Hulger makes some very well executed VoIP handsets with a nice retro slant. I’d have to say my favorite is the PIP*, it’s dripping with 80’s rich guy nostalgia. The Pappa is a little heavy-handed and leaning hard into 60’s Bostitch stapler territory, but it would look nice on the right desk if I had a second office that smelled of rich mahogany and a pipe was somehow involved.
More shots over at the Hulger site
Coming across a 100% album isn’t very easy to do. On first listen of Song Cycle, it’s pure perfection blinded me. There’s not a single note I would change or a track I’d skip. Solid gold.
Parks was only 23 when he was asked by Brian Wilson to work on the famed Smile album with him. He pumped out “Heroes and Villains”, “Surf’s Up” (one of the best songs ever written), and many others with Wilson. After leaving the project, he went to write his first solo project Song Cycle at age 25; one of the most expensive albums ever recorded.
Give it a listen, and go buy it. You can get some great 180g analog master pressings on eBay.
[audio:van_dyke_parks-palm_desert.mp3] [audio:van_dyke_parks-all_golden.mp3] [audio:van_dyke_parks-public_domain.mp3]“I should think he’d fade away; the way that bohemians often bare the frigid air.”
Head over to Gorilla vs. Bear to download a recent mix, Scott and I thought the cover art was as amazing as the music.
Hey it’s live clips of new Panda Bear songs that might be on his new record, everybody flip out! the man can do anything and we’d love it, i’m actually really enjoying this song but usually I enjoy his voice more than I do here.
I realized Dam-Funk makes music that feels like a relaxing night on the west coast, I don’t think the midwest or Canada could really fully love this sound without referencing 2-Pac somehow to enjoy it as much as someone from Oakland or LA.
Here’s a new song that was posted exclusively on De:Bug Magazine’s site done by Love-Step duo Praveen and Machinedrum aka Sepalcure, I love this song and I love these guys, I want them to blow up bigger than any [fill in the blank]step producers. Nice work guys! If you want to hear more from them, check out this focused post I did a few months ago.
Something slammin’ from James Pants, wasn’t expecting this but i’m definitely not bummed in the least bit, pure summer fire for the heads.
Thanks to everyone for entering to win the Ghostly Box and tickets for the SF/LA shows. We had over 550 entries but through the magic of random number generation we’ve narrowed it down to the lucky winners. Congratulations to Nora from Culver City who won the Ghostly Manzoku Bento Box and all the others who won tickets to the shows. You should have received an email if you won the tickets.
See you out in SF and LA!
My love for Swiss design just grew substantially. Up until now I hadn’t seen any swiss or international style design pieces translated into motion. But now Vít Zemčík has done it and he has done it well.
This was an educational project made during the International Typography Workshop in Czieszyn. The task was to translate a known print design piece into motion. If you’re not familiar with the poster Vít has used, it is by Josef Müller-Brockmann, one of the greatest Swiss designers.
Lee Morris from Fstoppers did a fashion shoot using only an iPhone 3GS. As you can see, the results were nothing short of incredible considering the equipment being used. But I think this is less about the camera and more about how powerful quality lighting can be in photographic work. Of course, for a phone, the iPhone has an exceptional camera built in, but with good lighting a great photographer can make any camera take good pictures. Which takes us back to the idea that you shouldn’t ever blame your equipment, just ask this guy.
I personally don’t buy whole-heartedly into this concept. Yes, a professional with the right equipment and a lot of knowhow can get great output from almost anything. But better cameras do make a difference, they make it easier to get good results and many times are just easier to use from an interface / usability standpoint. I think this is all the more important for those of us who are primarily graphic designers. We often don’t have the budgets to hire professionals when we need photo work for projects. But we also might not have the background and expertise that a full-time photog would have. A camera like the 5D or D700 put professional results within the grasp of us mere mortals, because I’ll tell you right now, not in a million years could I get a iPhone to output the stuff you see above. But I shot a 7D last weekend and got the best pictures of my life in a living room under natural light.
But seeing Morris’ results definitely makes you think the whole thing over again.
via CeeMarie
via Domino Island
via Domino Island
One of my favorite posts I’ve written here on ISO50 was on Asako Narahashi. I recently bought the book, which I would highly recommend if you enjoyed her photos. Like all photo books I buy, it’s hard to resist the urge to cut out and frame all the pages, as opposed to letting them all live together in their intended format. A friend of mine has his Richard Misrach On The Beach book adorning his walls and it looks great.
Anyway, the point is that Narahashi’s photos were one of my favorite things I’ve found scouring the internet for the blog. The photos above remind me of her series half awake and half asleep in the water, with the obvious addition of human beings. I prefer her photos (the absence of humanity gives them their distinctive mood), but these are still captivating in their own right.
In order the photos come to us from CeeMarie, and two from Domino Island.
If underwater housings for the 5DMKII weren’t SO EXPENSIVE I would be out in the bay right now shooting my own version.
I’ll be playing a warm up set tonight to tighten things up for Friday’s show in SF. Press Club, 10pm sharp!
Photo by +Russ