So if the last music post left you wondering what ever happened to Digable Planets here’s at least a small part of the explanation. My favorite member of Digable was definitely Butterfly, so when I heard he had a solo project called Cherrywine I was pretty excited. The resulting album is sort of middle of the road for me, but this single is definitely strong and while the subject matter is a far cry from the revolution fomenting intellectualism of Blowout Combit’s still an enjoyable listen.
Back in 2003 when this album came out I was able to catch Cherrywine when they came through Sacramento. It was noticeably underattended, particularly considering the fact that the group was headed up by none other than Ishmael Butler. While it was sort of disappointing to see such a poor turnout, it ended up working in our favor as we got to meet Butterfly and talk with him after the show.
If you cared at all about hip hop during the early 90’s, chances are you’re a big fan of the two albums Digable Planets released during theie brief but brilliant career (Apparently they are touring again, but I’ve yet to hear of a new album). This was way back when, just as rap was turning into the complete mess we hear today and before "what what what what what what what what" was an acceptable refrain for a song. I know, I know, it’s not like everything back in the day was great, and it’s not like everything now is trash; it just seemed like it was easier to come by a well thought out, intelligent hip hop album back then.
When Digable Planets released Blowout Comb I was a Junior in High School and I had spent the previous summer installing a ridiculous sound system in my car. I think I played this album about 500 times in a row the first week I had it; I distinctly remember blasting this particular song (9th Wonder) on repeat on the way to taking my S.A.T.’s that year. Strange how you can forget whole chapters of your life but somehow you remember something seemingly as trivial as the song you listened to on the way to a test. I guess that’s the power of good music. It seems today I consume most of my music through headphones on planes or coming out of computer speakers, neither of which do this song justice, this one has to be played through the 12’s in your trunk to get the point…the bass is massive.
As for the cover art, this was the sort of thing I coveted when I was younger. I wasn’t exposed to anything even approaching good design where I grew up so album covers were one of my only windows into the world of somewhat decent graphic design. I remember being blown away by the design and packaging of this CD when it came out. Now looking back, I see it wasn’t exactly perfect, but still well executed considering. The version on the bottom is the cover for the single, which I think I had in cassette form before I got the album on CD.
Right around the time the Ghostly Swim tracklist was coming together i had to check out some more releases by some of the new faces and picked up this limited 7″ vinyl from School of Seven Bells called Silent Grips. You might remember them from the last Prefuse 73 record or saw them on a tour date with Blonde Redhead. They have this wonderful full sound that is worn down, its like if you molded together some of the best parts of Slowdive and replaced the guitars with warm synths and but brought the vocals up front and add some slower dusty Black Moth Super Rainbow percussion. I hope you enjoy.
I place songs into two categories: those that have the power to change my state of mind and those that don’t. This song falls squarely in the former, and within that category there are several subsets. I would have to say this song fits into a very rare space for me, there are lots of songs that make me feel excited, melancholy, nostalgic, etc.. But this is something entirely different and I love that. I hope you enjoy it as much as I do.
Also, the cover reminds me of The Impossible Art of Li Wei, so it’s just that much more awesome. It actually reminds me of someone else’s work too, but the name escapes me right now, anyone know who I am talking about?
I’ll be playing at the Detroit Electronic Music Festival (DEMF) this weekend in, of all places, Detroit. I have extra tickets and wanted to offer up a pair to be given away. I will pick one (1) email at random from the contest entrants, this person will be given two (2) full passes ($80 value) to DEMF. Entering is easy, simply comment on this post and be sure to include a valid email when doing so and type "DEMF Entry" in the body of your comment. Your email is not visible to anyone but myself.
I know this is a bit last minute, but we weren’t sure if the extra tickets were coming through until just today. Again, DEMF is this weekend, so you would need to be in Detroit, THIS WEEKEND. Please do not enter if you do not plan on being in Detroit at that time.
Last Saturday i was lucky enough to get into the first ever live band show of Hercules And Love Affair at Studio B in Brooklyn before they venture off to Europe to explode. They brought an amazing live disco band setup with an 8 piece band that included a brass section and 2 singers but they were missing Antony who is the singer in this track “Blind” and previously collaborated with Bjork on Volta. I hope you enjoy this change up, i’ll get into a few different genres while posting on Scott’s blog.
Hercules And Love Affair is due out in the US June 14th 2008 on Mute/DFA
The new Tycho single / b-side entitled "Adrift / From Home" will be out next Tuesday, May 27th, 2008. This marks my second release with Ghostly International leading up to the full album scheduled for next year. This single will be available exclusively through iTunes for the first month, and at all other online retailers thereafter. While Adrift is a brand new, unreleased track, some of you may notice that From Home was originally released as part of the Past is Prologue album on Merck. This is because as part of this series of singles, I’ve decided to include the extra tracks which were included on the Merck version of Sunrise Projector (renamed Past is Prologue) so that they are available individually for people who bought the original version of the album and missed out on the new material. I’ve posted a couple clips of the songs below, enjoy.
On a design note, this of course represents new ISO50 work. It’s the first album cover I’ve done in a while and I really enjoyed the process this time around. I wanted to evoke the feeling of a 45 record from the heyday of singles and go with a really reserved, minimal type treatment. It’s also meant to carry over the circle concept from the last single. Anyways, on to the music:
