ISO50

Artwork by Anthony Ciannamea

Tracklist:
1. Weight
2. The Cat’s Gone Nuts (feat. Seafloor)
3. Better Than Nothing (feat. Angelica Bess)
4. Insider Out
5. Ports (feat. Angelica Bess)
6. Ended Up In NY
7. It’s All Right (feat. Angelica Bess)
8. I Assume (feat. Jesse Boykins III & Throwing Snow)
9. Stop Drop & Roll
10. Everyone’s Crazy
11. Shhhh
12. An Oceanic Escape (feat. Olivia Sholler)
13. Gee Whiz

Name:
Braille
Current city:
Brooklyn
Pets:
Ro aka Chunkers the Cat

ISO50: Dream gear set up:
Braille: What I’ve got right now works pretty well. Highlights are my Prophet 12, Rhodes, Laptop and Apollo Sound Card. I guess if I dream of anything, its having a proper piano around again.

ISO50: Dream gig line up to play with:
Braille: A Piano, Guitar and Vocal Mic
Granular Sampler with a pedal system triggering recording of each of the instruments individually
Controller to control the sampler’s playhead on each individual track

I’m gonna make this happen some day…

ISO50: Share a childhood memory that might relate to your music?
Braille: Every nightmare I ever had as a child where I was frozen by an unseen evil and couldn’t scream

ISO50: If the world lost electricity tomorrow, would you continue to make music and how?
Braille: I’d break out the acoustic guitar, find a piano and go to town

ISO50: How do you and Seafloor know each other?
Braille: We’ve known each other since our first releases during the good old IDM days. Seafloor was in a group on Merck called Landau which progressed through Landau Orchestra and Murray Flexor to its current incarnation as Body Language. He lives a block away from me in Brooklyn and has become one of my closest friends over the past 10 years or so. We’ve been working together more often the past few years, you can check out our first collaborative EP as “Rights” on Infinite Machine.

ISO50: Tell us about the album art for the EP and LP?
Braille: Anthony Ciannamea did an amazing job tying the EP and LP art together while still staying true to the vibe of the individual releases. The cover and back of the LP ties together everything from subject matter (a girl, swan feather) to instruments used (texture from a cardboard box I used for some of the percussion) without feeling too busy. Its been a pleasure to work with him and I’m looking forward to the stuff he’s still cooking up for the album release.

ISO50: Can you list off a 4 song playlist of what you listen to while
you head out for errands?
Braille: It varies but recently these four tracks have been on repeat lately:

Tim Hecker – Virginal I
Kendrick Lamar – Institutionalized (feat. Bilal, Anna Wise & Snoop Dogg)
Sufjan Stevens – Fourth of July
Flying Lotus – Coronus, The Terminator

Photo by Sean Maung

ISO50: Something your fans might not know about you?
Braille: I’m Indorican?

ISO50: Do you collect anything?
Braille: Not really. Music and Instruments I suppose, though I know thats a very boring, expected answer.

ISO50: What is your favourite sound and why?
Braille: The sound of a minor 7th guitar chord run through a granular sampler at a very slow speed with the density and duration maxed out. There’s something so beautiful about both the concept and the resulting sound. On one hand, its a beautiful, epic textural sound and on the other its a statement about the temporal nature of sound since you are exploding a single instant of audio into an endless, living soundscape.

ISO50: Is there any sort of emotional subtext, or something that inspires you to write your solo music?
Braille: Melancholic optimism

ISO50: Any tour dates lining up?
Braille: Some upcoming dates with label mate Different Sleep as well as my release party next month in Brooklyn!

15-Apr – Los Angeles, CA – Low End Theory w Different Sleep
16-Apr – San Francisco, CA – California Academy of Sciences Night Life w Different Sleep
22-Apr – Austin, TX – Empire Control Room w Different Sleep
23-Apr – Chicago, IL – East Room w Different Sleep
8-May – NYC – Mute Swan Release Party at Cameo Gallery w Seafloor & L-Vis 1990