The 1960s had some of the most interesting design. The typography and photography really pushed design in a beautiful direction. These 1960s Life Science book covers and graphics bring on such a wave of nostalgia. The typeface used in these was perfect.
Search Results for: 1960s
Ducking into used bookstores over weekends and after work, I have become a bit of a sci-fi paperback junky. I love the feeling of rummaging through stacks of forgotten paperbacks and discovering that hidden gem of a cover. There is just something about the idea of the future as illustrated by artists of the past that I find fascinating. If you do enough digging you can come away with some great covers for under a few bucks. Recently I began scanning and cataloguing my finds and this has led me to the idea for a new blog series I will be posting here on Sundays. Every week my post will be inspired by one of the covers I own or a new find. Some of these may be well known while others more obscure. I look at this as a way to learn about and resurrect some of the great cover illustrators and designers of the sci-fi genre. If you have suggestions or your own favorites, leave a comment or contribute to the collection of covers with a nice straight on shot of your find and tag it #Sundayscifi on Instagram. I started the tag off with a few of my own images but I would love everyone to include their finds.
To start the post off, I am featuring one of the better known artists of the sci-fi genre. Most know John Berkey for his illustrations for Star Wars, but he holds a massive catalogue of varying types of work. Beginning in the 1960s, he was commissioned by NASA to further their space program as part of their efforts to travel beyond the Earth’s atmosphere and ultimately to the moon. No matter the type of work, I consistently love his use of color. My personal favorite thing about his work are his spaceships. The details of his images draw you in and you can get lost looking at every tiny detail he includes.
Posted by Smyjewski
Blog favorite Matthias Heiderich is having his first solo exhibition in the US:
Gallery Carte Blanche is pleased to announce the opening of Spektrum Berlin, Matthias Heiderich on Thursday, July 19, 2012.
Featuring the work of German-based photographer Matthias Heiderich, in his first solo exhibition in the United States, Spektrum Berlin challenges visions and stereotypes of Germany, in particular East Berlin, through colorful eye-popping urban architectural photography.
Viewed together or individually, each of Heiderich’s images transform the banality and universality of buildings into a mosaic of geometrical shapes, reconstructing the world we live in into an abstract canvas of lines, patterns, angular compositions, and vibrant colors. Saturated to the limits of reality, Heiderich’s prints, emerging directly from a 1980s color palette and influenced by 1950s and 1960s color photography and polaroid images, look at an industrial past with a present freshness and optimism for the future.
Self-taught, Heiderich doesn’t often play by the “rules”, however the influence of German photographic tradition is apparent in Heiderich’s work. Invested in the same rigor and pragmatism as Bernd Bechers, Heiderich creates systematic photographic typologies of industrial buildings and structures, emphasizing how each building is a product of human mind and skill. Following his natural instinct for composition, in series after series Heiderich experiments, searches for individuality, and cultivates a unique style and sensibility.
Closed on Tuesdays
973 Valencia St
San Francisco, CA, 94110
For more information visit www.gallerycarteblanche.com or call 415.821.1055
These structures were commissioned by former Yugoslavian president Josip Broz Tito in the 1960s and 70s to commemorate sites where WWII battles took place (like Tjentište, Kozara and Kadinjača), or where concentration camps stood (like Jasenovac and Niš). They were designed by different sculptors (Dušan Džamonja, Vojin Bakić, Miodrag Živković, Jordan and Iskra Grabul, to name a few) and architects (Bogdan Bogdanović, Gradimir Medaković…), conveying powerful visual impact to show the confidence and strength of the Socialist Republic.
Swiss Airlines has a rich history that has been hidden in the archives for quite some time. On March 26th, 1931 when Swissair formed, I doubt anyone at the time really considered the history that they were going to be making with the company’s design. Balair and Ad Astra were the two companies that merged to form Swissair. Throughout the years they’ve changed logos many times but there was one that was most memorable (above). Quite possibly it was the best logo that the company has ever used.
Thanks to SR692 for collecting this information so that we’re able to walk through past logos used by Swissair. Some great, some not so great and a few that were very, very experimental. Hit the jump to see how the company logo changed throughout the years.
If you’re a fan of the 60′s style illustrations I’m fond of posting sometimes, you will love this book: Naïve: Modernism and Folklore in Contemporary Graphic Design. I picked it up the other day to assist me in an illustration project I’m working on now (more on that later). It’s been especially great for sourcing inspiration about color palettes. Could use a little more text though (there isn’t a word in there). There are a lot of familiar favorites inside (was nice to see Siggi Odds make an appearance), and also a ton of artists I had never seen before. Highly recommended if you’re on an illustration kick.
Naïve documents the extraordinary renaissance of Classic Modernism, from the 1940s to 1960s, in contemporary graphic design. This compilation introduces a new wave of young designers who are rediscovering the stylistic elements reminiscent of classic graphic design such as silkscreen printing, classical typography, hand lettering, woodcutting and folk art and integrating them into their work. [Link]