Alex Koplin is one of the veteran commenters on ISO50 blog, while he’s been working on graduating he’s also had time to work on a few collages and some free desktops for everyone. I talked to him over the phone before I posted this and he shared that Adrift by ISO50 was an influence on the work which I thought was a good choice always to look at before working mostly anything.
I’ve always been fascinated by collage. It’s a visceral technique that emerged in the early 20th century as a form of pop art, involving the assemblage of a variety of different sources of color and texture. Inspired by a few recent projects, I set out to experiment and develop my own technique for collage. These collage/number studies are the result of my first concerted effort, and I couldn’t be happier with the results. What excites me even more is the potential to apply this technique in future projects, using different color and texture palettes, and new layout techniques. I learned about how layout and order of placement dictate the motion and flow of the collage, which can be especially noted viewing the piece at a small size, or from far-away. It’s especially interesting to think about collage in this case as a digital approach to replicating a technique that traditionally relied on the physical sourcing, cutting and gluing of materials. The affordances of applications like Adobe Illustrator and Photoshop, and the abundance of pixels to source from the internet allow us to replicate these processes without all the mess, but is this still giving us the experience of bonding with the materials as we combine and re-contextualize them to form something new, expressive, and ultimately our own? I can say I did get a taste of this feeling, but there is still a barrier that existed between me and this final result that beckons me to somehow bring this sort of technique into the material world.
Browsing for inspiration this morning, I came across this set of beautiful vintage Psychology book covers by the ever so great publishing company Penguin Books.
There’s also a great set of Penguin Book designs on this Flickr account.
Posted by B3PO via Flyer Goodness
Invisible Creature is a Seattle based design studio comprised by brothers Don and Ryan Clark. From music packaging and band posters, to logos and identity, these guys do it all and they do it well, to the point of even being nominated for 4 Grammy awards for their music packaging.
Really enjoy their great use of textures and clean vectors.
They are also behind the Sasquatch Music Festival identity, which Tycho will be playing at the end of this month, along acts such as Beck, Apparat, Purity Ring, Gardens & Villa, Com Truise, Star Slinger, Active Child, Lord Huron, to name a few.
Posted by B3PO
I noticed OFFF in Barcelona is coming up next month because of Duane Dalton recent post on his Cargo Collective. We really enjoy his work, we’ll have more from him next month. Anyone headed to OFFF this year? The schedule looks great, just went thru some of their portfolios.
OFFF Festival Homepage
Eurobus is a series of photographs featuring European tour bus designs by Taylor Holland, which was shot Spring of 2011, while on various bicycle commutes around Paris, France. The series was published by Matmos Press, an independent publisher based in Montreal (QC).
This book is dedicated to the anonymous designers of European tour bus graphics, who have embraced an underappreciated art space and made it their own.
Posted by B3PO
I remember seeing a lot of Kilian Eng pop up on FFFFOUND years ago, we even posted about him about a year ago. I went back and checked out his Behance update, some amazing illustrations.
We’ve featured Atelier Olschinsky before for their fantastic photography and I have to bring it back and share the illustration end as well because there’s just soo much to look at and admire. After you’re finished with the work above just take a second and look over their portfolio below, it’s well worth your time.
Atelier Olschinsky on Cargo Collective
Great work by Manuel Sepulveda, better known as Optigram, who is a London based graphic designer, art director, and record label owner (Citinite) responsible for many of Hyperdub‘s record-sleeve designs. He’s also apparently worked with Warp and Planet Mu. Really enjoy his use of color and geometric patterns.
Posted by B3PO