I see even bigger things happening for Soundcloud in the future, mainly the community within it coming closer so I decide to start a guide of people to follow if you like what’s on ISO50. Below I started off with frequent users that make your feed more enjoyable with quality posts.
This week we start with Carpark Records, a classic indie label that gave us Toro Y Moi, Casino Versus Japan and Animal Collective. I added Fact Magazine since they’re one of my few windows into a proper representation of what is going on in the UK. I’ve only featured LA’s MONO/POLY once, has a great ear and has some synth magic put together over some quality beat work, i’m excited to hear more.
ISO50 Blog on SOUNDCLOUD
RECORD LABEL: CARPARK RECORDS
MAGAZINE: FACT MAGAZINE
Really enjoying the work of Los Angeles based photographer Nicholas Alan Cope. There is a sense of eerieness in his work, as well as just the right amount of “darkness”, although there are a few examples of his work I came across that were a bit too much and gore for my taste. All in all, impeccable use of lines, tones and texture.
The beat world is getting speedy like 150-170 bpm sometimes. You can definitely make it sound good, there’s a few that come to mind like Machinedrum, Africa Hitech, Braille etc. You can add iTAL tEK to that list too, he makes it work, not out of trend but within the style he’s working in.
I’m obsessed over this Airbird(half of Ford & Lopatin) cut, I wish all audiobooks sounded like this.
HIGHLY RECOMMENDED: Black Marble really surprised me this morning, I found myself not being able to stop looping it, just hooky, like if Tanlines & John Maus relaxed and had to do a outro for a soundtrack.
If you follow vinyl only label Golf Channel you’ll be happy to hear they are moving into the digital world exclusively via Juno Download. I personally love their edit 12′s this one especially by Try To Find Me.
Caleb Owen Everitt is one of those designers who has such a dialed in style, you can almost instantly recognize his work when you see it. Not to mention, he has some of the coolest clients in the game from Hufnagel to Deus Ex Machina and many more. His work is always a great source of inspiration for me.
Posted by Tav Calico
In 2005, I remember switching over to the Panasonic HVX200 camera and feeling like it was the coolest thing ever. It was really the first “affordable” camera that shot HD and was able to shoot slow motion, digitally, up to 60 fps in 1280 x 720p. This was when we were still squashing output to 720 x 480, 4:3, there wasn’t a Vimeo (really), internet video was slowly starting to ramp up and no HD options online. So, that’s the backstory.
Here’s where I’m going with this, the P2 cards that we used to store data on for the HVX were almost 1/3 the price of the camera, $1,200.00 for 8GB in 2007, thanks to a friend sending me a receipt. We’re now using 16GB SD cards in our 1080p DSLRs for something like $18.00.
Yesterday, RED dropped something that made me think, a 512GB SSD card that runs “Turbo”, which means low compression when shooting larger resolutions, such as 5K at 120fps. Red also states that it has faster offload times. This card price tag weighs in at $3,900.00 and it quite literally the size of an iPhone. My first thought was, this is incredibly expensive! Then I went back and looked at what we were paying in 2005/2006 for P2 cards. Relatively speaking, this isn’t that crazy for being on the “bleeding edge”. I’m not sure what they’re running inside the cards, but it’s definitely not an off the shelf SSD configuration inside there with the data rates the camera is capable of getting, sustained.
Of course cameras like the C300 and 5D Mark III shoot CF cards that are under 100 bucks a pop for 32GB, however they’re shooting 1080p. Which for a lot of stuff is enough and looks great, but they still don’t get high frame rates above 30fps at 1080p.
Just thought this was an interesting subject and something to think about regarding the future. What do you think? Are we going to be shooting on 2TB SSD cards in a couple years? Are those cards going to be getting fed an 8K resolution and are we going to be paying $4,000.00 again for those?
Also, I just checked on the Sony solid state cards, and they’re doing 1TB for $5,700.00. So I’m guessing it’s safe to say we’ll be using higher capacity, flash media in the near future. Always interested on hearing other people’s experiences and ideas about this sort of stuff.
Really excited to announce that The Album Leaf will be joining us for the upcoming Tycho Fall Tour. Been a big fan for a long time so it will be an honor to share the stage with them. Full details here, hope to see you soon!
Tycho /w The Album Leaf
9.02 PHOENIX. AZ
9.03 TUCSON. AZ
9.04 EL PASO. TX
9.06 DALLAS. TX
9.07 AUSTIN. TX
9.08 HOUSTON. TX
9.09 NEW ORLEANS. LA
9.11 MEMPHIS. TN
9.12 OXFORD. MS
9.13 NASHVILLE. TN
9.14 ATLANTA. GA
9.15 ATHENS. GA
9.17 CHARLOTTE. NC
9.18 ASHEVILLE. NC
9.19 CARRBORO. NC
9.20 CHARLOTTESVILLE. VA
9.21 WASHINGTON. DC
9.22 PHILADELPHIA. PA
9.26 BOULDER. CO
Blog favorite Matthias Heiderich is having his first solo exhibition in the US:
Gallery Carte Blanche is pleased to announce the opening of Spektrum Berlin, Matthias Heiderich on Thursday, July 19, 2012.
Featuring the work of German-based photographer Matthias Heiderich, in his first solo exhibition in the United States, Spektrum Berlin challenges visions and stereotypes of Germany, in particular East Berlin, through colorful eye-popping urban architectural photography.
Viewed together or individually, each of Heiderich’s images transform the banality and universality of buildings into a mosaic of geometrical shapes, reconstructing the world we live in into an abstract canvas of lines, patterns, angular compositions, and vibrant colors. Saturated to the limits of reality, Heiderich’s prints, emerging directly from a 1980s color palette and influenced by 1950s and 1960s color photography and polaroid images, look at an industrial past with a present freshness and optimism for the future.
Self-taught, Heiderich doesn’t often play by the “rules”, however the influence of German photographic tradition is apparent in Heiderich’s work. Invested in the same rigor and pragmatism as Bernd Bechers, Heiderich creates systematic photographic typologies of industrial buildings and structures, emphasizing how each building is a product of human mind and skill. Following his natural instinct for composition, in series after series Heiderich experiments, searches for individuality, and cultivates a unique style and sensibility.
Spektrum Berlin, Matthias Heiderich opens on Thursday, July 19 and runs through September 13, 2012. The opening reception will be held on Friday, July 20th from 6pm–9pm.
Closed on Tuesdays
973 Valencia St
San Francisco, CA, 94110
For more information visit www.gallerycarteblanche.com or call 415.821.1055
If you were able to catch the latest Tycho tour you probably have noticed the great support Onuinu at the shows. His latest official video for his single “Happy Home” has a very human touch to it, the song is almost impossible to not fall in love with, I promise it will become a mixtape favorite for the real indie music junkies.