My good friend Alek Fin introduced me not too long ago to the Nervous Structure installations, while he was conducting some research on alternative ways of doing projections for his live show, and I’ve been hooked ever since (I one day plan on having one of these set up perminantly on one of the walls of my workspace or house).
Nervous Structure is a series of site-specific, interactive installations consisting of string and fabric structures illuminated with interactive computer graphics that react to the presence and motion of viewers and was developed by Annica Cuppetelli and Cristobal Mendoza:
Annica Cuppetelli (USA) and Cristobal Mendoza (Venezuela) are artists and collaborators focusing on the creation of site-specific, multimedia installations that address issues of space, interaction, and materiality. Their installations combine traditional craft and common materials with interactive video projections and computational design processes, and they address the formal qualities of a given site while creating an immersive and participatory environment. Cuppetelli obtained her MFA from Cranbrook Academy of Art in 2008, and Mendoza at the Rhode Island School of Design in 2007. They are based in Detroit, MI.
We are giving away 2 tickets(2 winners total) to tomorrow’s dance party in Brooklyn at Glasslands, the event page is here, if you’d like to win a ticket just comment below with your favorite Com Truise track name, make sure your email address is attached and we’ll pick a winners before the show.
These came out beautiful, i’m eyeing the Adonis one, anyone have one of these up at their place?
“A series of informative posters detailing how some of the most notable drum sequences were programmed using the Roland TR-808 Drum Machine. Each sequence has been analyzed and represented as to allow users to re-programme each sequence, key for key.”
I’ve seen some of this footage before but never heard the commentary. The narrators go into some really interesting detail on the tech involved in capturing the film footage of Shuttle launches. Most of the footage is for review purposes but some is purely documentary. All of the footage is beautiful though. It amazed me that they still used film all the way up until the end of the Shuttle program. They’re also shooting at higher frame rates so you get some great slow motion in there.
The lenses used range all the way up to a 4000mm, 250lb., catadioptric for the medium range tracking system. The Shuttle program was undoubtedly one of the greatest technical achievements humankind will ever produce (and I’m guessing the last of it’s scale), so I suppose it’s fitting that it was documented with a 100+ camera array of some of the most sophisticated optics available.
This was part of a DVD put together detailing some of the best footage from the later Shuttle launches.
What you are observing above is basically this (as described by Jon-Kyle Mohr):
Sound frequencies are displayed as they are heard. Lower frequencies are mapped low (bottom) to high (top). Brightness is determined by amplitude.
Sweeping tones and rhythmic patterns create intricate structures. The circular form is in memorial of dead formats; the CD, MiniDisc and others. R.I.P.
Andrew Ohlman, who also happens to be a member of the Cargo Collective team, compiled a Quartz sketch which does similar things called Circular Spectrogram.
You can download the Circular Spectrogram application here to create your own visuals (currently only available for Mac users).
uber_filgrane – One of the best instagrams i’ve seen to date, it can’t be all iPhone can it? Its almost Wes Anderson like, you definitely won’t find a better use of pastel colors anywhere else within this feed.
houseoffriedman – making a name for using his hands on instagram, I really enjoy the simplicity of his theme and the subtle texturing for the effect.
4ksh – Beautiful washes, it perfectly mutes the angles of most of his photos.
This Shigeto remix of Sufjan Stevens just got leaked out about a week ago, a beautiful take on how to remix a different genre, Shigeto keeps the feel of the original and gives us this thread that unravels this tune into pile of silk cloth to lay on and rest.
Probably the most inviting to new listeners of the Four Tet / Burial collabs comes Nova. This could be an Enya / Ricardo Villalobos collab which really sounds appealing right now and i’m only saying that because I wish this hit a broader audience so people could understand what the world is missing out on here.
Its time for early 2000’s Tech House to come back, the melody is important again! pull out your old Traum, Kompakt, and Border Community records because they’ll blow these young kids minds, Blondes definitely know what there doing.
NASA has a great collection of historical photographs detailing their exploits over the years. Break out your Epsons and clean up your source imagery folder, these are all high-res and downloadable. Your tax dollars at work.
