I was reading the New York Times this weekend and was pleasantly surprised to see the work of Cristina Couceiro as part of one of the magazine articles. I recognized her distinctive style from when Scott posted her work a little while back. In the capacity of the magazine article, it was interesting to see how the use contemporary imagery changed the overall impression of her work. I think it was successful — it brings context, and an slight twinge of humor to the work that wasn’t present in some of the earlier ‘found imagery’ pieces. Something about Steve Carrel especially just works for me…maybe it’s that ridiculous shirt he’s wearing.
This is probably the third time recently I’ve randomly stumbled upon the work of an artist I recognize in a magazine; I saw Leandro Castelao in a recent issue of GOOD, Mark Weaver in Wired, and someone else I’m forgetting now. It’s great to see how their work translates into an editorial environment. And great to see that magazines are supporting the amazing talent of all these artists!
A new edition of the frustratingly infrequent +81 Voyage is out now. Billed as the ‘Magazine Creation and Bookstore Excursion’ issue, it rounds up some of the most exciting and innovative magazines out there today. From Newwork to Monocle, there are example spreads, designer interviews, and just about everything else a magazine lover would hope for. As stated in the introduction, the goal of the issue is to prove that, even in this day and age, the appeal of magazines is alive and well. As a die hard magazine consumer, you don’t have to tell me that, but if you need convincing, there is plenty of terrific and inspirational design to be found in this most recent issue. Above are a few of the magazines profiled.
Our aim with this event is not to yearn for the magazines of yesteryear but rather to look upon those magazines extant in the world today, and in doing so, understand the culture and tastes of our time, reaffirm our awareness of paper’s function, and confirm the intelligence and ingenuity of humanity as seen in magazines.
These spreads from Newwork Magazine are exceptionally awesome. At first I wasn’t sure why I was so taken by them, but I think it’s a combination of the following factors: sole use of (mostly) black and white, implementation of a strict grid, lots of little type details throughout, and a sophisticated and effective use of negative space. Newwork Magazine (ink on paper / 32″ x 23″) is put out by Studio Newwork.
The New York Times’ T Magazine often comissions artists to create their own version of the iconic T that is the magazine’s logo. There’s a great collection of the work over at the T Magazine blog featuring some of the standouts. Interesting to see so many fresh takes on the same theme, they should make a coffee table book out of these if they haven’t already. My personal favorite is that first ceramic one; the negative space is so perfect. Unfortunately, whoever did the type layout decided that neon green in the title would somehow work with the vibe. Clearly it didn’t.
As much as I love my Google Reader, I still prefer to get my design fix in printed form. In addition to providing the necessary dose of inspiration, magazines usually include insightful commentary and design criticism. I love this sort of writing on design and it seems like the best place to find it is still in the “unplugged” land of printed media. Additionally, with each one you get an actual piece of design to hold in your hand. It’s easy to forget how cool this is if you’re used to bouncing from blog to blog. After the jump, I’ve put together an overview of a the major players in the design magazine realm. Check out the list!
Immediately after I posted a few Max Huber posters earlier this week, I walked into Kinokuniya and saw that the latest issue of Idea was devoted to the man himself. A fantastic coincidence and even more fuel for my Max Huber inspired creative fire. The issue is huge (about 200 pages) and is filled with some pretty incredible stuff. A lot of work I had never seen before; I put a few of my favorites above (the Table of Contents as well). The issue costs quite a bit for a magazine ($50 eek!) but Idea is certainly of much greater quality than most magazines. Well worth a perusal if you find yourself in a Japanese bookstore any time soon.
I remember seeing Omni magazine when I was a kid and wanting it. For some reason I was never able to get my hands on an issue, so I still don’t know what it’s about, something to do with sci-fi apparently. Anyways, the covers and style are excellent regardless of the content. You can find an archive of all the issues here, although the images aren’t very large.
A few beautiful pieces by Buchanan-Smith, a New York City based design firm. I love their type sensibility, especially on the first image, and I find their image style very effective in its simplicity and subtleness. Much more work can be found on their site.
Just a few gems from the Modernism 101 collection. Modernists in the 50’s had it down and it’s images like these that remind me it wasn’t all garishness back then. Not everything had bubbles and fins and bulges; some people were hiding out in the woods quietly appreciating their straight lines and right angles. Unfortunately, most of them stayed in the midwestern United States. Out here in San Francisco, apparently they decided that the height of architecture was the victorian age so all we got is a bunch of ugly houses with 400 rooms in them and Mel’s Drive In.
I had a chance to travel to Japan last June and I came back with many new sources of inspiration. I spent a lot of time digging through little design shops and actually had to leave some clothes behind to fit all of the great books I found. One of my favorite finds was +81, an interview driven magazine about graphic design, fashion, photography, cities, etc. They present a ton of work in each issue and it can be a great source of visual inspiration when you are looking for something stylistically very different than what you see in most American design publications. With articles presented in both Japanese and English, you see a lot of very creative layouts and unique type treatments. They experiment quite a bit, and with each issue focusing on a different theme, you never really know what to expect. Definitely worth checking out if you’re looking for a change.
You can usually find it at Japanese language bookshops here in the States (I know Kinokuniya carries it in SF), or you can check out their website for subscription information. (Currently about 40% of their readership is outside of Japan)
I love the 60’s because everyone was tripping balls all the time and then they would come out with crazy magazines to prove it. Case in point: OZ. These covers need no explanation, they are simply incredible. The overall idea of the magazine is definitely reminiscent of Avant Garde, but a lot of Herb Lubalin’s work seems somewhat tame and reserved compared with the over the top stuff (at least for the time) we see in OZ. My favorite cover is the one featuring The Doors “Strange Days” album photo with maybe the most awesome magazine logo ever slapped right on top of it. Also, the date and cover info are printed in the weight lifter’s armpit so that’s a bonus. It must have been nice back then when all you had to do to “freak out the establishment” was put some naked girls or a midget with circus people on your cover.
OZ started out as an Australian satirical humor magazine but then moved to the UK and began life anew as a “psychedelic hippy” magazine (I am sure the genre was overflowing at the time). Featuring art by Hapshash and the Coloured Coat and design direction by Martin Sharp, issues of OZ have become collectors items in the years since it’s demise [source].
Die Neue Gesellschaft issues 7-12, 1974. This was a German political magazine art directed by Helmut Schmid. These scans were obtained by AisleOne through the curators of Schmid’s work. I love the color coding, apparently this design continued through 1981, would love to see the full spectrum of covers. There’s some more info over at AisleOne and some larger scans at their Flickr page. If I was German I think I would spend most of my weekends digging through my parent’s house for stuff like this.
Artist Bob Stake used Photoshop 3.0 on Mac OS 7 to create this cover for The New Yorker recently. I guess you use what you know… The video above shows Bob progressing through the design, it’s a nice glimpse into another artist’s process. The whole story and more details are here. Via Gizmodo
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04/26/10 - 
