1980 NASA Shuttle Video
This is like the archetype for every retro-styled with the synth-soundtracked logo build in and the crackly PBS voice over. Can’t believe this was made in 1980, would have guessed earlier from the quality.
This is like the archetype for every retro-styled with the synth-soundtracked logo build in and the crackly PBS voice over. Can’t believe this was made in 1980, would have guessed earlier from the quality.
The Colorvision series is still rolling here on the blog. Just some of the latest appealing music videos, found video, vintage revival footage.
Nils Frahm: In America this music isn’t appreciated enough for what it is, if it does get any bigger its because of Nils live performances.
Blondes: New video from a Brooklyn favorite duo, if you haven’t heard the Swisher album I highly recommend it.
1989 Enya: I’ve been going deep on the live and studio Enya videos, she’s up there with Gary Numan on shows that I wish I was born earlier to see live.
The Miracles Club: This band sort of came and went here in the states, I wish I could see them again.
You may know part of Dukes Of Chutney if you’ve been on the ISO50 blog for a few years. Part of the duo is Tom Croose who has done mixes and playlists for us in the past. He is now releasing with long time surfing buddy Dustin Lynn on Tim Sweeney’s Beats In Space label.
We’re proud to be premiering a video for their Domino EP which the vinyl is ONLY $10(I ordered mine up last week) – order/support here.
This has been one the most outstanding branding for a release/musician i’ve ever seen. The vision for Oneohtrix Point Never’s R Plus Seven album has pristine art direction touching on early 90’s european surrealism which I have a have such a soft spot for. The main stand out is this video by Takeshi Murata, if you haven’t seen it yet then I highly recommend it, its like still life 2.0.
Sure everyone knows the usual Super Mario Bros., Tetris, Castlevania, Zelda, Metroid, Jackal, Ninja Gaiden, Double Dragon, etc. What I come to realize is how much of an impact it made on enjoying certain sounds and being aware of them at such an early age. Well here it is, feel free to list what you think I missed in the comments, remember the key word is underrated.
5. Town & Country Surf Designs
The surf game no one could beat in my neighborhood, loved the loop and chord change, and the cover oh how great that cover was.
4. Super Dodge Ball – Kenya Theme
I remember playing this game for hours just to get to Kenya so I can hear those drums, that flute… wellllllll lets not talk about the flute.
3. Blades Of Steel
Oh those lower notes, I loved them, the kid in me would cry if I didn’t put a hockey game on this list so here you go you weird time traveling crybaby.
2. Battletoads
At 0:28 my child mind felt like it was glowing, made we worship delayed sounds every since.
1. Bad Dudes
It almost makes me tear up its soo good, I almost want to knock on my neighbors door now and ask him if he wants to go outside and play guns.
We’ve truly entered an exiting era of new “user experiences” and no front is exempt. From web and mobile platforms, art installations, to film and video games, there seems to be a sense that no frontier is unreachable and what one day seemed impossible, has been surpassed beyond our wildest dreams, forever altering our perception on whats “real”. Enter Box.
Box is a live performance film by Bot & Dolly, that documents a first ever live synchronized performance using 3D Projection Mapping, Robots and Actors:
Box explores the synthesis of real and digital space through projection-mapping on moving surfaces. The short film documents a live performance, captured entirely in camera. Bot & Dolly produced this work to serve as both an artistic statement and technical demonstration. It is the culmination of multiple technologies, including large scale robotics, projection mapping, and software engineering. We believe this methodology has tremendous potential to radically transform theatrical presentations, and define new genres of expression.
About Bot & Dolly
Bot & Dolly is a design and engineering studio that specializes in automation, robotics and filmmaking.
Just wanted to preview some new work here and write a quick post about an opening I’m having tomorrow night at Subtext Gallery in San Diego, California called Anium.
The show is split into two parts, still and motion. There will be 24 print pieces on display and 4 video installations. I’m really excited about the video installations but they’re still being wrapped up, so you’ll have to drop in to check them out. The goal was to create short moving posters with no related theme. There will be 3 small 27″ screens that we’ve rehoused and one 8 ft monolith with a 50″ screen.
If you’re in the area or close, come on by! It’d be great to meet some people from the blog!
The show will be up from September 13th – October 13th at Subtext gallery in San Diego. Click here for the Facebook event. If you can’t make the opening or are interested in checking out the show online, here’s the full preview of the show and ways to purchase prints.
Keeping the Colorvision series going here on the blog. Just some of the latest appealing music videos, found video, vintage revival footage.
King Krule: grabs that essence of urban youth and sharing it with a friend, soo well done without it feeling forced, trendy or marketed.
Braids: Subtle done right by this Canadian trio.
Blue Hawaii: One more from Braids leading lady Raphaelle Standell-Preston, jump to the second half, her and the singer from Diana are new favorites.
Spiegel: What a capture, I wish there was more footage of her like this.