A few killer works by Justin Allen LaFontaine. I had the Up North one on my blog a while back, but forgot how cool it was until today when I was perusing the electronic basement as it were. I wonder where that photo was taken.. Would love to see some recent work by Justin!
Ryan Schude (Site | Flickr) is a Los Angeles (via Chicago, San Francisco, and San Diego) based photographer. I’m loving the honesty in a lot of these, they feel really raw and relatable. The staged shots are nice but I’m really gravitating toward the more candid moments he’s captured. Definitely getting a Joe Stevens vibe off the various automotive shots in there, really cool stuff. Also, my new dream is to have a yellow tent full of photographic equipment.
At first glance you might expect Joe Stevens’ collection of van photos — Vans and the places they were — to be another nostalgic overdose of 70’s camp, but on closer inspection you’ll find some beautiful photos that transcend the limited scope of the series. I love the color composition and processing; I almost feel like I’m looking at some hyperrealist version of a Kevin Cyr painting. This is probably also the only other time you could get away with hanging a picture of a van conversion on your wall and convincing all your friends that it’s art. The best part of it all is that they don’t seem to be staged at all; they all seem to be random finds which makes the quality of the shots all the more incredible.
Sidenote: Looks like Joe’s site was built on Arlo Sites, a portfolio platform that looks pretty interesting. Not sure how it stacks up to Cargo or Squarespace though, this is the first I’ve seen of it.
I’m back in San Francisco after a very long trip home (around 20 hours over three flights) from Tromsø, Norway. It was great doing the workshop and playing at Insomnia; I really appreciate everyone coming out. Unfortunately I was sick almost the whole time so I didn’t get to see and do as much as I’d have liked while in this amazing place. But thanks to my gracious hosts — Annette and Simen, who went out of their way to show me around — I was able to get out and experience some of what Tromsø has to offer. I honestly had no idea what to expect from this place; I’d been so busy that I never had the chance to do any research before I left. Saying I was pleasantly surprised would be an understatement to say the least — Tromsø is absolutely one of the most interesting and beautiful places I’ve ever had the good fortune to visit. It’s the sort of alpine paradise that conjures up idealized notions of northern Europe in the 60’s. In fact, Röyksopp hail from Tromsø and it certainly shows in their Epel video (below). I felt like I was living it when I took the gondola up the mountain.
For starters, it’s a city rich in quality design and typography, thanks in part to Tank (pronounced “Tonk”), an Oslo-based design shop founded by Tromsø natives who have now returned and formed a satellite office in their home town. They’ve designed everything from packaging for the locally brewed Mack beer to the beautifully executed branding for local cafe Kaffebønna (which now sits squarely in my top 5 worldwide list for best coffee shops — worth a visit for the awesome pricing signage alone). Incidentally, Tank’s Tromsø office sits directly above another excellent cafe, Circa, which serves up some of the best sandwiches and tea I’ve had in a while. And by the way, all that amazing furniture we have to pay and arm and a leg for here in the states? It’s everywhere in Norway… Even the smallest cafe will have some incredible couch chilling in the corner that only rich art director types have over here.
But beyond all of the man-made fare, the real attraction is the natural beauty. Tromsø is situated right above the arctic circle and, as a result, the scenery is nothing short of stunning. Sharp, snow-covered mountain peaks jutting out from sea-level make for some of the most dramatic and breathtaking scenery I’ve ever laid eyes or lens on. Sadly, the days are very short at this time of the year. That, coupled with the fact that I spent most of my time sweating out a fever in bed, means I only got a couple hours of shooting in. But that’s all the more reason for a return trip, which I’ve already begun planning.
So thanks again to everyone from Tromsø for showing me a great time. And if you have the chance, I highly recommend a visit — I feel very lucky to have stumbled into this incredible place. Oh, and if you don’t have time to visit, you can live the experience vicariously through one of my all time favorite music videos:
P.S. Anyone know where I can buy these Fribol Herbal Drops in the US? I got them in Norway, they’re amazing and I can’t find a similar alternative here. Although I assume since they actually work and contain neither sugar nor drugs, they’re most certainly illegal in the states.
Jakub’s recent post about his mystery images inspired me to do a little sleuthing of my own. I’ve had the top image on my desktop for a long while now labeled “awesome_findit” and never had any idea where it came from. Turns out it was part of a (now a few years old) series of photographs by Asako Narahashi.
I’m a big fan of the whole half awake and half asleep in the water series — concept and execution. I have always been fascinated by the ocean, and bobbing about idly in the waves is one of my favorite things to do. Her photos simultaneously capture the tranquility of this wonderfully lazy activity, while still maintaining the dynamism of an ocean swell. I also really enjoy how heavy the water looks — reminds me of that Keane album title Under the Iron Sea.
I’m all about lonely and melancholic photography this week — though more importantly — I’m really into the effective implementation of a deceptively simple concept as seen above. Like Nobody is there, this series by J Bennett Fitts steers clear of any human subject; this time with a slightly more ominous tone. The focus of No Lifeguard on Duty is the abandoned swimming pools found throughout the country, usually alongside a similarly neglected hotel/motel from the 60’s. Just in time for summer! (At least in San Francisco…elsewhere in the country a more appropriate summer image might have the pool filled with water and people frolicking about. Here, summer means cold and foggy.)
Swimming pools are signs of spiritual optimism, economic prosperity and the hedonistic good life, so the image of a pool dried up and cracked or half full of dirty water becomes a symbol of disappointed hopes and dreams. A sign on the wall by a pool that was filled in with grassy sod says, ”No lifeguard on duty,” which is funny at first, and then starts to sound like an ominous judgment about modern American life. Ken Johnson
via Booooooom
Recently I purchased a Nikon SB-600 flash for my D40. I have never owned anything in the way of photographic lighting and I figured this would be a good first step. I’ve outfitted my studio with a good continuous lighting set up (for video), but photographic lighting has always intimidated me (in regards to complexity and cost). The SB-600 is a flash attachment that works with the D40 (thankfully) and basically just augments the existing flash. The big difference is the ability to adjust the direction of the flash, allowing you to bounce light off the ceiling etc. It also has more options and allows for more control than the basic flash.
Above I’ve posted two pictures, the first uses the SB-600 (pointed at the ceiling), and the second is just the on-camera flash. Neither has been edited. Given that I have no idea what I’m doing with this flash, I think the results are fairly impressive out of the box. Every time I’ve used the SB-600 indoors, the pictures reflect exactly what I see in real life. None of that blown out flash nonsense. The colors are correct, the light is balanced, and the level of detail is like nothing I’ve seen come out of my D40 previously. Of course, the SB-600 is no substitute for a real studio lighting setup, but it’s a great way to cheaply augment the power and versatility of your on-camera lighting situation.
There are a number of other options for speedlights of this kind. I chose the SB-600 mainly because it seemed to be the best fit for my relatively “low end” D40. It’s not too heavy and didn’t break the bank like some of the other Nikon models (the SB-800 for example costs more than my camera). It’s been very easy to use and I would recommend it to anyone looking for a quick and easy way to improve their indoor photography. If anyone has experience with other models, Nikon or otherwise, I’d love to hear your thoughts or see some examples. I’m still learning how to get the most out of mine, but the potential definitely seems to be there.
Architectural imagery by Philipp Schaerer. I love the negative space created by the buildings in his Bildbauten series. As he describes on his site, the images are based on the photographic language, and “reflect a built, exaggerated reality.” I’m not sure the techniques used in the creation of the images, but I love the results. You can try and decode his description on his site.