FITC just released the highlight reel from this year’s festival in Toronto. The video was done by Stock Archive and features the most recent Tycho single, Coastal Brake as the soundtrack. I’m pretty sure the whole thing was shot with the Canon 5D MK2. I did an interview for the Stock Archive guys and they had a couple setups, one of which was the 5D on one of those body-mounted steady cam rigs. It was insane; the guy looked like a robot. Some of the panning shots definitely look like they were using it.
I’m really impressed with the editing, I’m not sure what I was expecting but this certainly exceeded it. I think as the quality of the 5D becomes ubiquitous people will stop being so blown away by the visual aspects alone and elements like editing and narrative will become much more important. Right now I feel like you could record a dumpster for 30 minutes with the 5D and it would be watchable.
On a side note, I will be speaking at FITC San Francisco this summer. I’ll be posting more on that next week, but just a heads up if you want to score some tickets before they go up in price (May 28th I believe).
Dribbble is a place to share little snapshots of what you’re working on. It’s kind of like Twitter, except instead of being limited to 140 characters, you’re limited to 120,000 pixels. Better have a good eye for cropping!
Dribbble is show and tell for designers, developers and other creatives. Members share sneak peeks of their work as “shots” — small screenshots of the designs and applications they are working on. It’s also a place to talk design, give and receive feedback and iterate toward better work.
They exited private beta about a month ago and are in invite-only mode right now. I’m very impressed with how solid the site feels overall. Seems like they spent a really long time finessing all of the details. I haven’t had a chance to ‘dribbble’ any of my own projects, but I really like the concept and I think it could be really fun to use. If you want to try it out, you’ll need to be drafted.
Today I have some fresh picks, starting off with the very buzzworthy Baths who recently signed to Anticon. We need more Baths in the beat world so that the point of shows isn’t just all about playing the most hype track but more into the pleasure of hearing the artist perform their music, Baths definitely has some potential to help push this along if he hits the road hard, HIGHLY RECOMMENDED.
I’ve heard Lorn’s name thrown around a bit by Mux Mool, this track Cherry Moon reminds me of a more mellowed out Ratatat track with strings, spot on production.
Bronze was recommended to listeners by DFA‘s Free Energy, their giving away their EP on bandcamp for free.
This last track is the video below, I love how the director did so much with a still piece, which brings me back to the point of it doesn’t matter the size of your budget you just need the right creatives.
A nice collection of posters and tickets from the Expo’70 in Osaka Japan. I’ve been looking for proper scans of these posters forever but I settled on these corrected versions from this flickr set. Anybody know where you can score some copies of these? I found this one on eBay, but not really the style I’m looking for. Nothing I love more than 70’s phtography blow-up with bold Helvetica over top. It’s always a little sad to see stuff like this and realize how rare it is; it’s a shame there isn’t some sort of high res vintage poster repository.
On a side note, Canada: you always have great design instincts but I have to say, you really blew it on this one. Winking Caucasian Indian? Also, what’s with the attempted Geddy Lee up in the corner? Couldn’t you get the actual guy to be in your poster? But I guess not all 70’s Canadian bassists were in Rush. You saved it with the type lockup on the bottom though.
While this has been around the Behance block, I can’t help but admire this piece by Francisco Andriani. The use of typography in these pieces is gorgeous. The noisy photographs and large type along with a relaxed but secure color palette also really sets the mood of airports.
Seeing these info graphics makes me want to see this style implemented nicely in the terminal. Large monitors showing arrival and departure times with this style would be stunning. Especially if used on large installations like these. With a little collaboration I could see Tyler Thompson’s boarding passes and Francisco’s info graphics alongside one another in the near future in airports.
A selection of raw analog-synthesizer music, from noisy lo-fi industrial to melodic synthpop, courtesy of Ghostly’s resident expert on the subject Solvent.
TRACKLIST
“Attack Warning Red” [excerpt] – Civil Defence Program
“Entry” – November Növelet
“Open & Shut” – Martial Canterel
“Blank Clocks” – The Future
“Riot Squad” – Vice Versa
“Step in Time” – Psychic Youth
“Rabies” – Naked Lunch
“Speed” – Daily Fauli
“F.U. Klaxon” – Beau Wanzer
“The Tale of Bernie Woodstein” – Legowelt
“Attack Warning Red” [transition] – Civil Defence Program
“Wellengenerator” – Im Namen Des Volkes
“Protect and Survive” – Civil Defence Program
“Automation” – Robert Lawrence & Mark Phillips
“33a1” [edit] – John Bender
“Television Set” – Television Set
“Solarize” – The Rorschach Garden
“U?berbeast” – Medio Mutante
“It’s About Now” [excerpt] – Cabaret Voltaire
Sonar and Gravité by Renaud Hallee. Both are ridiculously awesome. Make sure to watch Sonar until at least 1:17, that’s my favorite part. Mega simple ideas like these are endlessly satisfying to me (especially when executed this well). I want to see more from Renaud! Both of these are almost a year old now, would love to see what he’s been up to recently.
Don’t hang me for not completely loving The National’s previous releases more than this new single that I prefer and has me excited for this new record. I can hear the super talent here and all the reason people love this band, i’m happy to be converted but I don’t know if I can handle a whole show yet.
Fur is on Waaga Records who really has their finger on the pulse of what I think will keep this instrumental indie in people’s face because of the undeniable catchy music coming from them. Fur has a great ear for synth choices for me personally which they touch on less lo-fi BoC meets that airy sound that was the backbone of IDM yet still has indie rock palette somehow here.
Via Tania recently released a EP that included good remixes from The Juan MacLean and Lemonade yet somehow I don’t think were as good as this original.
L.A. based influential heads Flying Lotus & House Shoes collab to make a respectable J Dilla like beat which is hard to do these days, i’ve had this playing pretty much every day since the sun has showed up here in Brooklyn.
