Leif Podhajsky
Some new stuff from one of my favorite designers, Leif Podhjaski. He’s been doing a lot of work for musicians lately (Tame Impala, Bonobo, Youth Lagoon to name a few). Loving that Horrors boxset packaging.
Some new stuff from one of my favorite designers, Leif Podhjaski. He’s been doing a lot of work for musicians lately (Tame Impala, Bonobo, Youth Lagoon to name a few). Loving that Horrors boxset packaging.
Continuing with album design theme, here is a great set of Bulgarian Socialist era album cover designs, curated by SOCMUS.
SOCMUS is a virtual museum that presents different sections of the Bulgarian graphic design from the socialist era, 1944-1989, and is curated by photographer Nikola Mihov, and the architects Martin Angelov and Valeri Gyurov.
Invisible Creature is a Seattle based design studio comprised by brothers Don and Ryan Clark. From music packaging and band posters, to logos and identity, these guys do it all and they do it well, to the point of even being nominated for 4 Grammy awards for their music packaging.
Really enjoy their great use of textures and clean vectors.
They are also behind the Sasquatch Music Festival identity, which Tycho will be playing at the end of this month, along acts such as Beck, Apparat, Purity Ring, Gardens & Villa, Com Truise, Star Slinger, Active Child, Lord Huron, to name a few.
Posted by B3PO
In September 2010, Sculpture, an audiovisual performance duo from London comprised by electronic music producer, Dan Hayhurst, and animator, Reuben Sutherland, presented us with a flattened zoetrope on the surface of a vinyl record by the name of Rotary Signal Emitter (Dekoder Release 046).
The Victorian zoetrope, invented in 1834, was a three-dimensional object that consisted of a spinning cylinder with vertical slits through which still images appeared to move.
Sculpture’s animation requires the use of a video camera to convey its magic, but as can be seen from their videos the effort is well worth it. Just the knowledge of the latent potential contained within the vinyl surface serves to enhance the experience of the music and the spinning disc, even to the naked eye, is a hypnotic spectacle.
Sculpture’s music, is a mixture of psychedelia, hauntology and turntablism, is a perfect match for their striking visuals. Other films by the duo can be viewed on Tapebox (they’re very much worth your time).
Posted by B3PO Via Hardformat
Great work by Manuel Sepulveda, better known as Optigram, who is a London based graphic designer, art director, and record label owner (Citinite) responsible for many of Hyperdub‘s record-sleeve designs. He’s also apparently worked with Warp and Planet Mu. Really enjoy his use of color and geometric patterns.
Posted by B3PO
Now with the Tycho album fully mixed and mastered I’ve been thinking a lot about cover art design. Came across this interesting collection at Sarcoptiform’s flickr.
As many times as I’ve listened to Tame Impala’s Innerspeaker and thought how perfectly the cover suited the music, for some reason it never occurred to me to fin out who designed it. Luckily today I stumbled across the answer. Leif Podhajsky, the artist behind the Tame Impala packaging, is a Melbourne based artist and creative director. Really beautiful, psychedelic stuff in there. Loving how he blurs the lines between the found art and the post work, all very fluid. I believe he also works with And Melbourne who have some equally stellar work in their portfolio.
More greatness from a blog that should be in every self respecting designer’s rss reader: Project Thirty Three. So nice to have access to an archive like this; now if we could just convince them to post some high res images I could start decorating the studio.