I wouldn’t normally post something like this, but it is Friday and this is pretty good. I am having bad flashbacks from my freelance days, sort of in the same vein as this. Enjoy the weekend, but if you have clients like these, I am sure you’ll be stressing all the way through it anyways.
Stuart Dixon sent in these slides from a 1975 IBM presentation. They’re posted in a collection featured at Square America; the only information listed is the tagline at the top:
"It’s 1975 And This Man Is About To Show You The Future (Scenes From An IBM Slide Presentation)"
Have a browse through the rest of the collection, there are some really nice slides in there. I particularly like the information design examples like the last image pictured above. As far as I can tell much of it is set in Helvetica, but there seem to be a couple other faces floating around in there. The segmented slide (4th one down from top) would be great as a massive wall hanging. Someone needs to email Square America and see if we can get hi-res versions of these; many would make great posters.
Bernard Gérard "Tempo: musique pour l’éducation psychomotrice"
While I was in Detroit for DEMF last month I taped a segment for Current TV as part of a feature on Ghostly International (the label which I record for as Tycho). The feature is a good introduction to what Ghostly is about and includes some interviews with a few artists (Osbourne, Kate Simko, and myself).
Yes, it was a bit early and I think I’d had one coffee too many for that interview; no, I don’t know why there are random clips of me taking pictures of dumpsters. A couple of the pictures I was taking in those clips are included in the Detroit DEMF post. There’s also a clip of some of the actual DEMF set towards the end. The whole experience was a bit surreal; I played the opening set at DEMF around 1pm after a long night, was weird to be playing outdoors, in the early afternoon like that. The coolest part was that you could see Canada from the stage (look across the river in the shot from behind).
Some more brilliant covers from N+M (Naturwissenschaft und Medizin) Magazine. They were designed by Erwin Poell in the late 60’s. These are such incredible examples, not only are they beautiful, but they are no doubt conveying some extremely complex concepts through information design. There is apparently a book covering Poell’s work (via Thingstolookat):
Title: Entwürfe für den Alltag. Typografie, Grafik-Design, Art Direction
Author: Erwin Pœll
Publisher: Birkhäuser Verlag Basel
Also check out Things To Look At’s article on Poell and the N+M covers.
All the tracks today are remixes, all in which i feel stand strong comparable to the original track.
This Burial remix of Bloc Party is by far a favorite of mine in the last week, also i can’t find a digital version of it anywhere. I think what attracts me to Burial’s sound is the softening and quietening of that UK Garage low end, its done so well by him.
The Erol Alkan remix of Midlake sounds like a Fleetwood Mac cover to me but i just can’t put my finger on it. I’m glad its not this club bomb or noisy edit, he actually does add a great fullness to the track that is riding a thin line to being an AM Gold/beard and tinted glasses/amber lit wooden studio jam which isn’t a bad thing at all (puts on a Gordon Lightfoot LP and watches this commercial on mute).
Praveen does wonders with the track Pinconning, the resonance from the kick drum and accordion makes it sound like your listening to it while your underwater.
I was hoping with this last one that i could find an Album Leaf song that Album Leaf fans didn’t have, hopefully i did for some of you. As for the song it makes me jealous that i don’t have a xylophone or vibraphone to play on everyday but if i did have one i’d probably never get anything done.
Bloc Party – Where is Home? (Burial Remix) – purchase
Midlake – Roscoe (Erol Alkan Remix) – purchase
Benoit Pioulard – Pinconning (Praveen Says Stay Remix) – purchase
The Album Leaf – The Young Machines (The Album Leaf Remix) – purchase
Micro-House, Minimal, whatever you call it, Fabric 13 (named for the London nightclub) was my first proper introduction to a style which I’ve really come to appreciate for it’s stripped down compositions and attention to detail. I’m a self-confessed maximalist when it comes to my own music so I really admire the producers of this genre for building so much energy and emotion into these seemingly simplistic sonic landscapes. Geiger’s wonderful mix of I Think About You isn’t quite as restrained as Villalobos’ offering, but a similar ethic permeates both tracks. My only complaint is that Geiger’s mix gets cut short just as it seems to be hitting it’s stride, but I suppose that was the point, damned minimalists! Another stand-out track from Fabric 13 you may remember is Jackson’s mix of Run Into Flowers which I posted on a while back.
As for the cover, I’m not such a huge fan of the haphazard-collage / inexplicable-gaussian-blurring / drop-shadow look, and it doesn’t really speak to the vibe I’m getting from the music inside, but at least the type is well executed.
Ricardo Villalobos- Easy Lee
A quick note: I’ve installed the beta version of Martin Laine’s Audio Player WordPress plugin (thanks Karl for the heads up). This new Flash MP3 player replaces the old one and should do away with some of the quirks people were experiencing before. Please let me know if you have any issues with the new player.
In the last Blue Note post I went with the more duo-tone offerings but with these 4 covers we see a bit more color injected into the compositions. That Dexter Gordon one is choice, this sort of stuff really needs to be offered in poster form. I always wonder who actually owns the rights to these images, I assume EMI does (they now own Blue Note), so that doesn’t bode well for future large format prints.
Massive bonus round: Name all the fonts used on these covers.
By the way, if you missed it last time, there was quite a nice debate running in the comments after the original Blue Note post. Worth a read, some good opinions from people in there. But no matter how good your opinion is, you can’t sway me from my original position: Cream > White!