You are probably familiar with the illustration work of the exceptionally talented Kevin Dart. His most recent project is the trailer above — promoting a hypothetical film and his new book Seductive Espionage: The World of Yuki 7. The film was a collaborative effort between Dart, animator Stepahne Coedel and composer Cyrille Marchesseau. I have a soft spot for trailers of films that don’t exist, and this one is truly amazing.
Art of the Title Sequence recently posted an in depth interview with the three creators. They walk through a lot of process and really go into the fine details of the production. Very interesting read if you enjoyed the trailer.
Here is the 4th installment of “Images From Where? and By Who?” So we all download and save images of items, graphics and photos from the internet daily and some of the time you have no idea where to give credit besides maybe the guy that posted it first or second randomly on a blog. I ‘d like to get some answers on a few of these but also just post some interesting pieces that we come across that might have been sitting on our drives for awhile that are go to for inspiration or just found randomly on a forum with no info attached and just look great. Either way hopefully the point that gets across here is that they are inspiring in some sort of way to you as well.
The first one has to be my favorite album cover of all time but only when someone takes a photo of the vinyl sleeve and it catches this pearly yet worn look and then a slight hue of yellow over the whole thing. Who ever thought of the idea of simply just photographing this white helmet but having that mirrored visor wins an award in my book.
I remember finding this NASA illustration and it inspiring me a lot for awhile for Moodgadget material, I could of gone without the blue and orange crayon background.
I am pretty sure this “cubes on a waterfall” was an advertisement and if it was i’ll buy whatever they’re selling…especially the cubes.
A few pieces by Argentinean illustrator Leandro Castelao. Terrific attention to detail and great color at work here. I feel like I’m looking at a retro instruction manual for some super bad ass birdhouse. Illustrations like this remind me of the work of Feric. Castelao’s are a little less intricate, but the playful/scientific aesthetic is reminiscent of some of the Fevolution renderings. Some impressive work from both artists.
These advertisements are part of a Geigy campaign from 1965. They are all letterpress illustrations by Fred Troller. Each version pairs a striking figure with a related slogan and encourages you to “Ring Geigy for service.” I probably would have called these guys up even if I had no idea what “service” they could provide.
I like Winkreative’s identity for Porter Airlines for similar reasons. I wouldn’t stack one against the other by any means, but the use flat colors, stark figures, and limited perspective at least puts them in the same inspiration folder for me. (And the panda is awesome)
These images are by New York City based artist Robert Longo. Props to but does it float for spotting these, truly a great find. I have always been fascinated with anything and everything to do with aviation, so these are of obvious appeal. The coolest thing is the process behind them; though they look like photographs at first, they are actually graphite and charcoal drawings, based off projected photographs. The background disappears and all that is left is the strikingly detailed subject. These pilot renderings are my favorite, but much of his other work is up on his site for your enjoyment.
Art of the Title Sequence has a bunch of new material up, including an interview with the minds behind the Wall-E end credits. Looks like a staggering amount of research went into this. As usual, the results are terrific. A version is up on Youtube, but as they suggest on the site, much better to consult the Blu-Ray if you’ve got it.
A few illustrations by Jonathan Calugi. I first came across his portfolio when he was featured on Behance, and have been following him ever since. The majority of his work is illustration based, but he also has created a few custom typefaces consistent with his whimsy aesthetic. His style reminds me a bit of Sanna Annukka (especially her Keane project), but with a little more playfulness thrown in. I love how random and awesomely weird it is. See the rest of his portfolio here.
Side note: I am currently blogging this on a WiFi equipped airplane, which i have to say, is pretty awesome. It’s actually a faster connection than my one at home (sigh). I usually hate flying, but Virgin America continues to make it easier and easier.