Here’s a beautiful 3 part vignette shot by director Riley Blakeway of Taj Burrow and friends in Fiji. Filming in a place like this, with surfers of this caliber, you’d expect it to look great and it does. Riley goes a little further to make it something else with the color and grain work, which I really appreciate. All three pieces have a great organic film-like grain and the color grading is spot. A feeling and look that you can’t just do with a plug-in.
When I first watched it, I was convinced this was 16mm and maybe super 8mm in spots. Here’s the kicker, “All of the surf vision was shot with the EX1.” says Blakeway. He also added that intros and outros were super 8mm. The camera is the Sony PMW-EX1, a type of camera that is similar to what a lot of us were used to shooting with before the Canon DSLR days. Not a 5D, 60D or even a RED Epic, which is great to see. I’ll try not to get into the technical too much on this, because it’s simply well shot, well edited and graded. His attention to detail is great on these, well done Riley.
You may remember San Diego based director / photographer Charles Bergquist from our post a while back on his projections collection. We’re all big fans of his work and through Ghostly and Tycho we have worked with him a lot over the past year. I am currently working with him on the new Tycho live visuals set and realized he would make a great contributor to the blog. Charles will mostly be doing video and photographic posts with a focus on process / equipment (like his soon-to-be-delivered Red Scarlet).
So everybody give Charles a warm welcome, his first post should be coming shortly.
Albin Holmqvist, Gustav Johansson and Niklas Johansson are really killing it with these new EF Live the Language videos for EF International Language Centers. If you saw the first few, you’ll notice that they’ve really gone above and beyond with this new set. The new locations include Sydney, Australia; Vancouver, Canada; and Los Angeles, California.
There’s always been an arms race of sorts, between startups, surrounding their 404 pages. Often times sites do something unusual on this (hopefully) seldom viewed page. When we first started working on Nosh, we had a lot of fun brainstorming ideas for our 404 page. We wanted it to be crazy and I think it ended up being just that.
Above you will find the video that became our 404 page. It’s loud, crazy and weird. Definitely the most fun I’ve had on a Sunday in a long time. I’ve written up some production notes here — if I miss anything feel free to ask in the comments and I’ll be sure to answer. Follow me on Twitter here.
Just installed the new Vimeo app for iPhone (iPad and Android versions are apparently in development). Very impressive stuff, I have a feeling this will have me doing more video work on my iPhone. Of course, that wouldn’t be hard considering I never use the video functionality. It’s strange, when I bought the phone I justified it to some degree by telling myself “you’ll have an HD video camera in you pocket”. I then proceeded to never use it.
How much do you use your phone for video? Ever done any creative projects with it?
This wonderful stop motion piece was created by Stockholm based Snask Studio. Every frame would make a great photo and the type is beautiful. More info in their words:
Above is a sneak-peak of our concept “Make Malmö happier”. It´s a stop motion, that took 3 weeks to piece together. The film is part of a greater campaign going out to 250 000 house holds in Skåne and the southern region of Sweden. Full concept presentation will arrive in your letter-box shortly.
I came across this video on Reddit tonight and was pretty much blown away by the concept, but not necessarily the execution. Then I read the comments where someone had linked to the above video and I was absolutely mesmerized. Visually the whole thing is very reminiscent of Michel Gondry’s video for Star Guitar. Now if the whole thing would just sync up the same.
The video was made using a simple mirror filter and an HD video camera, shot from a train. I use a lot of mirroring effects for live visuals, but never on material shot from a moving vehicle. Something about it feels so fluid; almost CGI. I wonder if this effect will become the video equivalent of tilt-shift, popping up everywhere all of the sudden.
This entire video — a TV spot for Silestone, apparently some sort of space-age counter top material which shatters all of your fruits and vegetables on contact — is CGI. Incredible. If I could do video like this I’d spend all my time recreating sets from 2001.
Title: ‘Above Everything Else’
Brand: Silestone
Production company: The Mushroom Company
Director/DoP/Art direction/Post/Editor: Alex Roman
Original idea/Concept: Alex Roman
Additional CGI: Juan Ángel García Martinez
Music: ZipZap Music
Spot TV 60″
