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After a decade without a vinyl release ADULT. has Resuscictation reissued beautifully which includes the true and authentic sound of raw dark electro.
Machinedrum is slipping in a release before the year is through. This single is pretty much perfect for the dance beat scene right now without trying to sound like anyone else, what makes it for me is that doesn’t rely on effecting the sound, just a solid loop that grows naturally but has the elements to keep a dancefloor moving, thats rare today.
Must be an honor to be asked to remix Philip Glass but who else better than Tim Hecker. There’s little aggression or fury, half the song feels like your just losing signal with a beautiful sound but in the most romantic way.
Gorgeous atmosphere from self released Drifter, sounds to me like a respectful ritual for a cave within a cave.
I see even bigger things happening for Soundcloud in the future, mainly the community within it coming closer so I decide to start a guide of people to follow if you like what’s on ISO50. One of the most stylized and trusted labels out of Germany is Raster Noton, its always beautiful to see a brand have control and always be able to experiment. It might be an odd one but its a great source, why not a PR company that chooses to covers some good bands. My old DJ partners are both off doing family and travelling but the Worst Friends project is still alive and well.
It would be difficult to understate the influence of Lawren Harris’ abstract landscapes on Canadian identity. As a founding member of The Group of Seven, Harris pioneered a distinctly Canadian school of art that departed from European contemporaries of the same era. Minimal in texture and detail, his grandiose landscapes use sweeping curves and simplified abstract forms to capture a wider, almost spiritual representation of a landscape.
Fairly covering Harris’ entire career in a single blog post is tricky, but what I’ve presented here are the some of his best known works from Northern Ontario (Lake Superior) in the 1920’s and the Rocky Mountains and Arctic during the 1930’s. I’ve also provided a look at some of the more abstract, but less celebrated work he painted during the late 1930’s and 40’s. Overall, I find most of what he painted during these years to imbue a remarkable sense of modernism, and something I’m hoping readers of ISO50 can appreciate.
I know some of you are most likely familiar with the Group of Seven and Lawren Harris, but if not I would love to know what you think and if you find the work inspiring.
Brooklyn based artist and writer Shane McAdams created this amazing series of abstract Ball Point Pen Paintings. The depth created by the color variations is quite hypnotic and mesmerizing. Shane has developed quite the technique here.
For the last month and a half I’ve been posting a series of found “shapes” on Instagram. The objects in the images are various places, signs, or vintage objects. Each image expresses my affection for simple, clean and effective design. It’s also about connecting with those lines; It’s about the feeling you get when viewing it.
It’s a challenge finding new compositions that really give off that spark, but it’s also fun. It’s also really interesting to see how others react to certain shapes and colors. Hope you enjoy!
This is one of the simplest modern homes i’ve seen in a while, there isn’t much to the overall outline. It breaks down to the stairs leading up to the bottom floor which looks like it reaches a layer of stones to walk up to the second level and then the outdoor pool sits nicely in the back. My favorite section of the home is the long wooden sides, growing up in the midwest which you get a harsh taste of every season; this detail would not be possible.
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I did a mix and interview today for Stadiums & Shrines, the mix includes some exclusive edits of Com Truise and Black Marble along with some favorites from Byrne & Eno, radio recording of Panda Bear, and kicks off with OMD.
The guys over at S&S have great questions and post huge versions of images so its a great nice blog to explore. Its pretty much the first i’ve ever talked about my design and influences, let me know what you think.
Future Totems is playing right now (above). Where is this mix coming from…what kind of space does it live in?
Future Totems is similar to some of my other mixes which are about communicating the beauty of how I see sound expanding slowly. I see it living in a naturally carved out, small cove full of very simple, large vegetation surrounding a huge slow-moving body of water; it’s a calm place yet there’s plenty of moving parts, and once in awhile everything aligns and you get these still moments.
