Photographer Paul McDonough spent time during his summers in the 70’s and 80’s travelling across America and captured some wonderfully nostalgic images. Sasha Wolf Gallery is having an exhibition of the work entitled Sight Seeing through May 5th, 2013.
Excellent “Back-To-The-Camera-Shot” supercut from Plot Point Productions. A bunch of my favorites from above, but be sure to watch the piece below.
More goodness from the San Diego Air & Space Museum Archives on Flickr. These fantastically-yellowed photos, probably taken at the Skunkworks facility in Palmdale, CA in the 80’s, almost look like illustrations.
Concresco is Dutch photographer David Galjaard’s photographic account of the decaying communist-era bunker infrastructure of Albania. The interiors — and chairs in particular — are perfect.
With such stark contrast between the subtleties of the salt and the void created by cloth, at first blush, you’d think these were illustrations or oil paintings. Meet Shanghai artist / photographer Bence Bakonyi. There’s something so clever in how he twists your sense of medium & scale. Find more of his work on Behance.
Been loving the collection of photos in Michael Light’s 100 Suns, showing the first few moments of nuclear bomb tests that took place in the 1950’s. If you haven’t seen this before, the science behind capturing these images is also a great read.
Last week I was wandering around Barnes & Nobles and in the section where they put painters and other artists of the likes, there was a book called Desert Air by George Steinmetz. The book had somehow had lost it’s way home from the Photography section a few aisles down. Stuck between Monet and Ruscha, the book was like “YO TIM. I KNOW YOU LOVE DESERTS AND STUFF SO PICK ME UP.”
George Steinmetz captures very intimate photos of landscapes. Most of these from this set are from his Desert Air collection. He achieves this intimacy via paramotoring which is a giant fan backpack with a throttle attached to a parachute. He’s able to fly both very high and low at slow speeds. All I know is that when I come back from my walk across America, I’m purchasing a paramotor, taking lessons and going straight to the Mojave.
View more of Mr. Steinmetz’s stunning, non filtered landscape photography: GEORGE STEINMETZ
A captivating set of journalistic style images from the East Side Access project as of February 12, 2013. These images serve not only as a historical record of the tunnel’s construction, but as a stunning example of how far high-end DSLR cameras have come in handling high ISO images. All these images were shot between ISO 3200 – 5000 on a Nikon D4, and – more notably – at sharp apertures and shutter speeds. Images this clean under those lighting conditions simply wouldn’t have been possible even a few years ago.
Oh yeah, the tunnel is pretty neat, too.
(Edit: was asked why ‘billy j mitchell’ was in the last frame. But of course, it was to illustrate how much detail and tone remains in Billy’s skin at high ISO and in dim lighting.)
Posted by: Owen Perry