Something about this home brings up a random memory that I can’t define. Growing up I was never around homes like this, but the surrounding woods look all too familiar. If I was to pick my favorite part about this house I would have to say it would be the use of the dark vertical siding for its color palette. The palette is a well-thought natural reflection of the surrounding trees.
Located in Snohomish, Washington
Architect: David Vandervort Architects
Via Wanken / Contemporist
Continue reading →
Ben Newman is a British illustrator with such an interesting use of shape, line, color and composition. Although I have no idea what some of his pieces are even remotely trying to say, I still feel a welcoming connection. My eye is seeming worked back and forth throughout each piece playfully. The bird illustration in particular reminds me of the type of illustration you’d see in grandma’s living room from the late 40s or 50s.
If you enjoy Ben’s work, check out his online shop and portfolio.
Via Wanken / Grain Edit
As a kid I grew up preferring objects that were round. Maybe it was because they seemed friendlier or maybe it even had to do with safety or maybe it was because I didn’t know any better. Regardless, I’ve come across David Jameson’s great portfolio that showcases a lot of rectangular form. Sure the same could be said for a lot of architecture but he does it very well.
This house in particular is designed with several sets of rectangular forms nested within one another. At the core of the house is a suspended meditation/lounge chamber. Although I’m not sure the exact intent of use for the chamber, I could imagine setting it up as my workspace. I wonder how the acoustics are in there…
Via Wanken
Continue reading →
Designed by John Maniscalco Architecture and resting on the hillside of San Francisco’s Cole Valley, this residence is a revitalization of a 1930’s home into a more relaxing, modern masterpiece. It sits at the end of a cul-de-sac where the first thing you see while approaching is an exceptional use of planked wood siding and black steel.
Via Wanken
Continue reading →
Usually when people shoot photos of a city or Las Vegas for that matter, it’s long exposures with light trails in a clean and typical fashion. Fellow photographer Tim Navis took a much more interesting approach and shot this beautiful set of simulated double-exposures on his Canon 5d Mark II.
Marius Roosendaal from the Netherlands is making these cool typographic design studies on a daily basis and has formed a larger collection here. It’s worth checking out.
Via BtgLondon
On the evening of Tuesday, March 8, The Architectural League gave its President’s Medal to Lella and Massimo Vignelli. The award (past recipients of which include John D. Rockefeller, Jr., Hugh Ferriss, Joseph Urban, Richard Meier, Robert A.M. Stern, and Robert Venturi and Denise Scott Brown) was given to the Vignellis “in recognition of a body of work so influential in its breadth that it has shaped the very way we see the world.”
Pentagram’s Michael Bierut, an Architectural League vice president who began his career over 30 years ago as a junior designer at Vignelli Associates, designed the the program we see here. The five different covers featured a quote from Vignelli printed in PMS Super Warm Red and set in Helvetica of course.
So why are these five Vignelli-isms important?
When I first came across this I immediately saw five lessons to live by rather than just five miscellaneous quotes. They appear self explanatory but read each and give it a moment alone in your mind:
One life is too short for doing everything.
We like design to be visually powerful, intellectually elegant,
and above all timeless.
If you can design one thing, you can design everything.
If you do it right, it will last forever.
The life of a designer is a life of fight against the ugliness.
Posted via Wanken
Continue reading →
Super 8 and 8mm have always been my favorites when shooting video. Although transferring the film to digital has posed problems mainly because of its expense and decline in locations to transfer. The video above by James Miller shows his method for transferring 8mm footage to digital using the beloved 5D Mark II and an Eumig Mark 501 (or the Eumig 610D & the Eumig Mark DL). The end result looks great, is much much faster and way less expensive. Now I just need to get a 1D Mark IV or 5D Mark II.
Hit the jump for more information on the process and the transfer results.
Continue reading →
