André Obin is similar to what I heard coming out of the UK in the late 90’s like the usual names that might make you a little less interested like Sasha or Underworld but he puts a refreshing twist to it that might be more stiff and cuts out the cheese and dishes out the vocals and synths more upfront.
Royksopp’s Night Out keeps up a great pace and offers such great dynamics, its such a crowd pleaser with elements of DJ Shadow and The Avalanches but dips into really nice psychedelic parts and the breakdown towards the end which reminds me of Pink Floyd and it fits right in without any interruption.
Now we get to probably the catchiest song of them all of 2008, Empire Of The Sun, I must have listen to this song 20 times already today. I didn’t know what to think of it first time(kind of like an episode of Tim and Eric on Adult Swim) around but now I catch myself trying to stop singing it so just be warned before you listen. The video looked like so much fun to make, looks like they had a nice size budget and plenty of freedom.
DFA has a newer signing Runaway who DJ quite often in Manhattan, a lot of distant disco guitar noodling and keeping it simple and dark, a nice way for a DJ to keep a late crowd from leaving.
Everyone knows what the Risky Business Soundtrack cover looks like so I figured I’d use this chance to post one of my top 10 favorite album covers: the Tangerine Dream Poland cover (above). Love On A Real Train is just so grabbing and epic, for me its really one of those songs that I wish I would of made. This Peter Broderick track made me realize that i’m a sucker for repetitive finger picking. I heard about Peter Broderick thru a Norwegian guest that i had staying over that performed under the name The Library Tapes, I’m glad I finally looked into his Home LP. I was really just expecting this Paul Kalkbrenner track to be another techno track but its not at all, its this dubby shuffle simple track that is being used for this movie soundtrack called “Berlin Calling“, i’d file it under “If Radiohead made simple dubby techno and didn’t use Greenwood to help”. This Clap Your Hands Say Yeah song in my mind couldn’t be better, I could put it on my headphones and block out anything I don’t want to think about and just become instantly happy, everyone needs one of these “In Case Of An Emergency, Break Glass and Listen” tracks in their lives.
Tonight I happened upon Network Osaka’s Flickr page via an unrelated search and was pleasantly surprised by a very nice collection of posters. The examples he’s posted range from classic modernism to more contemporary styles; all are well executed. Have a look at Network Osaka’s sites for more:
School of Seven Bells’ full-length debut, Alpinisms, is best introduced with a little etymology: Mercurial French author Rene Daumal defined “alpinism” as “the art of climbing mountains.” Art, of course, means many things: the perfection of craft, the transcendence of spirit, the physical world and the truth found beyond it. Alpinists, then, are both athletes and mystics. They practice “pure” climbing, hands gripping the cragged incline sans rope or guide, forcing their bodies ever-upward in the name of earthly enlightenment. “Alpinisms,” says Daumal enthusiast and guitarist Alejandra Deheza, “are mountain-climbing songs.”
Alpinism is an electronically enhanced pop record of dizzying highs and claustrophobic lows, whose painstaking conception shows in its detail-laden crevices. On the album’s best tracks – the polyrhythmic dream-pop of “Face to Face in High Places,” the nervous shimmer of “My Cabal,” the menacing lilt of “Iamundernodisguise” – Benjamin Curtis constructs layers of shoegazing, moire-patterned guitars, while sisters Alejandra and Claudia Deheza intertwine their near-identical voices like the fingers of praying hands. Throughout, the whole heavenly affair is tethered to the ground with a glitchy, tribal thwomp.
In Alpinisms, technology collides with cryptic religious imagery and airtight songcraft; knowledge begets action; and School of Seven Bells master an alien climate with effortless artistry.
I picked up the new copy of Dwell earlier this month, there is a great article about rethinking the trailer park style living that is pretty interesting for prefab home buyers(some of you probably just had chills going down your back just thinking about). The reason I picked up a copy initially was this article on Jamie Darnell’s home, I love everything about the outside of it even down the address numbers on the side of the house(which for some reason i can’t find anywhere, you’ll just have to see it for yourself).
Finally we have a new Broker/Dealer release, in my opinion if these guys were constantly making music they would be as large as Lindstrom or Metro Area. This track is like a night drive on the curvy coasts with the top down, it’s so driving yet at a pretty slow tempo. I hope this release will get these guys on the road playing live shows, i’ve only seem them once live and they have the best setup with both of them wearing brown leisure suits and all this 70’s footage of planes taking off on the hottest day. As for the D. Gookin track it’s my favorite to watch live especially the synth breakdowns, he is playing tonight in Brooklyn if you get a chance to come out. A Setting Sun is definitely a change up from the last 2 tracks, there is tons detail here very similar to older Mum without the vocals, every time it comes onto my iTunes it sounds like you’re about to go snowshoeing with the Leno character from the Royksopp video. I should of probably put this Le Technique track first since its more upbeat then the rest, do you remember Wipeout XL for the original Playstation? well this track should of been on the soundtrack if they made a sleeker and more visually beautiful version of the game where you would drive cola brown Maserati’s and wear caramel perforated leather aviator gloves.
I happened on this article a while back and its message has always stuck with me (although I still obsess over new camera gear). But even a self-confessed gear addict can admit there are some pretty interesting points in there. The article by Ken Rockwell details his theory that you can achieve the results you want with a $150 camera or a $5000 camera, it’s just about understanding and working with the equipment. I don’t agree with everything he has to say, but it’s a good read for anyone lusting after some of the new, and ridiculously expensive, DSLRs popping up. And if you need proof of Rockwell’s claim that “a great photographer can take great pictures with a disposable”, look no further than Flickr where a simple search will yield some really amazing shots, all taken with disposables. A couple of my favorites are here and here. Also worth a read is Rockwell’s “$150 Camera vs. $5000 Camera” article.
I guess at the end of the day you’re really just paying for features when you buy a high end camera body. Easy access to settings, quicker focus, faster shots: it all adds up to an easier to use camera that allows you to get the shots when they present themselves. I remember my old Nikon CP 8800 fondly, it took great photos, but it was a total pain to use and I can’t even count the number of great shots I missed waiting for that thing to focus or write to the memory card (it took forever to do both).
Since the CMJ festival has taken over most of the venues here in New York, it’s a bit overwhelming to plan out your day since your favorite musician could be playing right at this moment since most shows start at noon and end at 4 am. Last night I went to see Trus’me who was in that Tom Croose mix from yesterday and couldn’t even stay because i was so beat from the last 2 shows before. Today i’m off to see Hatchback, School of Seven Bells, Tobacco, Praveen and i think Madlib, i hope to have a full report to you all of new findings and free mp3 downloads.
André Obin is similar to what I heard coming out of the UK in the late 90’s like the usual names that might make you a little less interested like Sasha or Underworld but he puts a refreshing twist to it that might be more stiff and cuts out the cheese and dishes out the vocals and synths more upfront. 
Everyone knows what the 
Tonight I happened upon 
Since the CMJ festival has taken over most of the venues here in New York, it’s a bit overwhelming to plan out your day since your favorite musician could be playing right at this moment since most shows start at noon and end at 4 am. Last night I went to see Trus’me who was in that Tom Croose mix from