an old friend from skateboarding offered me a job resizing print ads for C1rca footwear and Forum snowboards in Southern California. Fourstar was the beginning of working with the computer for me and I will always be indebted to the wildly talented creative staff that I learned so much from.
GI: How do you feel about music, in regards to your artistic life?
AG: Music is at the center of my artistic life. As a musician I have always been fascinated by the harmony and the physics of sound in a sense defining music as waveforms, waveforms whose properties and proportions define our scales, from which we write our melodies, in which we weave our emotions and memories into songs.
In addition to music as an experience I have been very interested in the theories, methods and language of music ”serialism, minimalism, spectralism, indeterminacy, improvisation, tonality/atonality, silence/noise, raga and rhythm these have always informed the language that I applied to design and ultimately shaped my work.