I’m into ASAP Rocky, I questioned posting it on ISO50 but after I heard Peso then this Clams Casino I almost made ASAP Rocky feature post. I can hear the Art Of Noise sample which gets comfortable right away and I just can’t deny how good the beat is soo it gets the top song. HIGHLY RECOMMENDED. NSFW.
I found Kyson via a podcast by Nueva Forma, it instantly grabbed my attention because of the dub aspects but fused together with wonderful usage of guitars, one of the easiest songs to get thru, just glades along.
I’m late to the Youth Lagoon parade i’m sorry, it was actually difficult to find a song to post though because I wasn’t falling in love with anything right away like people seem to be doing until I heard July.
M83 live on an insane level when it comes to emotion, really tweaked and thought through tracklisting, made you leave on a high, I personally loved his synth work on stage, I keep playing Klaus I Love You on repeat.
M83 drops the first single with an epic intro for his upcoming album Hurry Up, We’re Dreaming. I would have shared the cover art but its far from being anything ISO50. I find the single catchy especially with the sax solo, makes me feel like have the gained the skills to be able to leap from one skyscraper roof to another but I don’t recommend anyone doing that. Download the single here for free.
C-Beams comes to us from a small Hamburg label called Smallville, who in my mind are the front runners of keeping the early sounds of spaced out minimalist detroit techno alive and well.
Matthewdavid takes on an important role in the beat scene, tied in with labels like Brainfeeder, he becomes a key piece in keeping a mostly beat focused label very interesting by offering up hazy lo-fi sounds.
Alright let me explain, James Ferraro isn’t a normal sound for the ISO50 blog BUT holy shit! its like my VCR is broken, the sound damage is soo authentic its beautiful. The synth line is amazing and the sequence changes are perfected by completely just cutting tape and taping the next part together in the toughest way possible, amazed.
I got a chance to check out the M83 / School of Seven Bells show last night at the Fillmore (sorry for the bad pic, all I had was my iPhone). School of Seven Bells is a recent signing to Ghostly so it was nice to finally see them after hearing so much via the label and Jakub’s posts. M83 put on a great show as well, I saw them a couple years back at Bimbo’s 365 with Ulrich Schnauss and it was somewhat tame so I wasn’t sure what to expect this time. It was still your average shoegazy affair but there was definitely a different level of energy to the whole thing. A nice touch to the was their synth rig. I spotted a Doepfar Modular and a DSI Prophet 8. I could have sword I saw a Jupiter (6 or 8, not sure) in there, but given that all their other analogs were modern I’m betting it was something else. The only thing I was disappointed by was the lack of visuals, although the lighting did a pretty good job of making up for it. Anybody else catch the show?
And here are the videos for Teen Angst and Don’t Save Us From The Flames, both of which fit very well stylistically with the Graveyard Girl video.
Hatchback and Sorcerer have done it again by teaming up as Windsurf for an LP, another full collection of tracks in 2008 that we can sit down and listen to all the way thru. The release is available only in Europe right now but soon to be here in the States but if you live in California you can catch them today at the Apple Store, San Francisco October 30, 7:00 p.m.
I’m sitting in a friend’s studio and he asks me what would you love to hear really loud since he has an amazing setup and my first reaction is wanting to hear the guitar’s right after the intro of where Slowdive’s Souvlaki Space Station drops in. I’ve always wanted to hear this song live over anything in my life.
After that, i wanted to compare that sound to The Verve’s spaced out Gravity Grave so i can compare in my opinion the 2 ultimate shoegaze tracks. It was lovely, almost as good as it being live in a few parts.
Then, to really take it to a dark and heavy side we put on The Reflecting Skin’s (who is pictured above) Year of the Knife which is an absolute monster. You look at movie trailer’s these days and they end up using some weak heavy metal track or some bad sped up Orbital rip off electronic track from the mid 90’s, why not something with more of an emotional connection that people won’t forget? The latest trailer for the movie Watchmen was perfect, i think it sounded like Billy Corgan from The Smashing Pumpkins, it couldn’t of been a better pick for the footage shown, I still remember it now perfectly clear.
As for the last track, it’s an edit that Addled did for M83’s You Appearing, i felt like i couldn’t of posted these songs without an M83 track but needed a song that was exclusive for you guys, you can download the song on Addled’s myspace. The original is very similar to this but he added the perfect touch to the rhythm section so its a little more driving.
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The first Tame Impala remix hits the internet, its soo respectful of the original I want every kid that produces to understand what a job well done sounds like, its fitting and feels like its not chasing fads and trends.
Ulrich Schnauss came back into my world by updating his Soundcloud with remixes, tracks that I missed completely. This might be the most delicate shoegaze drum n bass you’ll ever hear, its just gliding swiftly the whole time, a great rework.
Do you remember Output Recordings? Trevor Jackson brought the world Colder, Circlesquare, The Rapture, hell you could probably even say Four Tet, etc. you get the idea, without that label the beauty in darkness would be missing a good deal of warm and restraint without that label, I imagine if they were still around Jon Convex would fit perfectly on their roster.
We’ve supported almost every single off this DIIV album, its just the most proper summer record to come out of the east coast to capture what I want to hearing without thinking about what to listen to. Recently they called on Memory Tapes to make something dancey for them, works really well even though a Weird Tapes(same guy) remix would have taken it to the next level.
Invisible Creature is a Seattle based design studio comprised by brothers Don and Ryan Clark. From music packaging and band posters, to logos and identity, these guys do it all and they do it well, to the point of even being nominated for 4 Grammy awards for their music packaging.
Really enjoy their great use of textures and clean vectors.
They are also behind the Sasquatch Music Festival identity, which Tycho will be playing at the end of this month, along acts such as Beck, Apparat, Purity Ring, Gardens & Villa, Com Truise, Star Slinger, Active Child, Lord Huron, to name a few.