One label that did it perfect this year was Werkdiscs, just solid A+R with a vision and exposed new sounds to the whole industry by unveiling high caliber talent like Lukid, Actress, and their new addition Lone. It really made a hobbyist/music lover like myself get excited about the hunt of music again. What Actress brought to the table this year was eye opening and Lukid’s twist on Dub gave me another record that I could put on and not worry about skipping around.
Lone’s new LP has the charm and playful nostalgia feel like his last LP Lemurian but hits a bit harder on the kicks and just comes off brighter like the sun beams glaring off snow. If you’re a Tycho, Boards of Canada, Flying Lotus, Christ., Washed Out, Neon Indian, etc. fan there is something in this album for you.
On a side note: I kind of want to rock doubles of Karen Loves Kate, just a second there I had this player and itunes playing the song at the same time and it just sounded soo warm and thick, pure goodness.
This is pretty rewarding 19 minute piece by Piano Magic if you have the time to slow down and enjoy the ocean wave sounds and a bell, I promise its well worth it especially right around the 7 minute mark and on.
I don’t listen to Cat Power, just never felt like she was worth looking into since I felt like the whole indie world had it covered but my best friend The Tower Of Light definitely proved me wrong by playing me this gorgeous and passion filled track that she did with Dirty Three.
Ex Boards of Canada member Christ is always releasing it feels like, this seems like a pretty raw LP, not as dreamy but heavy on highs in the Mono/Poly(?) and 90’s style breaks, I like how that he is holding down this sound and doesn’t evolve into what’s popular just for the sake of doing it.
Everyone has been leaking this new Four Tet song everywhere in the blog world, let me know if you like it, it has really grown on me, but i’m still not into the vocal samples though.
In 2003 I remember hearing this mix by Tobias Thomas and it being the first mix to really catch the beauty in melody in house/techno while venturing off into indie electronic, it was super inspiring and probably shaped me and my taste in music from there on. It has this gradual gentle ramp up into the dance music like a friendly tap on the shoulder, such a welcoming collection of tracks too, if you lend this CD to someone that didn’t like house music but liked Erlend Oye then I think you’d have that person asking for more. HIGHLY RECOMMENDED mix to own.
Kaito / Erlend Oye – Release Your Body/Ghost Train (Accapella)
Sami Koivikko – Grunis
Le Dust Sucker – Mandate My Ass
Tonetraeger – Welcome Back Kotter (Thomas/Mayer Mix)
Since the success of the first two exclusive FREE EP’s ( 1st & 2nd ) that we did on ISO50 blog I asked for some musicians for more tracks of covers and edits.
Our very own Tom Croose who has helped with Playlist #4 made a dreamy edit of Beirut’s Venice track, i’ve posted this song before but I never felt like it received the proper love.
I’m sure many have covered Elvis Presley’sCan’t Help Falling In Love but 800beloved’s cover comes to us as one of the more unique and stylized one’s that i’d actually listen to. There is a bit of a 50’s slow swing plus some goth that meets post rock, so if you have your finger on the indie pulse I can only explain it to you this way: it’s like if The xx and the Editors covered Can’t Help Falling In Love, yeah something like that.
One guy to watch in 2010 is Shigeto, he can do what that Los Angeles Flying Lotus crew does but he actually plays the drums live at all of his shows and comes from the same town as Dabrye and Samiyam. His edit of Ravi Shankar is a better representation of his rhythms in his original work, you definitely should check those out if you like fatty synths and dub style kicks.
If you downloaded the last FREE EP here you might of heard the M83You Appearing edit which might be a favorite of mine still. Well Ryan Cavanagh who is half of producing duo Worst Friends, DJ’s as Slowhands, and produces as Addled comes back with an edit of an IDM classic by Aphex Twin. It has the right amount of the original and hints at taking it to soft Tech House land but is definitely more dreamy than dancey.
Grizzly Bear’s last album, Veckatimest, has been on constant rotation over here for a while now but I had somehow missed this Patrick Daughters directed video for “Two Weeks”. It’s been haunting me ever since, I can’t stop watching it. At first it’s seems a little strange, but it’s just so beautifully shot and somehow very fitting for the vibe of this song. I love effects like these (the big eyes, etc) where you can’t really tell what’s going on for a while, it’s so clean and subtle. Warp has a full HD version posted up on Youtube here that really highlights the attention to detail. I love seeing such simple compositions that are so moving. This is all essentially one shot and it’s got me glued to the screen. The rest of Daughters’ videography reads like a who’s who of indie music, with work for bands like The Shins, Feist, Snow Patrol, and Interpol among many others.
The new Tycho Coastal Brake 12″ single is now available for pre-order at the shop. This 180 gram vinyl pressing is limited to 1000 copies, the first 50 of which are signed and numbered. Each order includes the MP3/WAV version which will be immediately downloadable on the release date, December 8th, 2009. Here are some audio sample clips:
This Editors song might have some of the best/worst lyrics i’ve heard in a while, all the food stuff just grosses me out but how he sings “Well love, it isn’t felt” well then i’m all in a big fan, not a huge fan but a big one, its the little things sometimes.
Walked into Turntable Lab Annex tonight with my mom[we were looking for a watch] and heard this Mark Ronson remix of Miike Snow, i’m a fan to be honest and I never listen to this kind of music but now when someone asks me to play Raggae i’ll have one song to play them.
I feel like Flying Lotus has a slew of soldier musicans all across the world and Mike Slott is becoming one of my favorites out of that crew, he can get a bit more cut up then what i’d like to share with people as a song that I love although he can still make my head nod.
Computer Jay’s track Distance is what I hope to hear more of in 2010 which is heavy on making your synths sound melodic and large, I see him sitting with acts that are on the rise like Mux Mool, Rustie, Falty DL, Paul White, Lone, etc.
You may recognize Etienne Jaumet’s face from his past project Zombie Zombie which was a pretty influential band back when. The part that grabbed me towards posting this song is how his soundscapes aren’t on autopilot, there is a ton of well done synth work here, nice to hear someone on a rack of gear that has talent and knows how to use it all.
Some of my close friends probably can’t go a day without listening to Dubstep these days, I can see why, its one of fastest growing/addictive genres i’ve heard in awhile, it towers over what slow disco and minimal did. 2562 probably more known for his less dense material brought to the table a high impact package of goodies, a definite highlight for 2009’s dubstep output.
I was hoping for a Pocketknife and Mark E collab at some point even if it was just a remix. You see if you follow the music on the blog I do my damnedest to keep up on all things Mark E since his production style is one of my personal favorites, he blurs the lines of darker deep house and slow disco which always makes a song grow nicely.
Ahh the redheaded stepchild of this music post, Film School can be pure cheese at times but also in the right mood these strings in this song make a minute just a bit more sweet.