I am very jealous of any of our readers that are able to make it to this event. Starting May 22, the Less is More exhibit will be at the Museum für Angewandte Kunst in Frankfurt, Germany. The exhibit surveys Dieter Rams entire body of work and is also accompanied by a lecture series. I’m hoping this Vitsoe sponsored roving exhibit will eventually make its way to California. Though the last time I wanted to visit a design museum, I had to all the way to Milan.
If you can’t make it to the event, do remember the 800 page catalog I posted on not long ago. This book is terrific. If you haven’t picked up a copy yet, they are available from Vitsoe and Amazon.
Awesome collection of covers from Totodo.jp, a Japanese vintage bookstore. I want the CITIES one just to scan it and blow it up on my wall. I can hear Alex’s bank account emptying.
Support Structures by Céline Condorelli “exposes an almost complete absence of literature or theory on what constitutes ‘support’,”. Sounds like an interesting concept, but honestly I would buy based on looks alone.
Helvetica and the New York City Subway System by Paul Shaw — which examines the Helvetica’s role and history in the New York City Subway system — looks like a must have for any design collector. It’s currently sold out of it’s initial limited edition but Shaw’s site says they are looking for a publisher. Let’s hope that works out.
If you’re a fan of the 60’s style illustrations I’m fond of posting sometimes, you will love this book: Naïve: Modernism and Folklore in Contemporary Graphic Design. I picked it up the other day to assist me in an illustration project I’m working on now (more on that later). It’s been especially great for sourcing inspiration about color palettes. Could use a little more text though (there isn’t a word in there). There are a lot of familiar favorites inside (was nice to see Siggi Odds make an appearance), and also a ton of artists I had never seen before. Highly recommended if you’re on an illustration kick.
Naïve documents the extraordinary renaissance of Classic Modernism, from the 1940s to 1960s, in contemporary graphic design. This compilation introduces a new wave of young designers who are rediscovering the stylistic elements reminiscent of classic graphic design such as silkscreen printing, classical typography, hand lettering, woodcutting and folk art and integrating them into their work. [Link]
Less and More is the new book about the work of Dieter Rams. The book itself is massive — 808 pages of images and descriptions of Ram’s ground breaking designs. It’s bound beautifully and comes in a really nice display box. Publisher Gestalten wins again. I just received mine from Vitsoe, but you can preorder it from Amazon if you prefer. If you go the Vitsoe route, I would also suggest this poster displaying Ram’s 10 Principles of Good Design.
Less and More elucidates the design philosophy of Dieter Rams. The book is the ultimate collection of images of all of Rams’s products as well as selected sketches and models – from Braun stereo systems and electric shavers to the chairs and shelving systems that he created for Vitsœ and sdr+. In addition to the complete visual presentation of his designs, the book contains new texts by international design experts that explain how the work was created, describe its timeless quality, and put it into current context.
Insect54 has some great shots of Schweizer Grafiker / Graphistes Suisses, a B&W masterpiece of 1960’s Swiss design.
“Designed by Siegfried Odermatt this book features a spread on every member of the VSG (association of Swiss graphic artists). It features many of the great names in Swiss modernist design: Müller-Broockmann, Fridolin Müller, Nelly Rudin, Max Schmid, Siegfried Odermatt, Hans Neuburg, Richard Paul Lohse. It even lists their addresses.”
Insect54 has a great Flickr set of 70’s and 80’s Modern Publicity issues. Still waiting to find a stack of something like this in an old closet or at a garage sale, not holding my breath. Where do you find stuff like this anyways? I suppose at this point it’s down to going to shows and swap meets, I doubt there are many gems like this just floating around anymore.
Published Annually by Studio VIsta. Showcasing the best work submitted by designers from around the world.
Shown here are:
Number 40 –– 1970/71
Number 42 –– 1972/73
Number 50 –– 1981
