While they’re not quite as good as their big screen counterparts, some TV title sequences are starting to look a lot like what you’d expect from a feature film. Smashing Magazine has an article entitled “20 Brilliant TV Show Titles” featuring some of the better examples out there. My personal favorite has to be TrueBlood; the colors are incredible. Although none of them come close to beating Catch Me If you Can (although Mad Men tries valiantly), there certainly are some nice ones in the list. Link
Just found a nice size collection of 1960’s Advertising from around the world on Flickr, plenty more photos of exhibitions, typefaces, tv ad’s, and print.
The L.A. installment of the Ghostly 10 Year Anniversary Show is now officially set for Sunday, March 8th, 2009. The lineup is pretty much the same as the S.F. show at Mezzanine on the 6th. Jakub’s flying out for the S.F. show and then we’ll be making the trek down south via I5 on Saturday, wish us luck! Here’s all the details for L.A.:
Ghostly, Xlr8r, Red Stripe and Jimmy’s Lounge Present:
Attn: This is a Daytime show, starts @ 2PM
The Ghostly 10 yr Anniversary – 2nd Installment – Los Angeles
Michna w/ Raw Paw LIVE
The Sight Below LIVE
Kate Simko LIVE
Eliot Lipp LIVE
…and more TBA
Sunday March 8th
@ Jimmy’s Lounge
6202 Santa Monica Blvd., LA
21+ 2 pm
A friend showed me a place called Meet, seems like a nice spot for meetings but the idea is a bit too forced/corporate feeling for my taste. This is from their About Us page: “Marc and Sara Schiller, who realized that there was a need for a dedicated space in New York where creative and business executives could gather to re-imagine a business, re-invent a product or pitch potential clients. Advertising agencies, top consumer brands and television networks are among their enthusiastic clientele.”
Berlin-based Alan Abrahams has earned a lot of attention lately. His albums as Portable for the Background and ~scape imprints have garnered near-universal acclaim for their deft fusion of tribal rhythms and a modern micro-house sensibility. For his first LP as Bodycode, The Conservation of Electric Charge, Abrahams focuses on the more dancefloor-oriented aspects of his style, yielding a gorgeous album born from the belief that the psyche can be unlocked via the body. Bodycode also came from necessity ? while on tour playing club dates, Abrahams was compelled to seek the most engaging sound for that environment. Remarkably adept at its task, Bodycode?s mesmerizing percussive arrangements and subtle melodic flourishes create an immediately engaging sound that lingers in the mind long after the club has closed.
I just saw Alan aka Portable/Bodycode play last night on a freezing rooftop outdoors right around Union Square in New York and he blew my mind. Alan makes pure body music that’s straight from his roots of South Africa, if anyone is doing any tribal house music properly its him. He also slowly falls into some beautiful droned out breakdowns that aren’t like anything else, so there is something here for the world music(sadly this genre has such a bad rep) and ambient fans as well.
Download the Live set HERE
Portable – Live in Japan 2005
I’ve been considering a workspace overhaul for a couple months now. For inspiration, I’ve been browsing the photographs at The Selby, a blog dedicated to the workspaces of creatives. Each post includes photographs of artists in their homes and studios, and usually a little handwritten interview at the end. A majority of their subjects are from New York or LA, but I’m hoping they’ll make it out to San Francisco one of these days.
With my space, it’s amazing I’m able to get anything done; clothes are everywhere, bookshelves overflow onto the floor, and wires tangle their way into everything. It takes me at least five minutes to find just about anything. In all likelihood, it will stay this way forever, but I figure if I spend enough time looking at other people’s workspaces, I might actually get motivated to make mine picture worthy. Then again, as most of the pictures indicate (and Scott has suggested before), a pristine workspace isn’t a prerequisite for productivity.
Pop Up Storefront Los Angeles showcased some great photos from Frederic Chaubin, the Cambodian born French-Spanish editor of Citizen K magazine. The show, entitled “CCCP: Cosmic Communist Constructions Photographed”, focused on Chaubin’s fascination with the sort of futurist architecture that came out of Soviet Russia’s Cold-War era. I’ve always been quite impressed by Soviet architecture like this; they somehow built real versions of all those artist’s renderings of future societies that people were cranking out in the 50’s and 60’s. I’ve never seen it represented quite so faithfully; Chaubin’s photos really capture that whole utopian society vibe.
Talk about inspiration; these are all simply incredible. I used to obsess over tapes when I was a kid, always looking for the coolest packaging or interesting design. But never in all those years did I come across any as cool as these. Most of these look to be a little before my time and, of course, are of European origin. I always wonder what effect growing up around such interesting design might have had on me. All we had in the states was this crap, while German kids got to record Ege Bamyasi to little plastic boxes coated in design goodness. Maybe it’s for the best, I guess now I can appreciate things like this more. Jubru has posted these scans to a flickr gallery where you’ll find many more great examples.