Just a quick reminder I’ll be speaking at FITC Toronto today. The talk starts at 2:30pm in Toronto 1 room at the Hilton. Hope to see some of you out there!
I’ll be speaking at this year’s FITC in Toronto (April 25-27, 2010). My talk should be on April 26th at 2:30pm, but seeing as it’s still a ways off this may be subject to change. I just got back from Last week’s FITC in Amsterdam (will try and post pics soon) and it really was an incredible event. Toronto should be even better, in my experience over the past couple years it’s a much larger event as it’s held in the home town of FITC. I will be posting more info as it becomes available, you can also check the events page.
Photo via The Chilton Computing Archive
It was a pleasure as always to visit Toronto, I really appreciate everyone who came out to the Function 13 gallery and the show afterward at Nocturne, I had a great time at both. Unfortunately I didn’t bring my camera (it’s a long story, but some last minute baggage issues didn’t leave room) so I don’t have many pics from the night. Luckily, Sean Pollock from The Buzzout Room (a great radio station by the way, you can stream it here) brought along his Canon 5D MK2 and got a couple shots of the gallery (shown above).
A couple others brought out their cameras — among them Bram Timmer who also has a 5D MK2, I was pretty jealous — so I’ll try to get some shots from them and post up a full set of the gallery. If anyone has some decent shots let me know.
As you can see I went with the bulldog clips for mounting the prints. Thanks to everyone for the great suggestions in the original gallery post. I experimented with neodymium magnets but had some issues with grip, the posters kept slipping from between them. I ended up spray painting bulldog clips white and hanging them over long, thin nails so that the piece stood off the wall a little. There is a strip of 2″ tall foamcore that runs the width of the print clipped behind each at the top and bottom. This helped straighten everything out and give a “mounted” feel without the need to damage the back print. I was really pleased with the results, under the gallery lighting the whole thing really came off dramatic. The lack of a frame and the inch between the wall and the print really made the piece feel more accessible and hilighted the texture and feel of the Hahnemühle German Etching paper. Thanks again to the guys from Function 13 for helping out with everything.
If you missed the gallery opening night you can still catch the show, it will be up until mid-January at Function 13 Gallery, 156 Augusta Ave Toronto. If you were there and missed out on getting a piece before it sold, some of the designs can be had at the ISO50 Studio Shop or the ISO50 Merchline Shop.
Thanks again, see you all again in April at FITC Toronto.
I made it in to Toronto tonight, pretty easy day of travel. Unfortunately there’s a little bit of rain but I hear it will let up by tomorrow evening. I went over to Function 13 Gallery tonight to get started setting things up, I’ll be hanging all the artwork for the ISO50 show tomorrow.
The gallery show will feature a lot of new work along with some old stuff. I ended up going back and reworking everything, pulling out the text and just leaving the artwork. It was a pretty fun process stripping things down to their core elements, it’s always a nice test to see which images stand on their own without the accompanying type. A couple posters — such as 1971 and Madrone — couldn’t do without the type so I just tried stripping out some other extraneous elements. Going back through some of the older files was pretty surprising, it was interesting to see how much my technique has changed over the years. Some were just a mess, it felt like restoring an old house removing all the heavy handed distressing and randomly placed elements. It was great to see the results, I feel like the core concepts of a lot of the pieces can breathe a lot better now.
I’ve also got some new stuff in store for the live Tycho set; a few new songs, some remixes, and reworked live visuals. It’s been pretty stressful over the past week getting ready for this but it all came together over the past few days so now I’m just excited to get it all out there. Hope to see you out tonight. Click the links below for more info.
Also, if you enjoy all the music posted on this blog (which is pretty much all Jakub), then you will enjoy Jakub’s DJ set tonight. He’ll be playing as his DJ alter-ego Aarnio tonight at the show.
As promised, here’s the final poster for the Analog Visions show on Friday in Toronto. In case you missed it, I’ll be doing a solo show at Function 13 Gallery this Friday, November 20th. I’ve been working out concepts for how to hang the posters throughout the past week, I’ve decided against frames and want to go with something a little more raw feeling for this one. The work that I’ll be showing are all printed on Hahnemühle German Etching paper which has this incredible texture. I don’t want anything to get between the viewer and the piece. I have been working with Bulldog clips and nails, spray painting the clips matte white and using longer nails to let the piece stand off the wall a little. I think it’s going to look nice, but I’m still open to any suggestions, if you have any ideas for alternative poster hanging methods, let me know in the comments.
As for the poster design itself, I spent way longer than expected on this one. It was meant to be a quick promo poster for the gallery but the deeper I got into it the more I realized I had to finish it off properly. Once you hit on a concept you kind of have to decide whether to go all the way with it or save it for when there’s time to do it right. It was a stretch, but I was able to get it done in time (deadline was this morning) so it’s pretty nice to finally see it in it’s completed form. As you can see, this is another take on the Nocturne poster, featuring the same model. Seeing as how these events are the same night I wanted them to be related, but not exactly the same. I wanted the Nocturne design to be a little more divergent from my earlier work while this one was meant to sort of bridge the gap between new and old given the nature of the gallery show. You can see a larger version of the image over at the studio site.
The version above is probably the fifth or sixth, not counting the various in between states. The final file ended up around 4GB, 24×36″ at 300dpi but I did most of the heavy lifting with low resolution smart object stand-ins so it wasn’t too slow. In case anyone was wondering, this is the project I was referring to in the Photoshop Question / Problem post. All of the circles were smart objects based on the same photograph. As stated above, I worked with a model I shot here in the studio for the silhouettes, but I worked with another photographer for some elements of the background. I used some shots from Jacob Sargeant’s beautiful Experimental Set on Flickr for the detailing and color shifts. Thanks to Disign Police for turning me on to Jacob’s work.
Time for a day off and some much needed rest, hope to see you out in Toronto.
We drove from Detroit to Ann Arbor (Ghostly’s home town) last night to sleep off the head trauma suffered at DEMF and get ready for the train ride to Toronto today. Can’t wait to play the Drake again, such a great venue, the three big screens really add to the visual side of things. Congrats to the ticket giveaway winners, check your inboxes, I just sent the confirmations. I also just got the set times for tomorrow night’s show, see you in Toronto!
Sv4 DJ – close
Photo by Duchamp
First up, thanks to everyone who made it out to the Detroit show, I had an incredible time and the energy was amazing. With our official duties here in Detroit complete, it’s time to move on to Toronto for the next installment of the Ghostly 10 Year. We’re giving away two sets of tickets to the show at the Drake on Wednesday, all you have to do is correctly answer the following:
Name the cities that hosted the first three Ghostly 10 Year Anniversary Shows.
The first two people to leave the correct answer in the comments will get a set of two tickets each. Be sure to leave your email (will no be published) when you comment so that we can contact you. Also, please answer only if you plan to attend the show.
GHOSTLY INTERNATIONAL :: 10 YEARS :: TORONTO
Wednesday, May 27th
The Drake Hotel (1150 Queen St, W. Toronto, ON M6J 1J3)
Featuring live performances by:
Michna with Raw Paw
+DJ set by SV4
Buy Tickets ($10 pre-sale, $15 door)
Ten years ago, I was a lowly, heartbroken college freshman, working with my friends Disco D and Matthew Dear on our first single, “Hands Up for Detroit”. Now, after a decade of hard work, finding an amazing team, and a little bit of luck, we’re fortunate enough to celebrate with our artists and friends.
And the Ghostly 10-year hit parade continues. After we bring the venerable Telefon Tel Aviv to this week’s Detroit date, we’ll be hitting Toronto with Ghostly favorites Tycho, Lusine (who has a bomb new single coming], and Michna along with our very good friend and collaborator, Milosh.
Toronto will be a special date: the Drake Hotel is one of Tycho’s favorite venues (Scott said it was one of his best shows yet.) We always have a great time whenever the team plays there. Tickets are on sale now and discounted here.
Here are a few tracks from each of the Toronto show’s artists – including a Tycho debut.
Lusine – Two Dots
Secret Frequency Crew – Neon Bridge
Here’s a song from Adrian Michna’s old group, Secret Frequency Crew, who were on the classic Schematic label. Forest Of The Echo Downs really caught my attention and made our best-of-the-year list back in ’04. It was a good preview of what was to come (busted jazz, stabbing horns, skittering Miami machinedrums) with Michna.
Milosh – Move On
Mike Milosh occupies a very distinct space in electronic music with his subtle programming and weak-in-the-knees vocals. He just released a new EP with Paul Phisterer which will make you want to plant a tree it’s so pretty.
Tycho – Coastal Brake (Manual remix)
There’s this guy Tycho who’s pretty good too. He’s got a new single coming out this summer with some great remixes. Here’s an exclusive debut of Manual‘s remix of the forthcoming “Coastal Brake.”