A very nice collection of alternative Saul Bass works is up at Citrinitas. I say "alternative" because every time I try to find new images by him, all the same old stuff comes up but there are a few here that I hadn’t previously seen as well as that large version of the Saint Joan poster which I wasn’t able to find until now. One thing’s for certain, the man knew how to use orange. Via DMOGHI from a very nice feature on inspirational poster designs.
The new Tycho single "Adrift / From Home" is now available direct from the MP3 shop in DRM-Free 320Kbps MP3 format. It was previously available exclusively through iTunes but can now be purchased at the new Tychomusic Shop and all other major digital music retailers. You can also purchase all the other Tycho releases at the Shop.
If you had previously purchased MP3s direct through the old system you may know that it was far from perfect. The new shop has been rebuilt from the ground up and functions far better than the previous system with instant downloads and full user account control.
In case you missed it the first time around, below are some clips of the songs from the new single. You can hear the full version of Adrift at the Tycho Myspace page.
Via Grain Edit: "Dutch Type specimen sheet from Lettergieterij in the Netherlands. Most likely from the late 1950s / early 1960s." Another example of great Dutch design, loving these colors
I love it when an album cover makes me jealous, usually this means that there was art direction on top of a great vision for the music. This self titled Engineers release came out in 2005 and got alil bit of love but was overshadowed by bigger names like Interpol, Phoenix, and The Editors. I think they sounded more like Telefon Tel Aviv or Air at times, definitely a great record to look for, i had to pick up a physical copy so i could have the art too.
You may know Casino versus Japan from his track It’s Very Sunny from an older Hummer Commercial or just because his music could be compared to Scott’s earlier Tycho releases. I love him for his lo-fi crunchy bass, shoegaze approach to all the atmosphere in the background, and his lush looped melodies like in this song "Marilyn Set Me Free".
This Otl Aicher-designed Olympic poster is from Blanka. I see them linked on FFFFOUND all the time but I really don’t know what they’re all about. At first I thought they were an agency but now I think they’re just some sort of design shop with all sorts of cool stuff that is never in stock. At any rate, it’s fun to look at the pictures; they have an extensive archive of vintage poster prints.
I’ve been locked in the studio for a while preparing to record some new tracks for the upcoming Tycho album. I reconfigured my whole setup and it’s finally all coming together. I’ve finally added a true analog mixing console and it’s really changed the workflow, been saving a lot of time. Above is a partial shot of the studio in it’s current form, still a ways to go with the acoustics, but I’ve been making do.
On a side note, I temporarily moved back to Windows XP32 since they don’t make the software I use to record (Sonar) for Mac. I installed Photoshop and it’s been running so bad, crashing all the time. Meanwhile, on the Mac side, solid as a rock. I really wish I could just work inside of OS X full time, but Logic and Pro Tools just can’t hang with Sonar in my book. Oh well, here’s hoping for a solid Windows 9.
Matt Maust is the Bassist for Cold War Kids and a great designer as well. Their album Robbers & Cowards has really been a sleeper hit for me. I first became aware of them a while back but sort of thought Hospital Beds was cool and left it at that. But lately I’ve been working to the record and really enjoying it as a whole.
Today I checked on their site to see what they were all about and was greeted by the lovely image you see above. Once inside it just gets better. I’m always a sucker for the big-gothic-type-on-photographs motif, and here it’s done very well. Even with the most talented designers, a lot of the time you can see through to the fact that the artwork for a band was project / money driven. In the case of an outfit like Cold War Kids, I think the (literally) DIY design ethic shines through to great effect. But at the end of the day, it’s not how you look as a band, it’s how you sound.
