Bullion is debuting tonight in the US in New York and tomorrow in Los Angeles at Low End Theory, definitely worth checking him out, here is some more info on the DJ/Producer at Turntable Lab.
Aug 11 2009 – 11:00P Plan B – New York, US w/ Pilooski, In Flagranti
Aug 12 2009 – 11:00P Low End Theory – Los Angeles, US
Free Spirits Intro Sweet And Innocent – Express Your Love Iron Butterfly – It Must Be Love The Moody Blues – I Don’t Mind The Manhattans – Follow Your Heart Birtha – Feeling Lonely The Bee Gees – To Love Somebody ELO – Telephone Line Joni Mitchell – Solid Love The Four Tops – Still Water (LOVE)
Let’s Kiss Blonde Coeds Interlude Adrian Baker – Is This Love Ned Doheny – A Love Of Your Own Tony Grey – She’s My Love The Koobas – Woe Is It Love My Dear? Smokey Robinson & The Miracles – More Love
Free Spirits Outro
Most of the summer I have been going to shows almost 3 or 4 times a week and i’ve probably seen these 4 musicians (Shigeto, Mux Mool, Mingus Rude, and Mogi Grumbles) the most and all of them I noticed at some point would play a cover or edit of a song that they really liked and this is collection of those songs for the ISO50 blog for free folks.
Shigeto takes the classic by Astrud Gilberto and takes the Flying Lotus approach and gives it this great marriage of where gorgeous and head nodding meet.
Mingus Rude might be the newest to the bunch here, he is also Charles Trees for any of you that follow the Moodgadget label. To be honest I think this Fleetwood Mac edit might be the best i’ve ever heard of Fleetwood Mac, it never goes too noisy but just stays on this slower tip and just makes the original abit more for the dance floor.
We definitely needed this track for this EP from Mux Mool which was a crowd pleaser every time I heard it being played. Brian slows down the very popular song and makes it his own with his signature mixture of Mux Mool synths & hip-hop mashed together.
If you’ve been outside and to anything social this spring then you’ve heard this MGMT song plenty of times, Mogi Grumbles takes it to Justice cut up disco land and rides the track off into the sunset for peak hour play.
I’ve become a bigger fan of the Engineers the more and more the last LP grew older and I didn’t have new Engineers music to listen to. They did a remix for Bloc Party that did nothing for me, I wanted the remix to sound like what “The Fear Has Gone” sounds like on Three Fact Fader which is this new album. One thing I notice and it hit me like a ton of bricks is the song Clean Coloured Wire which heavily samples Harmonia’s song ‘Watussi‘ which we’ve posted on the blog before and don’t worry Harmonia approved it.
Here in the States I don’t see much love for this record, I wonder if any of the readers in the UK totally have a different story? is the new album huge there? not like Arctic Monkey’s huge you know what I mean. But getting back to the music, I don’t think there are many good shoegaze bands out there that get it, i’m not saying Engineers is the best example because the vocal is too dreamy, upfront, clear and sometimes makes me ask myself do I really like this like I say i do and then a nice noisy wall of sounds hushes that thought.
You’ve heard Sorcerer on the blog before when he was one half of Windsurf multiple times and now with an LP under his belt like his partner Hatchback its a full on assault of laid back tracks coming out of the California. When these guys do disco I picture them doing it in the least stressful way by having their own hide out close to the beach where they grill and play synths until the breeze slows down and all the sails on the horizon head home.
What better way to keep the feeling going from that Sorcerer track by following it with Toto – Africa.
Prepare for a bit of downer with The Antlers LP, the tempo kinda of bums you out without even listening to the sad bastard lyrics BUT musically this Shiva song has some magic to it that keeps your chin up.
Air has been ruined for me by TV commercials, small plate restaurants playlists, loungey martini bars etc and I probably wouldn’t of done up their career differently if I were them. I usually check out everything they put out even though i’ll probably never put it on again, all I do is give it a listen and just go straight to Les professionnels and listen to the horns and smile, its almost like visiting grave in a weird and creepy way because the feelings I had for old Air were amazing at the time I liked them and now all I have memories of the times I heard the music for the first time.
A little peek inside the wonderful world of Randolph Chabot, aka Deastro by James P. Morse. I had the chance to play with Deastro in Detroit and they really put on an incredible show, catch them if you have the chance.
You can never go wrong with Stereolab when you have a small gathering at your place before you head out for the night, its like no one is going to say “hey, come on man, turn off that crap” because that person can just go home.
I’m not sure if Tom Croose ever put this song in his mix since he turned me onto it but this is a better Phil Collins edit than the one with Bone Thugs n Harmony on many levels.
I have not met a dance floor that didn’t like this Wighnomy Brothers song, its about as potent as Metro Area – Miura.
Jan Hammer knew something that a lot of producers didn’t back in the late 80s, its like he almost nailed this comfy Miami sound but then just got off the beat and path with the ok guitar solo and new age chimes but the melody and groove in there in the background probably influenced a lot of the late 20 year old producers today that make slow disco.
Went to Bowery Ballroom last night to check out The Drums, I fell in love with the music, the combination of eras in the sound was really refreshing. At times I thought Grizzly Bear meets The Cure and the guitar really keeps it catchy while the singer serenades and keeps the crowd feeling like you’re invited to dance on stage with him. HIGHLY RECOMMENDED
I posted back in December on Lone’s LP Lemurian and got a lil bit of love and hate but I still listen to the record quiet a bit and so should you if you ever picked it up. ONe of my favorite labels just put his new EP at Werkdiscs which is run by Actress, definitely a great label and good pick up on that roster. This song Sunset Teens is a faster tempo compared to his LP songs but he still makes it sound Lone-ish, take that BoC comparsions, jk.
Kompakt’s 200th release is approaching and i’m anxiously waiting to hear what Wolfgang and Jorg are going to do. Back when Kompakt 100 came out I loved this Sascha Funke remix of Thomas Fehlmann, I just of played it everyday for months.
When I was following Trent Reznor on twitter I realized he kept talking about Mew and I remember never giving the band a proper listen, now i’d of loved to see this band live, a lot of detail here, do they really bring a vibraphone on stage or is that just played off a laptop somewhere on stage?
Joakim is back and he brought the computer vocal speak n’ say with him and I gotta say he makes it work. If this came out earlier this year I would of counted this as one of my top “Hangin’ in my room summer jams”.
Lets say David Byrne and Sun Ra had to make a soundtrack for a film featuring Jacques Cousteau and Serge Gainsbourg spending time in Detroit, MI diving in old sunken ocean liners on the bottom of Lake Erie and walking thru abandon buildings in the day and at night they live it up in Denmark’s port bars planning out the most luxurious submarine ever, thats what I see when I hear this song by Seth Troxler and Matthew Dear.
The label DFA is on a tear, I mean its like a 12″ release every week and an album every month, i’m not complaining i’m just impressed. I wasn’t too big of a fan of earlier YACHT but with this album everywhere this week and solid art direction I had to give it another chance and i’m happy I did. Think if The Slits had to adjust their sound to play a Goth bar one night, that actually sounds like something I want to hear and Yacht did that here in this song.
Metric is the girl from Broken Social Scene right? wow what a change, she’s going for YYY’s status i’m guessing, I definitely have a thing for the intro of this song, it kind of reminds me of Bloc Party.