Here’s a beautiful 3 part vignette shot by director Riley Blakeway of Taj Burrow and friends in Fiji. Filming in a place like this, with surfers of this caliber, you’d expect it to look great and it does. Riley goes a little further to make it something else with the color and grain work, which I really appreciate. All three pieces have a great organic film-like grain and the color grading is spot. A feeling and look that you can’t just do with a plug-in.
When I first watched it, I was convinced this was 16mm and maybe super 8mm in spots. Here’s the kicker, “All of the surf vision was shot with the EX1.” says Blakeway. He also added that intros and outros were super 8mm. The camera is the Sony PMW-EX1, a type of camera that is similar to what a lot of us were used to shooting with before the Canon DSLR days. Not a 5D, 60D or even a RED Epic, which is great to see. I’ll try not to get into the technical too much on this, because it’s simply well shot, well edited and graded. His attention to detail is great on these, well done Riley.
I’ve been waiting for this Sepalcure song to drop since I heard Praveen play it on his PercussionLab radio show, sadly no vinyl or digital yet, only this video, I love these guys even if their video isn’t making much sense to me, HIGHLY RECOMMEND the song.
Digging for songs to play this Saturday at Brooklyn Electronic Music Festival, i’ve always checked out what Nick Chacona puts together, he definitely delivers deep tracks and tasty arpeggios.
On a similar tip to the Nick Chacona track but with a lot more punch is our first taste of new work from Fred Falke, people will never get sick of that filtered breakdown into a big drop style dance music, I don’t blame them as long as its coming from some quality like Fred Falke.
Droned and stretched out Clams Casino does his version of Washed Out’s single Amor Fati.
It’s funny when people call out certain music saying “oh this has potential”, I almost started to write that about A Gap Between then thought, no I just want more of this, its a satisfying listen because that seems to be my honest reaction after just 30 seconds in.
Walls are pushing forward, taking that Kompakt sound into this synthesized organic realm full of bells over swelling arpeggios, beautiful energy.
Dam-Funk is the master of what he does, he lives and breathes a sound that might get written off to the unexperienced ear or the sport watching happy hour goers but the people that understand him are highly rewarded.
Watch this AFX video, if you never were in the rave scene and just love AFX start from 5:05
Ladies and gentlemen we are floating in space…actually we’re debuting this amazing Com Truise video, its kind of a mystery/love story meets gaming thing that actually has some feeling to it, amazing work by the 10 lb Pictures crew.
Incredible, working model of an airport in miniature. Apparently this is called “real-for-real”, described by CDM as “photographing real-world things, making real things in miniature, and setting the real world into motion”. Second video has some nice making of shots. Can’t even imagine the hours that must have gone into this.
Loving this new song and video from Beirut. The video is by Sunset Television. I don’t know much about them but I remember someone telling me they were a student collective from Columbia (could totally be making that up though). Anyways, loving the humor and aesthetic; very fitting.
Ivan Maximov created these opening titles for 20,000 Leagues Under the Sea for a school project. Relatively simple, compared to some of the intricate excellence you see on Art of the Title these days, but I think they are extremely well executed. I really like the combination of live action underwater footage with some slick After Effects motion overtop. Would love to see a longer version.
A gorgeous informative short documentary about 3/11 in Japan debuted today via VBS.TV and Palladium Boots featuring Pharrell exploring the country and visiting artists and having them share their thoughts, feelings and creative work.
“Tokyo faces a new reality after the tragedy of 3/11. While persistent challenges still lay ahead, the city’s creative class is hell-bent on making sure that their hometown thrives. Innovative and resilient, they are defining the future of Tokyo on their own terms. We put our boots on and went exploring.”