This week David Byrne and Brian Eno released something for the first time in 30 years, the album is called “Everything That Happens Will Happen Today” and the last song posted “The River” is from it. I just picked it up online and pretty much made yesterday a whole day of Byrne + Eno and wanted to share a few tracks from The Catherine Wheel score. As for the new record, i found a lot more straight forward and vocal which is great but i personally wanted more rhythmic sounds accompanying each track since they are both genius in my opinion when it comes to percussion.
Brian Eno/David Byrne – Black Flag
Brian Eno/David Byrne – My Big Hands (Fall Through the Cracks)
Brian Eno/David Byrne – Dinosaur
Brian Eno/David Byrne – Eggs In A Briar Patch
Brian Eno/David Byrne – The River
Also, If you haven’t seen this already, David Byrne made an organ that sits in the middle of an abandon building that triggers parts of the building to make a sound, it’s really interesting, sadly it’s not too far from me and all my trips and plans to make it out always fall thru, I might just go by myself.
Tristan Perich is a visual artist and musician doing some very interesting work in both fields. His music project, called 1-Bit Music, is an actual circuit that plays back music at 1-bit. All you electronic musicians and engineers will know that 1-bit is the lowest possible representation of digital music, meaning that the resulting audio is quite stripped down from the analog form we know and love. You may recognize the sound as reminiscent of old console games from the ’80s many of which were at 8-bits. Although I wouldn’t be listening to this in my car, it’s interesting to hear someone pushing digital audio in the other direction while the rest of us record in 32-bit floating point. Listen below for Tristan’s version of Fischerspooner’s Just Let Go. Visit his site for more songs.
Tristan Perich – Just Let Go (Fischerspooner)
Perich also does machine drawings using a pen apparatus he designed. You can see some examples above or check out his site for more.
Rob Beschizza posted 101 Classic Computer Ads over at Boing Boing. I am recognizing a lot of them from my Newsweek collection, but there are some unfamiliar gems in there as well. Check out that Trade Gothic Extended action on the IBM 610 ad. And everything about that Marcor page is just perfect. Of course, a lot of it ranges into the camp / kitsch zone, but it’s still entertaining. Link
Jeff Canham is a sign painter / designer who hails from my very own neighborhood. Funny how I had to stumble across his site on a blog to realize this guy is operating right down the street from me. Such is the irony of internet I suppose. Anyways, it’s great to see that somebody’s still doing it the old school way; if it weren’t for artists like Canham, dying design mediums such as hand lettering would disappear completely. You can check out the rest of his work at his site.
I have some new favorites to share, some unreleased but downloadable here and some that the original might of come out before we we’re born.
I know it says Alan Parson’s Project but don’t pass this up because there’s this talented musician that does amazing edits to songs called Pilooski. Almost everything i’ve heard by him is worth picking up. This one is my favorite, its a 8+ min slow burn.
I’m not sure if you’ve been in the record stores last week but the Wolfgang Voigt – Gas – CD+Book hit the shelves. It’s probably worth every penny plus it has unreleased Gas material on the CD. I bring this up because debuting his first release is The Sight Below which has a very similar feel except it’s more guitar/shoegaze based. He is giving away a 3 track EP for free, definitely worth downloading and each track features a different cover compliments of Michael Cina from WeWorkForThem. You can also see him debut Live with Tycho in Seattle in September.
As for this The Blue Nile track it’s a deep slow jam from 1989 that i heard this Friday night around 4 am at a bar in Brooklyn called Coco 66. I have a feeling this sound will be redone by DFA post Hercules and Love Affair maybe late 2009. Also, it reminds me of the tracks by Hatchback and Rollmottle that i posted earlier this month.
Alright, now something upbeat and catchy, Sweden’s Tennishero is in the same vein as maybe early Royksopp, the dangerous thing is how this vocal gets stuck in your head. One thing i love about the formula for this track is that its a dance track but he keeps it close to pop music length. If all this melodic dance music that i think is better than most top 40 ever wanted to get bigger people need shorter edits and it could probably make a great impact in the music industry but the versions that come out are usually 6 mins+ which is enough time to take a great melody and wear it out.
The Alan Parsons Project – I Robot (Pilooski Edit)
The Sight Below – With Her Kiss (I’d Pass The Sky)
If you haven’t picked up this Kevin Drew record, it’s a must have in my book, great to put on if you have friends over and you ran out of Junior Boys or Kings Of Convenience to play and you played out your old Broken Social Scene CD. Its got alil more rock but its the perfect amount.
This Gang Gang Dance track is pretty gnarly, its one of more beautiful art rock tracks out there that doesn’t neglect the audience and it’s really inviting if you can take on the intense parts.
This track doesn’t make any sense among the others but it’s a nice follow up to Scott’s post the other day. I saw Soviet on tour maybe 5 years ago with about 8 people total at the show and i thought they we’re super entertaining and had this unique look that wasn’t all too 80’s or neon hipster sh*t show like half the crap thats flying around right now.
I don’t know much about M. Ward, one thing i noticed was it reminded me of a cleaned up version of Bibio.
These Czech Olympic matchbooks are excerpted from one of my favorite design books, Cesky Filumenisticky Design. I don’t know much about these other than that they date from 1967. I’m also not sure who designed them since the book is in Japanese. I ran it by my friend and she said the caption says something about the name "Peter Togram". Not sure, fill in the blanks if you can read that caption.
Hot on the heels of me gushing about the stability of Windows XP, I wanted to give a heads up for those of you XP faithful out there considering the Service Pack 3 Update. I setup of a new partition on my machine a when SP3 came out to test it out with Photoshop and Sonar (the app I use to record music). For Photoshop at least, the experiment was a total disaster. SP3 somehow managed to cripple PS CS3 to the point that it was crashing every 30 minutes or so. I limped along like that for a couple weeks then tried uninstalling SP3 just to see how well the rollback would go; needless to say, it didn’t work out too well. I’ve since deleted that partition and gone back to my SP2 install. A quick Google search on the topic will turn up some people saying the same thing.
Of course this is not a very scientific study and your mileage will vary, just wanted to note my experience with the update. Besides, from what I’ve read SP3 doesn’t really add much and given the proven stability of SP2, I don’t see much of a reason to gamble with this new service pack. And if you Mac fanatics are thinking "If you just bought a Mac this wouldn’t happen!" just remember: the Leopard 10.5.2 update (the OS X equivalent of a Service Pack) completely screwed a lot of musicians (me included, I have a Mac Pro as well as a PC). Just sayin’, we all got problems!