After seeing his work in the new Canon promo video I decided to check out Vincent Laforet’s portfolio. He has some pretty amazing stuff up there, including some incredible high altitude shots that really put his subjects in a unique perspective. I also found his work with tilt-shift (last three shots above) to be quite refreshing for that genre. Judging from these shots this guy seems to just float around in some sort of blimp all day taking pictures. You can find more of his work at vincentlaforet.com.
"Mindblowing Full HD" was how Gizmodo yesterday described the newly announced Canon 5D Mark II’s video capabilities. Vincent Laforet, who calls the 5D "the best camera ever", was one of the first to take the new camera for a spin and the results are undeniably striking. The stills you see above are from video he shot using the $2700 body and $25,000 in lenses (a list of the lenses he used are at the Gizmodo post). The video, while still not official available, has leaked onto YouTube giving us at least a glimpse of the quality we can expect from the final (view video below).
Gizmodo had this to say about Laforet’s experience creating the video:
"That and a $2700 DSLR body. A testament to its ease of use is that Laforet is a photographer; he has no professional film experience and had never used the 5D Mark II before, yet was able to storyboard, cast, shoot and edit the clip in just two days, with less than 12 hours notice. In particular he noted that dumping the MPEG-4 video takes way less time than it would with an actual HD camera. The only issue that would stop a person from shooting a TV pilot solely with this camera is sound matching, he says. If that’s covered, you’re gold."
I think that’s the most compelling aspect of the 5D: it’s accessibility. Such a powerful tool which yields such amazing results will empower scores of artists looking to break into motion work. I realize that at $2700 the 5D sits at a price threshold a little beyond the grasp of a lot of us, but high-end video of this caliber has never come this cheap and when you take into account the fact that the 5D also more than covers your DSLR needs the whole package starts to look like a sound investment for photographer and videographer alike.
I don’t know about you guys, but the argument for 5D supremacy is becoming more and more convincing as Canon slowly reveals what it’s capable of. I am still holding out for a head-to-head versus the D700 which, although lacking in video capability, is apparently a low light performer. Whatever the case may be, such a versatile tool as the 5D would make a welcome addition to any graphic designer’s kit.
Found this gem by Halftone Def Studios on Gigposters. I’m pretty much over the whole "skulls craze of ’06/07", I think there was a law in L.A. for a while that stated all shirts produced within city limits had to include a skull on it. Jakub and I went to the Pool clothing show in Vegas and my actual skull exploded due to the amount of skulls on everything. Skulls.
Doesn’t matter, this poster is still badass. I guess that’s the paradox of ubiquitous design trends: Do it right and you’re a genius; do it wrong and you’re a lowly imitator. Or just use ITC Avant Garde; you can’t go wrong with that one.
Now that the skull-rush of ought seven is over, can anyone guess what the next big trend in design is going to be? I vote for rainbows and deer antlers. Oh woops, that already happened.
These videos were all taken with the amazing Casio Exilim EX-F1 camera which features a variable high speed shooting mode for some serious slow-mo action at up to 1200 FPS. While the name Casio doesn’t exactly bring to mind quality output, you can’t argue with that kind of power for under $1000. Being able to get footage like this would open doors to a whole world of possibilities for aspiring film makers.
There are some more user generated video examples here and here. Casio has some official video examples at their page for the EX-F1, but some of the links are broken. This reminds me of the Canon HV20, a dedicated HD video camera which also has a high speed shooting mode but outputs much higher quality video.
I posted a while back about the Porsche-designed Etón P’9120 clock radio but today we’ve got the 9120’s more utilitarian little brother, the P’9110. This hand-cranked emergency radio sports the usual fare: flashlight, siren, etc. but that’s where the similarities between this and that plastic Coleman you got at Target end. Once again Porsche has succeeded with a classic, functional design; clad in cast aluminum, the 9’9110 sports clean lines and color scheme to match. I am loving the tuning gear design, and the tuning wheel/chart design is wonderful.
Once again though, I could do without the cheap looking and poorly placed Etón logo. The top image is from the Porsche Design site who have wisely left out the logo in their press shots, so much cleaner. They have a shot of the 9120 sans-Etón logo up there as well which makes me wonder if you can buy these direct from Porsche instead of going through Etón and getting stuck with the extra branding? At $200 it’s more than a stretch for functionality that can easily be had for under $50, but can you really put a price on maintaining your design standards even during a disaster scenario?
I usually stick to the rule of only posting images that are at least 450px wide, but this was such an amazing cover I thought I’d break that rule. I searched all over for it but couldn’t find a full size, perhaps someone has a scan? Dave from Grain Edit had the 71/72 edition, it was amazing. I’ve never seen this one in person though.
21-megapixel, full-frame, Digic 4, full HD video, 6400 ISO….Game over. The ridiculously anticipated Canon 5D MKII is now official and if this wasn’t worth the wait, I don’t know what is. Canon has hit each and every feature and performance threshold I was looking for in a new DSLR and then some. Expect it on store shelves by end of November with a sticker price of $2700 for the body or $3500 with the 24-105mm kit lens. Yes, that’s steep, but take a look at these features:
•14-bit conversion •3.9FPS unlimited burst rate with JPEG using UDMA CF card, or 14 RAW (standard CF card is 78 JPEG, 13 RAW •Four-channel readout that’s 2.2x faster than the 5D •Lens peripheral illumination correction, like 50D, but better supposedly •15-point auto-focus •Creative auto mode, also like 50D •Auto-lighting optimizer •Three levels of noise reduction that kicks in above ISO800 •RAW, sRAW1 (10MP), sRAW2 (5MP) •Three-inch, 920,000 dot-screen •New and improved battery (incompatible with old one) that delivers 850 shots or 1.5 hours of video •150,000 cycle shutter •Magnesium alloy body •NO built-in flash BTW
Jumping from my $2000 D80 kit to this price threshold will be a bit of a stretch, but if this new 5D lives up to it’s performance claims, it will be well worth it. I know nothing can truly be future-proof, but com’on, 21MP? That’s more than enough to make this my workhorse camera for the foreseeable technological future. I love it when a new piece of kit comes out that is so far superior to it’s rivals that it makes the decision easy for you; the 5D seems like one of those things. After my long deliberation over which DSLR to upgrade to it’s nice to see a logical conclusion. I had toyed with the idea of moving to the D90 for the HD video alone, but it’s other specs were so similar to my D80 that it just didn’t seem worth the upgrade.
In my book, the 5D MKII beats Nikon’s recently announced D700 for two reasons: HD video (which is inexplicably absent from the D700) and price (it’s $300 less than it’s Nikon counterpart). I don’t own any pricey Nikon glass, both my lenses are decidedly sub-par, but even if I did, I’d have to believe I’d still give this thing more than a passing glance. How about all you other Nikon users? Would any of you who are invested in Nikon lenses still consider moving to Canon for a camera like this? Let us know
