It’s Wednesday and all I want to do is enjoy some slower old favorites even though that Atlas Sound release i don’t think is even a year old yet. Does anyone remember Electric Birds? I’m pretty sure he’s a professional skateboarder if i’m not mistaken.
The latest limited edition “Artist’s For Obama” poster is by none other than Lance Wyman. Wyman, as you may recall, is the branding genius behind the 1968 Mexico Olympic logo as well as countless other brilliant marks. It’s really great to see someone still practicing successful design after all these years and obviously having fun doing it. I always wonder if design is one of the few art forms in which one can remain relevant throughout most of their lifetime; it seems that many other artistic pursuits (music, painting, etc.) are typically characterized by brief periods of genius followed by a sharp decline in output whereas the measured application of a practical, systematic approach to design can be extended into the decades. Maybe it’s that we tend to stick to coffee as opposed to heroin.
And please, save the politicking for some other blog’s comments. I am simply pointing out the fact that Lance Wyman has created new work, no one’s trying to start a huge discussion about who’s voting for whom. If, on the other hand, anyone has anything to say about the effectiveness of the design in question, please don’t hesitate to speak up.
André Obin is similar to what I heard coming out of the UK in the late 90’s like the usual names that might make you a little less interested like Sasha or Underworld but he puts a refreshing twist to it that might be more stiff and cuts out the cheese and dishes out the vocals and synths more upfront.
Royksopp’s Night Out keeps up a great pace and offers such great dynamics, its such a crowd pleaser with elements of DJ Shadow and The Avalanches but dips into really nice psychedelic parts and the breakdown towards the end which reminds me of Pink Floyd and it fits right in without any interruption.
Now we get to probably the catchiest song of them all of 2008, Empire Of The Sun, I must have listen to this song 20 times already today. I didn’t know what to think of it first time(kind of like an episode of Tim and Eric on Adult Swim) around but now I catch myself trying to stop singing it so just be warned before you listen. The video looked like so much fun to make, looks like they had a nice size budget and plenty of freedom.
DFA has a newer signing Runaway who DJ quite often in Manhattan, a lot of distant disco guitar noodling and keeping it simple and dark, a nice way for a DJ to keep a late crowd from leaving.
Everyone knows what the Risky Business Soundtrack cover looks like so I figured I’d use this chance to post one of my top 10 favorite album covers: the Tangerine Dream Poland cover (above). Love On A Real Train is just so grabbing and epic, for me its really one of those songs that I wish I would of made. This Peter Broderick track made me realize that i’m a sucker for repetitive finger picking. I heard about Peter Broderick thru a Norwegian guest that i had staying over that performed under the name The Library Tapes, I’m glad I finally looked into his Home LP. I was really just expecting this Paul Kalkbrenner track to be another techno track but its not at all, its this dubby shuffle simple track that is being used for this movie soundtrack called “Berlin Calling“, i’d file it under “If Radiohead made simple dubby techno and didn’t use Greenwood to help”. This Clap Your Hands Say Yeah song in my mind couldn’t be better, I could put it on my headphones and block out anything I don’t want to think about and just become instantly happy, everyone needs one of these “In Case Of An Emergency, Break Glass and Listen” tracks in their lives.
Tonight I happened upon Network Osaka’s Flickr page via an unrelated search and was pleasantly surprised by a very nice collection of posters. The examples he’s posted range from classic modernism to more contemporary styles; all are well executed. Have a look at Network Osaka’s sites for more:
School of Seven Bells’ full-length debut, Alpinisms, is best introduced with a little etymology: Mercurial French author Rene Daumal defined “alpinism” as “the art of climbing mountains.” Art, of course, means many things: the perfection of craft, the transcendence of spirit, the physical world and the truth found beyond it. Alpinists, then, are both athletes and mystics. They practice “pure” climbing, hands gripping the cragged incline sans rope or guide, forcing their bodies ever-upward in the name of earthly enlightenment. “Alpinisms,” says Daumal enthusiast and guitarist Alejandra Deheza, “are mountain-climbing songs.”
Alpinism is an electronically enhanced pop record of dizzying highs and claustrophobic lows, whose painstaking conception shows in its detail-laden crevices. On the album’s best tracks – the polyrhythmic dream-pop of “Face to Face in High Places,” the nervous shimmer of “My Cabal,” the menacing lilt of “Iamundernodisguise” – Benjamin Curtis constructs layers of shoegazing, moire-patterned guitars, while sisters Alejandra and Claudia Deheza intertwine their near-identical voices like the fingers of praying hands. Throughout, the whole heavenly affair is tethered to the ground with a glitchy, tribal thwomp.
In Alpinisms, technology collides with cryptic religious imagery and airtight songcraft; knowledge begets action; and School of Seven Bells master an alien climate with effortless artistry.
I picked up the new copy of Dwell earlier this month, there is a great article about rethinking the trailer park style living that is pretty interesting for prefab home buyers(some of you probably just had chills going down your back just thinking about). The reason I picked up a copy initially was this article on Jamie Darnell’s home, I love everything about the outside of it even down the address numbers on the side of the house(which for some reason i can’t find anywhere, you’ll just have to see it for yourself).