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Beacon’s Sugar Sculpture Record Frame

Posted by Jakub

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Soo many beautiful announcements happened for Jacob and Thomas from Beacon, first off they just announced the preorder of their debut LP along with a sugar based sculpted record holder limited to only 20 pieces. Before that they shared a new mix and some spring tour dates, all of it is here in one place along with the process video of the making of the art edition record frame.

About the artist:

Fernando Mastrangelo has exhibited nationally and internationally for the last decade. Mastrangelo uses materials such as sugar, coffee, corn, gunpowder, human cremated ash, and other more controversial substances. He often addresses social, cultural, and political issues with unconventional timely works. His works are included in numerous private collections around the world, as well as the Brooklyn Museum of Art, where you can currently see his 2008 sculpture “Avarice,” a rendition of the Aztec calendar cast entirely from White Mexican Corn.

Order Art edition (ltd to 20)
Pre-release Vinyl/CD

Deluxe Art Edition Details:
Edition of 20 + 3 APs
Includes signed and numbered certificate
Dimensions: 13″ x 13″ x 2″
Weight: 10 lbs
Materials: Sugar, Epoxy
Limited dusty rose vinyl + download card included

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Lukid – Snow Theme
Tornado Wallace – Always Twirling
Bambounou – Challenger
Tiger & Woods – T&W Lab File #07
Unknown Artist – What You Need (Coat of Arms Remix)
Marcus Mixx – Special Creme (Rub It Mixx)
S.K.A.M. – Outside The Box (Homework Perspective)
Shams – Wasted

The Group of Seven: Lawren Harris

Greenland Mountains, c1930

Davis Strait Iceberg, c1930

Isolation Peak, c1930

Mt. Lefroy, c1930

Bylot Island, c1930

Bylot Island, South Shore, c1930

Baffin Island, c1930

From The North Shore, Lake Superior, c1927

Lake Superior, c1926

North Shore, Lake Superior, c1926

Lake Superior, Hill XV, c1925

Pic Island, Lake Superior, c1924

Equations in Space, c1936

White Triangle, c1939

Abstract #20, c1942

It would be difficult to understate the influence of Lawren Harris’ abstract landscapes on Canadian identity. As a founding member of The Group of Seven, Harris pioneered a distinctly Canadian school of art that departed from European contemporaries of the same era. Minimal in texture and detail, his grandiose landscapes use sweeping curves and simplified abstract forms to capture a wider, almost spiritual representation of a landscape.

Fairly covering Harris’ entire career in a single blog post is tricky, but what I’ve presented here are the some of his best known works from Northern Ontario (Lake Superior) in the 1920′s and the Rocky Mountains and Arctic during the 1930′s. I’ve also provided a look at some of the more abstract, but less celebrated work he painted during the late 1930′s and 40′s. Overall, I find most of what he painted during these years to imbue a remarkable sense of modernism, and something I’m hoping readers of ISO50 can appreciate.

I know some of you are most likely familiar with the Group of Seven and Lawren Harris, but if not I would love to know what you think and if you find the work inspiring.

Posted By: Owen Perry
Instagram: @circa_1983

If you’re interested watching a black and white interview with Harris, here’s something from the CBC Archives (c1961). Please excuse the commercials.

Adrift on the Hourglass Sea







Kahn & Selesnick’s amazing martian-inspired photo series, gluing actual photos of the martian landscape taken by NASA’s Spirit & Opportunity rovers, with WWII bunkers, concrete sculptures, vintage russian space helmets, and landscapes in Nevada and Utah. Mmmm.

Painter: Samantha Keely Smith

Posted by Navis






Paintings such as Samantha Keely Smith’s make me want to throw my camera away and pick up a paint brush again. I miss the quiet, tranquil nights or afternoons where it felt like it was just me and my canvas and the world around me dissolved entirely. I love inspiration like Samantha’s paintings.

According to her website, she uses oil on canvas along with shellac, varnish and enamel. I’d imagine, given the size of these paintings, that they command every ounce of your attention. They are simply powerful. Her new work is jaw dropping and I can’t imagine what they look like and how they would make me feel viewing them in person. If any one feels like buying me the first one, I would forever be your friend.

I could sit here and explain how I feel about Samantha’s work but I would rather let her paintings speak to you. Take a look at her website to see the rest of her work and her artist statement. I would be first in line to purchase a print if she offered them.

Samantha Keely Smith.