As promised, here’s the final poster for the Analog Visions show on Friday in Toronto. In case you missed it, I’ll be doing a solo show at Function 13 Gallery this Friday, November 20th. I’ve been working out concepts for how to hang the posters throughout the past week, I’ve decided against frames and want to go with something a little more raw feeling for this one. The work that I’ll be showing are all printed on Hahnemühle German Etching paper which has this incredible texture. I don’t want anything to get between the viewer and the piece. I have been working with Bulldog clips and nails, spray painting the clips matte white and using longer nails to let the piece stand off the wall a little. I think it’s going to look nice, but I’m still open to any suggestions, if you have any ideas for alternative poster hanging methods, let me know in the comments.
As for the poster design itself, I spent way longer than expected on this one. It was meant to be a quick promo poster for the gallery but the deeper I got into it the more I realized I had to finish it off properly. Once you hit on a concept you kind of have to decide whether to go all the way with it or save it for when there’s time to do it right. It was a stretch, but I was able to get it done in time (deadline was this morning) so it’s pretty nice to finally see it in it’s completed form. As you can see, this is another take on the Nocturne poster, featuring the same model. Seeing as how these events are the same night I wanted them to be related, but not exactly the same. I wanted the Nocturne design to be a little more divergent from my earlier work while this one was meant to sort of bridge the gap between new and old given the nature of the gallery show. You can see a larger version of the image over at the studio site.
The version above is probably the fifth or sixth, not counting the various in between states. The final file ended up around 4GB, 24×36″ at 300dpi but I did most of the heavy lifting with low resolution smart object stand-ins so it wasn’t too slow. In case anyone was wondering, this is the project I was referring to in the Photoshop Question / Problem post. All of the circles were smart objects based on the same photograph. As stated above, I worked with a model I shot here in the studio for the silhouettes, but I worked with another photographer for some elements of the background. I used some shots from Jacob Sargeant’s beautiful Experimental Set on Flickr for the detailing and color shifts. Thanks to Disign Police for turning me on to Jacob’s work.
Time for a day off and some much needed rest, hope to see you out in Toronto.
I’m doing a solo exhibition at Function 13 Gallery in Toronto next Friday where I’ll be showing some new work and large format stuff. I’m still working on the main poster for the event so I’ll be posting that on Monday probably. For now, here’s all the details:
This poster is sort of an alternate take on the gallery show poster (which will be released tomorrow), they are both based on the same subject but have very different aesthetics. This is the first time I’ve worked directly with a live model for a project — I shot her against a light bouncer with a flood light coming from the back to get the silhouette. Although rather time consuming, it was a pretty fun process and I learned a lot. You may notice that this piece in similar to the Coastal Brake cover in it’s use of negative space. I’ve employed this concept in various ways throughout my career (the Past is Prologue cover [2004-2005], for example) but have only recently found the time to truly explore it to the extent that I have with these recent pieces as compositions in this style are the most time intensive of all my work. When creating these, I treat the process more like painting than graphic design and so things can become much more complex. This particular piece is not quite as complex as some of the others, it’s a composite of about 20 image layers overlayed using various blending modes and masked by the silhouette image, the negative space was then filled with photographed paper which was colored using color balance. It will be on display at the Function 13 ISO50 Gallery show on the 20th.
Tycho Show Details
ISO50 Toronto Art Show After Party
TYCHO (Live Audio / Visual Performance)
With Guest DJ’s
Aarnio (Ghostly/Moodgadget, New York)
Noah Pred (Thoughtless Music, Toronto)
550 Queen Street West Toronto
ON MSV 285
$10 Advance / $15 Door
Thanks to everyone for coming out to the workshop last night, I had a great time talking with you and meeting everyone afterwards. Also thanks to Heydays who spoke at the event and designed the die-cut poster (above); very inspiring work which I’ll be posting more on soon.
I haven’t had a chance to take many pictures yet but I did get to tour the offices of Tank Design who had some very interesting artifacts all around.
It’s been a great time so far — in spite of my being sick the whole time. I’m resting up for the Tycho set at Insomnia tonight, hope to see you out there!
After a very long couple days, I’m finally here in Tromsø for Insomnia. Please excuse the bad photo, there were these incredible landscapes on the way in but all I had was my little Canon Elph and it was very dark. As you can see, the Elph doesn’t handle it very well… Suffices to say, the pic doesn’t do this place justice; I’ve never seen anything like the view from the plane tonight. I have the big Nikon out now and hopefully I can get some good shots of all the amazing design and typography here over the next few days and maybe some better landscapes on the way out. I walked around a little bit this evening and this place is incredible. It seems almost fake, I don’t know what I expected but it wasn’t anything close to this. Wish I was staying longer.
Just a quick note about the video situation a lot of you were asking about in the workshop post: I will see what the organizers have planned tomorrow, but I’m not sure if they are set up to record. I will be doing similar workshops in Amsterdam and Toronto coming up though so I will try to get one of those taped properly.
Time to rest up for tomorrow, my sleep schedule is all wrong right now. Hope to see some of you tomorrow at the workshop.
I just arrived in beautiful Newark for a brief layover before the second leg of my trip. I’ll be flying into Oslo and then on to Tromsø for the Insomnia Fesitval. I’m doing an ISO50 workshop on Friday at Verdensteatret Cinematek. The workshop is free (thanks to Insomnia, Tank.no, and Grafill) — you can register here.
I’ll be covering a lot of ground during this one, walking through the process of creating the new Tycho album cover and talking about graphic design in general. Space is limited so be sure to register.
I’ll also be playing a Tycho live set at Insomnia on Satuday night. Hope to see you all out there. I just finished one of the worst salads ever at the Sam Adams Brew Club at Newark and they’re calling for first boarding so I’m off to Oslo. See you in Norway.
I’ll be playing a live set as Tycho and doing a workshop as ISO50 next week in Tromsø, Norway as part of Insomnia Festival 2009. I’ve never been to Norway so I’m really excited to check it out. I’m assuming I’ll be needing to dress warm? Norwegians: What should I bring? What should I see while I’m there? Any tips would be appreciated in the comments. Röyksopp and Lindstrøm will also be playing at Insomnia so really looking forward to seeing them live.
ISO50 Workshop – Friday, October 23rd | info
Tycho live set – Saturday, October 24th | info
A full PDF event program for Insomnia 2009 can be downloaded here
Insomnia Festival Website – Link