Rupert Vandervell’s series Man on Earth is less about the environment they are taken in and more about the ‘human factor’ moving through it.
Captured against the ever-changing backdrop of the modern city, these photographs highlight the presence of life and the unique visual
characteristics of the human form against the urban background.
In the words of Rupert himself:
I wanted to portray a feeling of isolation and, though remaining distant from the subject, I wanted to intrude just a little on this solitude. In our crowded world, moments like these are becoming harder to imagine.
For 100 days, Andrew Miller painted one branded object white, removing all visual branding, reducing the object to it’s purest form.
Apple chief of design Jony Ive and industrial designer Marc Newson worked together to design a one of a kind special edition of the Leica M rangefinder camera, to be auctioned at a charity event with the proceeds going towards (RED), the charity founded by Bono from U2 to support the fight against HIV and AIDS, and is expected to raise anywhere between $500,000-$750,000.
It is said that it took Ive and Newson 85 days and over 500 models to come up with the final product, which features a laser machined aluminum body and an anodized aluminum outer shell, a 24-megapixel full-frame CMOS sensor (as the $7,000 Leica M), and it includes a 50mm f/2 lens.
Enter the psych, sometimes morbid, and nostalgic world of Alison Scarpulla.
Architecture of Density by German photographer Michael Wolf, is a series documenting mega housing structures in the densely populated city of Hong Kong.
Reuben Wu put together a breathtaking collection of photos from his 6,000 mile road trip across the US.
Just wanted to preview some new work here and write a quick post about an opening I’m having tomorrow night at Subtext Gallery in San Diego, California called Anium.
The show is split into two parts, still and motion. There will be 24 print pieces on display and 4 video installations. I’m really excited about the video installations but they’re still being wrapped up, so you’ll have to drop in to check them out. The goal was to create short moving posters with no related theme. There will be 3 small 27″ screens that we’ve rehoused and one 8 ft monolith with a 50″ screen.
If you’re in the area or close, come on by! It’d be great to meet some people from the blog!
The show will be up from September 13th – October 13th at Subtext gallery in San Diego. Click here for the Facebook event. If you can’t make the opening or are interested in checking out the show online, here’s the full preview of the show and ways to purchase prints.
Meet the Minox Riga, the first true, subminature spy camera that saw actual use for espionage throughout the WWII and the cold war.
Invented in 1936 by Walter Zapp, it was the first to use itty bitty 8x11mm film (a little smaller than your pinky’s fingernail), making it tiny enough to hide in the palm of your hand, but powerful enough to take high resolution photographs of your enemy’s top secret documents.
The Riga was a true marvel of design & miniaturization in it’s day, a time when even 35mm, then a newer format, was widely considered “super compact” in comparison to the 6×9 & 120mm type cameras people were more accustomed to. Holding it up to a normal sized camera then would be like comparing an iPod Shuffle to a vinyl record today. And boy is it a dream to hold. Small, heavy, and perfectly smooth. Later versions, made of aluminum instead of the original brushed steel, even included a built in light meter. Bond-worthy for sure.
Operating the camera
To make this thing go, simply pop in a film canister, pull the camera open to arm the shutter, and click. Advancing to the next photo is as easy as collapsing the camera, then reopening it in a shotgun-like fashion, making a strangely satisfying sound as the gears spin and click into place.
You can apparently still find these cameras in working order on eBay… that is, if you’ve got 1000 bucks laying around. Regardless, it’s a wonderful example of industrial design to feed your camera nostalgia.