I went to a Minimal Wave show once here in New York, probably one of the more memorable shows i’ve been too because of the dark atmosphere and hidden venue. The girl that djed played some stuff that sounded like Oppenheimer Analysis at times and I recently just found out that they originally came out on Minimal Waves label, well that was a nice coincidence, definitely a great synth pop song.
Policy of Truth.
Anyone ever see Air France LIVE? i’d like to know how they would do a show of their music live? maybe they just DJ? either way if you’re sick of MGMT and need to pull it back a couple notches than try this song No Way Down.
Simple yet to the point, Onra has a nice hold on abstract hip hop world right now with Nosaj Thing, Mux Mool, Hudson Mohawke and Samiyam.
Track Listing: Flying Lotus – Massage Situation
Wax Stag – Folk Rock (Bibio Remix)
Jorge Ben – Cinco Minutos (5 Minutos)
St. Vincent – The Strangers
Todd Rundgren – I Saw the Light
Maria Helena Toledo & Luiz Bonfá – Whistle Samba
The Long Lost – Woebegone (Flying Lotus’ Luckiest Charm)
Isan – No. 1. (Lent Et Douloureux)
Peace Orchestra – Shining
Mount Kimbie – William
Metronomy – A Thing For Me (Breakbot Remix)
Superpitcher – Sad Boys
Bullion – That’s Not Dee
Césaria Évora – Angola (Get Down Dub By Pepe Bradock)
Ecstatic Sunshine – Duck
Born Ruffians – Litle Garçon
Cass McCombs – I Went To The Hospital
George Harrison – The Light That Has Lighted the World
Johnny Cash – Country Trash
Santo & Johnny – Sleepwalk
I have 39,447 fonts on my computer. Or at least I did, up until about 30 minutes ago when I cleansed my machine of all the typographic nonsense that was polluting my list. I had thought about doing this font purge for some time, but hesitated, just in case I might one day need to design a document using the official Jedi Knight font, or something similarly ridiculous.
I remember hearing Massimo Vignelli say in the Helvetica documentary that he only uses about three typefaces. I was embarrassed at the time, thinking of my infinite list compiled over many years of dafont downloads and “BEST FONTS!!!” torrents. I guess I considered myself a typeface collector and I worked hard to “get them all”, even if I had no idea of what use some of them would ever be.
As I progressed through school, I noticed that just about everything I had ever designed used the same 5-10 typefaces. Every time I opened Illustrator I scrolled endlessly past hundreds of handwriting fonts, “distressed” fonts, you name it; always searching for the same go-to options. When I did deviate, the work usually suffered.
After much deliberation, I widdled my list down and trimmed the fat as it were. No longer will I be tempted to use weird knockoffs of Gotham or Helvetica clones. I consider myself much better off because of this — not just because it’s easier to manage a smaller list — but because the typefaces I kept are good typefaces. They’ve stood the test of time, and are the result of a tremendous amount of hard work and development by expert typographers. I know something about each one; who designed it, where it came from etc. In this way it’s a bit like my iTunes library; I probably have about 60,000 songs, but mainly listen to a few selected playlists. I have thousands of songs with a play count of “zero”. Why I keep them around I have no idea.
The book pictured above is 30 Essential Typefaces for a Lifetime by Imin Pao and Joshua Berger. It’s a good place to start if you are considering a font purge of your own. (Though I disagree in a few places; for example I would not include Trajan on my list). My final count is now about 50 typefaces; a much more manageable number I’d say. It’s not Massimo’s magic number — I don’t think I could survive on three alone — but scrolling through 50 sure beats scrolling through 39,447.
note: I, and and many designers I know, tend to use the terms “font” and “typeface” interchangeably. Technically this is incorrect as they are not the same thing. Both this and this article do a good job illustrating the difference. Old habits die hard for me; I didn’t actually know there was a difference until about a year ago, so it’s taken some time for me to change my language.
“We used a brand new generation of the Pace/Cameron system developed by Vince Pace and James Cameron,” says Kosinski. “I think we’re the first film to use full 35mm sensor cameras in a 3D rig.” – Joe Kosinski, Director of Tron
Ricardo Villalobos is known for his lengthy 14+ minute mind melting tracks in the techno world but he has this worldly draw I think when it comes down to rhythm & choice of sounds. Get to the 2:30 min mark and let it ride out, you’ll definitely hear why he goes for soo long. HIGHLY RECOMMENDED
It’s Shari Vari by A Number of Names, hopefully this song doesn’t need an introduction.
I follow Ras G on twitter, the dubstep artist that is one of the more hardcore dubstep supporters out there that has the pure passion for the music.
If you know me or if you’ve ever walked into my room you’ll know i’m a huge Police/Sting fan. Lately i’ve been working on edits but mostly of songs by The Police. The more I listen to their whole catalog the more I find small glimpses in songs that have perfect loops in them especially in this song Invisible Sun.
Sun Electric – Toninas – (Ricardo Villalobos Remix)
Here’s something to keep you busy over the weekend: The Ghostly Discovery App for iPhone. The free app allows you to create streaming playlists from the Ghostly catalogue by choosing a “mood” via a spectrum color wheel and a “style” via fader-like sliders. It’s sort of like Pandora but instead of picking a specific artist, you use the mood and style of the music you’re looking for as a starting point. And of course, you can find some Tycho stuff in there too. Check it out here
Update: Sorry, but as many of you pointed out in the comments, the app is not yet available internationally. Ghostly is working out the international licensing issues and it should be out soon. You can sign up to be notified when it is available by entering your email at the bottom of this page.
Whenever I see images like the ones below by Drew Gardner, I always ask myself how the hell they do it. Apparently they do it with $36,000 cameras. That’s not to say it’s all about the equipment, but 39 mega pixels doesn’t hurt. The Phase One camera system seems pretty incredible: a medium format, full-frame sensor that can produce “Noise-free exposures of up to an hour”. Crazy…
Artistically Gardner’s work (examples below) isn’t really my style, but technically it always amazes me that people can create images like this. The Strobist recently mentioned Gardner and his Phase One Masterclass. At $2,850 I won’t be attending anytime soon, but it would be great to see the process of someone who has mastered photography on this level.
Here’s a peek at Gardner’s process in his “Epic Location Photography” trailer:
I’m all about lonely and melancholic photography this week — though more importantly — I’m really into the effective implementation of a deceptively simple concept as seen above. Like Nobody is there, this series by J Bennett Fitts steers clear of any human subject; this time with a slightly more ominous tone. The focus of No Lifeguard on Duty is the abandoned swimming pools found throughout the country, usually alongside a similarly neglected hotel/motel from the 60’s. Just in time for summer! (At least in San Francisco…elsewhere in the country a more appropriate summer image might have the pool filled with water and people frolicking about. Here, summer means cold and foggy.)
Swimming pools are signs of spiritual optimism, economic prosperity and the hedonistic good life, so the image of a pool dried up and cracked or half full of dirty water becomes a symbol of disappointed hopes and dreams. A sign on the wall by a pool that was filled in with grassy sod says, ”No lifeguard on duty,” which is funny at first, and then starts to sound like an ominous judgment about modern American life. Ken Johnson