Local San Francisco studio Lab Partners is Ryan Meis and Sarah Labieniec. I recognize a lot of their work from Monocle (a magazine with a real knack for sourcing mega talented illustrators). Lab Partners’ work is great because of how well movement is conveyed. You can really sense the hustle bustle in each scene. Just look at Monsieur Boudin (the stylish dachshund)! He is cruising on that Vespa. Of course the color is great too — not to mention a bit unusual — I don’t usually post yellows, purples, and oranges all in the same post.
Tata Vislevskaya has some incredible pictures of the Swiss Alps. This is something I really enjoy; shots of epic landscapes like this, paired with this style of processing. I love seeing the blacks turn to purples and blues (especially in the mountains on that first one). The rest of her series, especially the ones of Iceland, really spurs the travel bug in me. I’ve always really wanted to go to Reykjavik.
A few killer works by Justin Allen LaFontaine. I had the Up North one on my blog a while back, but forgot how cool it was until today when I was perusing the electronic basement as it were. I wonder where that photo was taken.. Would love to see some recent work by Justin!
Matthew Lyons is an incredible illustrator. Just about every blog in existence has written a piece about him recently — and it’s no surprise — his work is absolutely stunning. As I mentioned in my post, the combination of his vast imagination and impeccable eye for color and composition begets some really exciting work.
I asked Matthew if he would prepare a short process description about one of his recent works. What follows is Matthew’s description of how he created the piece you see above, The Snide of a Scoundrel Man. Take it away Matthew!
The third season of Layer Tennis starts today! I must say, today’s lineup is one of the best I’ve seen; this promises to be an exciting match for sure. Khoi Vinh, Design Director of The New York Times, will play against Nicholas Felton, designer, blogger and creator of the Feltron Annual Reports. Coincidentally, both competitors were part of the Creative Block post…hopefully they each will take their own advice and create something awesome.
It all starts today at 2pm (Chicago time). Tune in here.
I’ve never really posted on fine art before, but these are works by Ed Rucha are my absolute favorites. I’ve seen one of these in person before but I have no memory of where I was. I am pretty sure the NYC MOMA has Ship Talk. I do remember that when I saw it, I froze for about five minutes in front of it; incapable of moving or verbally expressing why I was frozen. All I could think about was how much I needed to own it so I could stare at it all the time. I imagined fantastical scenarios where I would make a lot of money and purchase it instantly. I have never felt that way about any other work of art. It was simultaneously a great feeling (to have found something I loved so much) and a horrible one (for reasons I still don’t understand). Pictured above:
Like the Richard Misrach pictures I posted on a while back, I hesitated posting these in a 450 pixel wide scenario. You really need to see these in person to get the full effect. If I can remember where they are I’ll include it here. (And if anyone knows where these can be found, let us know in the comments.)
These images are recordings of mousepaths using a Java applet by Anatoly Zenkov. In addition to being an interesting aggregation of usage data, they look pretty cool (especially the ones over shorter time periods). The third image is my mousepaths while writing this post. The most telling are my frequent trips to the corners to cue my Exposé actions. Important to note that the black spots are where the mouse stopped for a period of time, not clicks as I thought at first. You can download it here: PC Version | Mac Version.
“S” – save image. “R” – restart.
The last two images are pieces by Hiroyuki Hamada. Completely unrelated yes, but when I saw the mouspath images I immediately recalled these from a couple weeks ago on bdif. I’d worry about you if your mouseclick data looked like this.
I do not know what to write. I am sitting here staring at the screen, running sentences in my head, and turning my music on and off. Earlier I went foraging for food (in hopes of sparking some magical words), but ended up getting distracted by Arrested Development for 20 minutes. This happens just about every time I sit down to do anything. I’ll probably go play the guitar between this paragraph and the next.
Of course this is a familiar situation. Often referred to as “writer’s block”, the concept of an inspiration rut is unfortunately very familiar to every creative in any field. Sometimes ideas just don’t show up to work. Given this, we all develop strategies to combat such a scenario. Not all are foolproof, but it’s safe to say that most creative people have some battle plan for dealing with the dreaded “blank page”.
Knowing this I decided to ask some of today’s most exciting artists and creators what they do when the ideas aren’t flowing. I left the question fairly open ended and asked, What do you do to inspire your creativity when you find yourself in a rut? As expected, I was presented with an array of strategies, ranging from listening to Boards of Canada in a forest alone, to cooking up a storm (recipe provided) and waiting for the mind to clear.
What follows are 25 strategies from these creatives to spark your inspiration; hopefully you’ll find something helpful in there. I encourage you to list your favorite strategies as well in the comments. We can never have to many of these…
