This should be a treat for the blog readers that love Mux Mool who remixed Tycho’s From Home. We have the full album stream below of his follow up to his debut LP Skulltaste. I’d head over and pick up the limited to 100 white vinyl at the Ghostly Store.
I’ve been having a good deal of fun editing on my iPhone lately and its even spilled over into some of my design work. I recently discovered a great little app called Grid Lens (well worth checking out), and created a custom grid for myself of skinny columns (Some inspiration from this painting) and took a sequence of photos of a white wall… It turned out like this (see image above).
I figured I was onto something and brought it into Image Blender (another invaluable app) and started layering it. First horizontally and then diagonally. I ended up with this:
This got me pretty excited, especially because it started with a photo of a white wall… I then layered it over another photo that I mirrored for more symmetry and ended up with this:
I find accidental creativity to be some of the most exciting, especially when it comes together quickly, when you almost cant keep up with it.
A few more examples of the same technique:
I am working on a logo right now and I figured this is great application to try out this same technique. I did it all in illustrator but the inspiration came from a $2 app.
Tools that fit in my pocket fit much better into my life.
All images by Seth Hardie
Find me on Instagram here: @hallwood
Explorers of Tomorrow is the title of the first book project I completed at the Academy of Art University in Spring 2009. Up to this point our projects consisted of posters and small printed materials, so this was the first time we were pushed to develop a consistent visual language and extend it across multiple pages. The assignment was to take a subject of interest, research its future 10 years from the present, and display our findings in a book.
Growing up, one of my favorite books was Automobiles of the Future by Irwin Stambler. Written in the 60s, it imagined the automobile in the 80s, 90s, and even the new millenium. The book was a window to a strange parallel dimension, where everything inside was a streamlined, pastel version of reality. Its pages held promise, for the future of automobiles was about more than spark plugs and oil filters, it was the story of man’s struggle to better himself. At the same time, it was very naive and simplified the world of tomorrow to a utopia that answered all of the problems facing their society. It never considered the possibility that the future would have its own set of obstacles to overcome. But that was its biggest appeal to me, to see the ways our society had advanced so far from their wildest dreams, yet fallen short on its fundamental ideals.
Space exploration has always been a fascination of mine. With that in mind I began to think about our future. 2019 will mark the 50th anniversary of the Apollo 11 flight, and I thought it would be interesting to look at the future of space exploration 10 years from the present, but from the perspective of writers in the past. Specifically, I wanted to look at how a society that had just landed on the moon would view space travel in the future: how would our idea of 2019 compare to a society’s that looked to the stars for answers?
Warp Records’ Clark comes with a beautiful ballad named Com Touch, pretty much a synth journey that bubbles and grows into a classic for all the early lovers of IDM.
RxGibbs puts together a high gliding dreambeat piece for those who would want a gentle version of early Kompakt ala MFA.
The new Memoryhouse tracks keep coming which means the LP isn’t far from release date, the production is far from buried or lo-fi and much more glossy, I can see this becoming big this duo.
I did a rework of one of my favorite Warm Ghost tracks, plus testing out the new HTML5 on Soundcloud player below, looks pretty amazing.
Visuals are a big part of the Tycho live show and I’m often asked how they were created and presented in a live setting. The answer is VDMX, a modular video performance platform. For those of you familiar with video editing / effecting, you could think of it as a stripped down, real-time version of After Effects where every parameter is controllable via various protocols (MIDI, OSC) and even by other parameters. It can mix multiple sources using blending modes like multiply and color burn all while utilizing Quartz Composer effects.
I’ve been using VDMX for a few years now and it’s become one of those tools that I can’t live without. Because it’s modular, VDMX’s interface can be arranged in any way you prefer. I personally use three video decks with and effects bin on each and then a master effects bin. I trigger clips and modulate parameter via MIDI over IP from Reaper running on a Macbook Pro w/ a Vertex 3 MAX IOPS drive (VDMX eats data bandwidth alive!).
VDMX is an incredibly deep and flexible application which I have yet to see any real limitation to. The workflow and functionality is so abstract that there are myriad ways to accomplish pretty much anything you can think of. And therein lies the only real problem I can find with VDMX; the flexibility and modularity afforded by the abstract way in which the application functions comes at the expense of usability. The learning curve is very steep and many of the initial concepts are a little tough to wrap your head around. Vidvox (the developers of VDMX) have put together some great tutorial videos which can help move the learning process along.
Thankfully a new version is out, and with it come some very helpful additions and changes. VDMX 5 is an entirely new program, written from the ground up. For those coming from older versions a lot of the way VDMX works will feel familiar. But you’ll quickly notice that some subtle changes in workflow make a big difference. I just started learning the new version during this current tour and it was pretty straight forward.
VDMX, while certainly not geared toward the casual user, is one of those apps that will allow you to grow into it. The relatively steep learning curve will pay off pretty quickly when you realize just what it’s capable of.
You can grab a demo and get more info here.
Wes Anderson did it again, he made me hunt down a release date for his newest film and add it to gCal, I only usually do that for albums that I can’t wait to buy. This hits theaters May 25th, I can’t wait to see Bill Murray’s character in this.
@edroste ( Ed Droste of Grizzly Bear )
@comtruise ( Com Truise )
@teendaze ( Teen Daze )
Instagram has sort of become a way of life on tour, almost anything beautiful or funny we see outside the tour van we yell out “take the shot!”. Since i’ve jumped on Instagram i’ve looked for musicians that post on there since soo many get to travel, here’s just a few that I follow that I post about that make it in our ISO50 playlists.
@peakinglights ( Peaking Lights )
@mattmondanile ( Real Estate / Ducktails )
@benjamincurtis ( School Of Seven Bells / Secret Machines )
@dam_funk ( DaM FunK )
@nosajthing (Nosaj Thing)
@muxmool ( Mux Mool )
@sunglitters ( Sun Glitters )
@geejairmo ( Prefuse 73 )
@starslingeruk ( Star Slinger )
@poolside ( Poolside )
@foxesinfiction ( Foxes In Fiction )
@bisradio ( Tim Sweeney of DFA )
@willits ( Christopher Willits )
@ryanpitchfork ( Ryan @ Pitchfork )
@laurenflax ( Creep )
@__shigeto ( Shigeto )
@studioirisarri ( Rafael Anton Irisarri / The Sight Below )
@j_gossett ( 1/2 of Beacon )
@tm_iii ( 1/2 of Beacon )
@iso50 ( Tycho )
@nitemoves ( Rory O’Connor – Tycho’s Drummer / Com Truise )
@zryder ( Zac Brown – Tycho’s Bassist / Dusty Brown )
@heathered_pearls ( Jakub )
Somewhere between Toronto and Montreal. Really pretty, wide open spaces up there.
Jakub took this one somewhere outside of Pontiac, MI
Gratuitous tour shot including the band, Jakub, and Brian Wenner who is our stage manager
I’ve been dreaming of having a proper visuals rig for a while now — we had been renting equipment — but this time out we finally have our own setup consisting of a 5K Lumen Christie LX45 projector, and Da-Lite Fast-Fold 16:9 screen, and a brand new custom rigging system (pictured below). It’s a great feeling to know that wherever we play, the show will be consistently presented. Thanks to everyone who helped out in Montreal getting this thing built, and to Darren from Home Depot in Watertown, NY for helping build the mounting plate.
Speaking of visuals, I’ve been getting a lot of work done on the new stuff. I’ve been working with Charles Bergquist on a new visuals set and things have been going great. Charles has been shooting beautiful HD footage and I have been arranging / effecting it using VDMX. It’s still a work in progress but we have been showing some previews here and there during the live show. I’m hoping to get that all wrapped up during our post Europe tour break.
As for upcoming stuff, we have a lot planned for the year: Europe, a full US tour, along with some festivals and no less than seven SXSW showcases. Hope to see you out there!
-Scott