The little penguin made his iPhone debut last week with the release of the Plancast iPhone app. Everyone is at SXSW right now spreading the word and drumming up support. I designed some emergency t-shirts and business cards for the excursion and I’m excited to hear how it all went. Should have some pictures of that material this week — I’ve yet to see them in person due to the time/production constraints. Plancast also had a big article in the New York Times a few days ago which was exciting to see. If you look closely, you can see a wee version of the logo in the screenshot. Too bad the penguin didn’t hit the front page!
When I wrote about this project last week, I forgot to mention how different the post-production time has been compared to my normal project routine. For just about every one of my process posts I’ve written here, the work has always been completed in school for an assignment. Once the project is complete, it’s over as far as just about everyone is concerned. It’s been exciting to see this one continue to evolve in the real world — like winding one of those wind-up toys and setting it on the table.
I was hired about three months ago to design a logo and consult on the brand identity for Plancast, a local San Francisco start-up founded by Mark Hendrickson and Jay Marcyes. As you can probably guess from the name, Plancast a way to broadcast your upcoming plans to your friends; or as it’s often described, Foursquare for the future. The site is exceptionally easy and helpful, and I encourage you to check it out.
By the time I joined on Plancast was up and running, but they were without a logo or distinctive visuals. I began work in December and we agreed on the finished logo a few weeks ago. The project was easily the hardest I have ever completed — as well as the most fulfilling. I almost destroyed myself developing this logo and I am really excited to share the process with you here.
I did it. I am now a very proud owner of the Canon 5DMKII. It took months (years) of deliberation (pretty much since Scott wrote this article) and I finally pulled the trigger. I know the rumors are swirling about Mark IIIs and the etc, but once I heard about the upcoming 24fps firmware update I decided it was time. No more waiting. I’ve been shooting on a Nikon D40 since I started school and it was definitely time for an upgrade. (Though I still love the SB 600 flash — took the photo above)
As soon as I pulled it out of the box I was in awe. People say that Canons feel cheaper due to the construction materials, but I disagree. This thing feels like it could level a small village if thrown at the proper angle. Pair the body with the kit lens (24-105) and you have one serious piece of machinery. I purchased through Adorama because they seemed to have the best package deal. Just about everyone sells the body for $2499 at the moment; Adorama throws in a shoulder bag and a 16GB card. (Update: Or at least they used to…it must have been a temporary special price because now that package is listed higher. Keep an eye out in case it comes around again.)
My shots so far have been decent. Honestly I’ve only had it for a few days and have yet to really take it for a photography spin. I’ve mainly been experimenting with the HD video feature (a large part of why I bought the camera). After numerous videos of my shoes and other random subjects I decided to test it out in a music video scenario. Nothing crazy, just a acoustic performance like I usually do on Youtube (till now I’ve been shooting on an embarrassingly old MiniDV camcorder that is almost twice the size of the Canon). You can view the result here.
An unexpected issue with the completion of that video was the post-production file format mess. Apparently Canon had no interest in making things easy on us (although that looks like it will change this month). I ended up following the steps outlined here on Vincent Laforet’s blog with great success. I imported to the desktop, converted H.264 to Apple Prores (tanked my drive space), imported to Final Cut, sent to Color and back, exported using Quicktime H.64 compression, then uploaded to Youtube. Kind of a long roundabout process, but things went smoothly. As is true for the still shots as well, you immediately notice how much more control you have over the image in editing mode. Edits that used to crunch up image quality or produce unwanted noise no longer do so at all. The picture is so clean that you can tweak away to your heart’s content without ever losing the integrity of the image.
As I said, I’m just getting my feet wet with this thing and I’m sure I’ll have more to say about it once I field test it a lot more. I’ll be going to Japan in May and am looking at that trip as a great opportunity to take thousands and thousands of pictures and crash my hard drive with absurd amounts of footage. As I continue to experiment with this wonderful object I’ll put together a more complete review. In the meantime, for my sake, cross your fingers Canon *doesn’t* come out with any shiny new cameras anytime soon.
I wish I could say these were from when I was younger, but the closest I ever got to BMX was digging jumps and watching my friends careen off of them (I went off once with a road bike, crashed, and stayed grounded after that).
Anyway the above shots were taken by Cameron Muilenburg from Hidden Clothing. It looks like he and his friends were pretty good — not only at riding but also at capturing the experience with basic equipment (I assume Polaroid). I love the color and composition. The first one feels like a still from a film, paused at just the right moment to capture the most movement.
These images are from photographer Cedric Delsaux’s Dark Lens series. The project has been around for a while but a new set of images was just released. World Famous Design Junkies has a great write up of the history of the project. They detail the three waves of content releases and go into a little more detail.
Local San Francisco studio Lab Partners is Ryan Meis and Sarah Labieniec. I recognize a lot of their work from Monocle (a magazine with a real knack for sourcing mega talented illustrators). Lab Partners’ work is great because of how well movement is conveyed. You can really sense the hustle bustle in each scene. Just look at Monsieur Boudin (the stylish dachshund)! He is cruising on that Vespa. Of course the color is great too — not to mention a bit unusual — I don’t usually post yellows, purples, and oranges all in the same post.
Tata Vislevskaya has some incredible pictures of the Swiss Alps. This is something I really enjoy; shots of epic landscapes like this, paired with this style of processing. I love seeing the blacks turn to purples and blues (especially in the mountains on that first one). The rest of her series, especially the ones of Iceland, really spurs the travel bug in me. I’ve always really wanted to go to Reykjavik.
A few killer works by Justin Allen LaFontaine. I had the Up North one on my blog a while back, but forgot how cool it was until today when I was perusing the electronic basement as it were. I wonder where that photo was taken.. Would love to see some recent work by Justin!
Matthew Lyons is an incredible illustrator. Just about every blog in existence has written a piece about him recently — and it’s no surprise — his work is absolutely stunning. As I mentioned in my post, the combination of his vast imagination and impeccable eye for color and composition begets some really exciting work.
I asked Matthew if he would prepare a short process description about one of his recent works. What follows is Matthew’s description of how he created the piece you see above, The Snide of a Scoundrel Man. Take it away Matthew!
The third season of Layer Tennis starts today! I must say, today’s lineup is one of the best I’ve seen; this promises to be an exciting match for sure. Khoi Vinh, Design Director of The New York Times, will play against Nicholas Felton, designer, blogger and creator of the Feltron Annual Reports. Coincidentally, both competitors were part of the Creative Block post…hopefully they each will take their own advice and create something awesome.
It all starts today at 2pm (Chicago time). Tune in here.
I’ve never really posted on fine art before, but these are works by Ed Rucha are my absolute favorites. I’ve seen one of these in person before but I have no memory of where I was. I am pretty sure the NYC MOMA has Ship Talk. I do remember that when I saw it, I froze for about five minutes in front of it; incapable of moving or verbally expressing why I was frozen. All I could think about was how much I needed to own it so I could stare at it all the time. I imagined fantastical scenarios where I would make a lot of money and purchase it instantly. I have never felt that way about any other work of art. It was simultaneously a great feeling (to have found something I loved so much) and a horrible one (for reasons I still don’t understand). Pictured above:
Like the Richard Misrach pictures I posted on a while back, I hesitated posting these in a 450 pixel wide scenario. You really need to see these in person to get the full effect. If I can remember where they are I’ll include it here. (And if anyone knows where these can be found, let us know in the comments.)
These images are recordings of mousepaths using a Java applet by Anatoly Zenkov. In addition to being an interesting aggregation of usage data, they look pretty cool (especially the ones over shorter time periods). The third image is my mousepaths while writing this post. The most telling are my frequent trips to the corners to cue my Exposé actions. Important to note that the black spots are where the mouse stopped for a period of time, not clicks as I thought at first. You can download it here: PC Version | Mac Version.
“S” – save image. “R” – restart.
The last two images are pieces by Hiroyuki Hamada. Completely unrelated yes, but when I saw the mouspath images I immediately recalled these from a couple weeks ago on bdif. I’d worry about you if your mouseclick data looked like this.
I do not know what to write. I am sitting here staring at the screen, running sentences in my head, and turning my music on and off. Earlier I went foraging for food (in hopes of sparking some magical words), but ended up getting distracted by Arrested Development for 20 minutes. This happens just about every time I sit down to do anything. I’ll probably go play the guitar between this paragraph and the next.
Of course this is a familiar situation. Often referred to as “writer’s block”, the concept of an inspiration rut is unfortunately very familiar to every creative in any field. Sometimes ideas just don’t show up to work. Given this, we all develop strategies to combat such a scenario. Not all are foolproof, but it’s safe to say that most creative people have some battle plan for dealing with the dreaded “blank page”.
Knowing this I decided to ask some of today’s most exciting artists and creators what they do when the ideas aren’t flowing. I left the question fairly open ended and asked, What do you do to inspire your creativity when you find yourself in a rut? As expected, I was presented with an array of strategies, ranging from listening to Boards of Canada in a forest alone, to cooking up a storm (recipe provided) and waiting for the mind to clear.
What follows are 25 strategies from these creatives to spark your inspiration; hopefully you’ll find something helpful in there. I encourage you to list your favorite strategies as well in the comments. We can never have to many of these…
This is what might happen if a trash compactor had impeccable taste and color sensitivity. The work of Michael Johansson is unique and impossible to categorize. You really have to look closely to see how random and unrelated the objects that make up these blocks actually are; yet they still match up perfectly. I can’t imagine how long it must take to source materials and eventually place and align them so precisely. Would be like building a puzzle where each piece was made by a different company and then scattered throughout the world.
This was easily the best ad of the Super Bowl hands down. It was exciting to see Google’s first Super Bowl advertisement ever (and first TV ad period I think…though there may have been the odd commercial early on). Apparently “Parisian Love” as it’s called was available for viewing well before tonight as part of Google’s Search Stories. Anyway I found it refreshing and clever; a nice change from the rest of the nonsense.
On average I was very disappointed with the quality and originality of the ads. I was surprised how many concepts seemed to double up (not only that, but also play consecutively). Tackling was a surprisingly frequent punch line. Yawn. I think Super Bowl ads peaked sometime back in the late 90’s early 00’s. Cheers to Google for putting out something worthwhile.
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04/26/10 - 
