I know some of you have been bugging me for this stream so i’m happy to be able to share the Nitemoves Themes LP on the blog. Rory is one my dearest friends and the talented man you see on stage with Tycho and Com Truise and the one that posts the great vintage motor posts here. I hope you enjoy and give feedback, i’m sure Rory will stop in here and answer any questions below in the comments.
Like a dusty memory whose vivid nostalgia renders you powerless to resist smiling, the newest full-length from Nitemoves, Themes has a certain power to flood your mind with imagery, but not without reminding you of your frame of reference in the now. Setting out to refine his sound following the release of his Moodgadget debut, Longlines, Rory O’Connor, who over the past few years has been touring the world as the drummer for both Com Truise and Tycho, has left us speechless over how far things have advanced. A colorful collage of live instrumentation, modern technology, and analog recording techniques, Themes holds the listener from start to finish.
Opening with the frenetic Polypel, the tone of Themes is established in subtle details that shimmer as the horizon comes into view. Not long into the second track, Veaquis, the listener is engulfed in warm synth-drenched nostalgia that washes over the ears, punctuated by live drums. Drawing on decades bygone, Themes continues to flutter like the reflection of light off water, giving in to raw emotion that plays out in syncopated drums, F1 screams and ambient swells, fading away to gently return the listener to their childhood bedroom with a music box at their feet.
A game designer and programmer, James D. Sachs created his art using his Amiga, usually at lowest resolution (320×200). Amazing stuff. Makes me feel like I’m playing EcoQuest again.
This has been one the most outstanding branding for a release/musician i’ve ever seen. The vision for Oneohtrix Point Never’s R Plus Seven album has pristine art direction touching on early 90’s european surrealism which I have a have such a soft spot for. The main stand out is this video by Takeshi Murata, if you haven’t seen it yet then I highly recommend it, its like still life 2.0.
Apple chief of design Jony Ive and industrial designer Marc Newson worked together to design a one of a kind special edition of the Leica M rangefinder camera, to be auctioned at a charity event with the proceeds going towards (RED), the charity founded by Bono from U2 to support the fight against HIV and AIDS, and is expected to raise anywhere between $500,000-$750,000.
It is said that it took Ive and Newson 85 days and over 500 models to come up with the final product, which features a laser machined aluminum body and an anodized aluminum outer shell, a 24-megapixel full-frame CMOS sensor (as the $7,000 Leica M), and it includes a 50mm f/2 lens.
Enter the psych, sometimes morbid, and nostalgic world of Alison Scarpulla.
Some very impressive typography from Hungarian designer Áron Jancsó.
I don’t play guitar but i’m always eyeing the Orange amps, they catch my eye every time. Recently I saw someone post that Disco setup with the turntables and I had to dig up more, here’s some of the best images I found.
The man that gave some of us our favorite Royksopp song, Smiths cover, the face of Kings Of Convenience, and the soul of The Whitest Boy Alive, and pretty much my idol has a new single… and its in Italian. I have mixed feelings, I don’t dislike it, I really don’t want to listen to it again today because of the Olive Garden commercial guitar on it, maybe tomorrow.
Its hard, i’m not a Kings Of Convenience bandwagon fan, i’m a true Erlend fan and this just throws a few things off but not in a bad way. For the record, I enjoy how everything else meshes, that synth is actually refreshing, the flute with the bassline nails some classy early light disco that i’m a fan of. But the ukelele sounding thing when its up front, i’m just not feeling. What are your thoughts? and don’t say “why those shoes?” because I already said it.