Kahn & Selesnick’s amazing martian-inspired photo series, gluing actual photos of the martian landscape taken by NASA’s Spirit & Opportunity rovers, with WWII bunkers, concrete sculptures, vintage russian space helmets, and landscapes in Nevada and Utah. Mmmm.
Italian artist Alberto Seveso was born in Milan, but is now working as a freelancer in Portoscuso, Sardinia-Italy. In his series a due Colori Seveso experiments with high-speed photography while trying to find a new way to make something beautiful using ink and water. Loving to play with colors and tones, this series embodies the concept of stopping time through ink in the image.
Found via Ignant
Great black & white images by Photographer Pablo Delfos.
C Andrew Rohrmann or scntfc is a Seattle based multi-disciplinary audio + visual artist. He has been working in music, design, and media production for the past fifteen years. Rohrmann has completed many successful commissions including feature film scores, large scale audio installations, and art direction for commercial clients. The above is his series Undone:
Undone is an experiment in ambient cinema, comprised of an ever expanding series of short films revolving around the depiction of artificially constructed macroscopic environments. The intent is to evoke a sense of space that is ambiguous in terms of scale: simultaneously microscopically small and astronomically large.
Take a look at this amazing Flickr set of Undone stills.
Li Hui or Hui+ as I’ve also seen referred to as, is a self-taught Chinese photographer who creates moody, often double-exposed, dreamscapes using a couple film cameras: Nikon FM2 & a light-leaked Canon AT-1. What apparently started off as a hobby to fend off loneliness, has turned in to a career.
For more images, take a look at Li Hui’s Flickr.
Why Design is a great video series by furniture company and all around design icon Herman Miller, which profiles some of it’s best designers:
At Herman Miller design is the language we use to ask questions and seek answers to the problems our customers face. The design process is a journey into the unknown—or as George Nelson once quipped, “I have never met a designer who was retained to keep things the same as they were.” Before we decide what we do and how we do it, we like to begin by asking the question “Why?” In Why Design, a new video series, we explore the world through the eyes of our designers, and share something of why we value their point of view.
9.10.12 – Yves Béhar – “Surfing Is Like Improvisational Jazz”
9.17.12 – Don Chadwick – “The Camera Becomes an Extension of Your Eyes”
9.24.12 – Ayse Birsel – “Your Life Is Your Most Important Project”
10.1.12 – Irving Harper – “Paper Is a Versatile Medium”
10.8.12 – Gianfranco Zaccai – “Great Food Should Be Like Great Design”
10.15.12 – Studio 7.5 – “Design by Its Nature Is Collaborative”
10.22.12 – Steve Frykholm – “It’s the Breaks That Allow My Mind to Refresh”
10.29.12 – Sam Hecht + Kim Colin – “We Need Contrast and Tension to Be Able to Create”
Reverse Of Volume was an installation by artist Yatsuaki Onishi commissioned by Rice Gallery, which ran from April 13 – July 27 2012. The suspended fabricated mountainscape is formed from two materials; plastic sheeting and black colored hot-glue. Onishi shaped the floating sculpture within the gallery space by first draping the expansive plastic piece over stacked cardboard boxes, then removing the piled components following the white sheet having been attached to the ceiling by the quick-drying adhesive. This creative process or method is known to Yasuaki Onishi as ‘casting the invisible’ and aids in his artistic meditation on the reality of negative space.