We’ve truly entered an exiting era of new “user experiences” and no front is exempt. From web and mobile platforms, art installations, to film and video games, there seems to be a sense that no frontier is unreachable and what one day seemed impossible, has been surpassed beyond our wildest dreams, forever altering our perception on whats “real”. Enter Box.
Box is a live performance film by Bot & Dolly, that documents a first ever live synchronized performance using 3D Projection Mapping, Robots and Actors:
Box explores the synthesis of real and digital space through projection-mapping on moving surfaces. The short film documents a live performance, captured entirely in camera. Bot & Dolly produced this work to serve as both an artistic statement and technical demonstration. It is the culmination of multiple technologies, including large scale robotics, projection mapping, and software engineering. We believe this methodology has tremendous potential to radically transform theatrical presentations, and define new genres of expression.
About Bot & Dolly
Bot & Dolly is a design and engineering studio that specializes in automation, robotics and filmmaking.
Like Jakub mentioned in a previous post, here at ISO50 we try to share what we feel are interesting and worthy Kickstarter projects, so when I came across ONDU’s beautiful handmade Wooden Pinhole Cameras, I felt not only the need to share this on the blog, but pledge as well.
ONDU 135 PANORAMIC PINHOLE
This camera combines the best of both worlds. It can shoot the regular Leica format in 36 mm x 24 mm or panoramic double frames at 72 mm x 24 mm image. It also hosts a 0,20 mm pinhole size and a focal length of 25 mm and a standard tripod mount. Great for taking amazing panoramic shots with a field of view of 113°.
ONDU 6X12 MULTIFORMAT PINHOLE
This is a multi-format all-in-one camera that can take 6 x 6, 6 x 9, and 6 x 12 images. It produces similar looking results as the ONDU 135 Panoramic but with much greater clarity, thanks to the 120 roll film. The camera has a pinhole size of 0.30 mm, a focal length of 40 mm and a standard tripod mount.
ONDU 135 POCKET PINHOLE
One of the smallest and lightest cameras around, this camera is still durable enough to outlast any of its digital counterparts. The ONDU 135 Pocket Pinhole camera is great for when you are shy on space and want to take it anywhere with you! It has a pinhole size of 0.20 mm, a focal length of 25 mm, and it comes with a standard tripod mount.
ONDU SLIDING BOX PINHOLE
A camera for the collector enthusiasts. It’s made with two sliding boxes that hold the paper in place for the exposure. This way, a single image is produced before heading to the darkroom or changing the paper in a changing bag. It uses a paper format of 12.8 x 18.7cm, has a 0.3 mm pinhole and a 50 mm focal length.
ONDU 4″ X 5″ LARGE PINHOLE
If you already know a thing or two about pinhole and large format photography, this is the perfect camera for you! It uses a standard 4˝ x 5˝ film holder that is secured snugly on the back with strong magnets. The camera has a 0.30 mm pinhole, a focal length of 60 mm and a standard tripod mount.
ONDU 6X6 POCKET PINHOLE
A tiny camera, given the fact that it uses 120 format film to expose an image! Like 135, it’s small enough to take it anywhere with you but takes images with a greater resolution. The camera has a pinhole size of 0.20 mm, a focal length of 25 mm and a standard tripod mount. Because it uses 120 film, the negatives on this camera are 56 mm x 56 mm, and the angle of view is an astonishing 115°.
I’ve always been really passionate about painting and drawing, and when younger, these were disciplines I practiced quite often. Then (as with many of my generation and forward) the computer happened and the only “paint” I used was part of Microsoft’s software. Now after many years, I find myself wanting to return to those roots. This in part thanks to other designers that have inspired me to want to incorporate different mediums in to my work, such as Michael Cina for example, who in my opinion has proven that all of these disciplines can coexist within a designer and become part of a coherent (not that it has to be) body of work.
As I venture deeper in to the world of painting, I stumbled upon the beautiful work of German artist Theo Altenberg, which at first I actually thought was done by Cina himself (a comparison also noted by fellow design blog The Fox Is Black). His use of color is just amazing, and with so many details and textures, it is easy to find oneself getting lost in his pieces.
UK illustrator Neil Stevens a.k.a. crayonefire designed these beautiful prints inspired by vintage flight and baggage tags.
Beautiful handmade collages from Bryan Olson aka Glass Planet.
Awhile back we featured a Tumblr called Geometry Daily by German designer Tilman, which has since then become quite popular among many of us that enjoy minimal-geometric designs. So popular in fact, that Tilman says he has been receiving quite a few requests for the use of his designs:
In the last months many people asked if they could use some of the Geometry Daily graphics. As a logo, a cover for their music release, desktop background, even as a tattoo. In fact so many that it became a pain to send it all out manually. And I love to get my graphics out and let them be used!
To cope with the overwhelming response and demand, he has decided to make available for purchase, download and non-commercial use (although you can pay more to use a design commercially) of his Geometry Daily source files, which will be released in monthly installments and set at €69 euro or roughly $100 US dollars.
You get the complete data of all the Geometry Daily posts of a certain month. For each graphic this is:
– A higher resolution JPG (1770 x 1770 px)
– The fully layered Photoshop file (.PSD, same resolution)
– The clean vectors in an Illustrator file (.AI)
To purchase, visit HERE.
This iconic Bubble series was created by fashion photographer Melvin Sokolsky for the Harper’s Bazaar 1963 Spring Collection.
Haunted by a particular image from Hieronymous Bosch’s ‘The Garden of Delights,’ Sokolsky experienced a re-occurring dream in which he saw himself floating inside a bubble across exotic landscapes. Inspired, he quickly used the idea for the series. The Bubble was crafted to emulate a Faberge Egg, for which Sokolsky had great admiration for its design and workmanship.
Complicated and unrealistic at first, he was able to realize his dream. Sokolsky commented:
“With the awareness that I was prone to live in my own head much of the time, and inclined to severe self-criticism, I began to have doubts whether I could create images on film that reflected the images in my mind’s eye.”
The Bubble was produced in ten days of Plexiglass and aircraft aluminum for the hinged rings. After a successful test run, Sokolsky was off to Paris to shoot the Spring Collections for Harper’s Bazaar. The challenge was to position a telescopic crane at each location from which the Bubble would be suspended. Using his favorite model at the time, Simone d’Aillencourt, she would get into the Bubble that was suspended a few feet off the ground, (hinged at the top like a Faberge Egg) so that it could easily swing open for entry. After being locked in safely and able to breathe due to the space between the hemispheres; the Bubble was raised into the final position. Sokolsky describes one particular event:
“There were times when this choreographed dance turned into a Laurel and Hardy comedy. The morning we shot on the Seine, the Bubble was lowered overzealously into the water, flooding it up to Simone’s ankles, and in turn ruining an important pair of designer shoes.”
Turning out to be an amazing adventure for him, Sokolsky was praised and congratulated for his unconventional yet triumphant work. He had ignited the world of fashion photography with his innovative style.