I came upon these pictures from the Princeton 1966 yearbook while tracking down a copy of Take Ivy. These shots are reminiscent of those in Hayashida’s book, but they are actually from a year later and were just published in the school yearbook. I went to prep school and I did not look this cool.
What I love about these shots is the feeling of potential that is conveyed. I feel like important things are being discussed; movers and shakers are in the making. It appears impossible to not achieve ultimate focus in this academic environment.
If you’re looking for a high end compact camera, the newly announced Nikon P7000 may just fit the bill. I’ve found myself leaving the full size SLR behind more and more lately so I’ve been thinking of filling the gap with something a bit more portable without sacrificing much in picture quality.
You can pick one up later this month for around $500. Plenty more info and specs over here.
Kim Høltermand emailed to let us know about his incredible new series Tuve. I would love to find this place and see if it’s as eerie in real life as it is depicted here. Out of context some of the rocks look like abstract 3D renderings floating in space. It’s hard to imagine water that still. Breathtaking and haunting as usual from Mr.Høltermand.
Came across these really great shots via Colorcubic’s Flickr. The images were taken for an IBM catalog in 1964. Take note of the great compositions and use of bokeh in the first image. Not sure that IBM would let that fly nowadays. Also, the super warmth and contrast of the film really make those panel interfaces look stunning.
Seeing these images in spread form would be interesting. Rather curious whether or not the designer overlaid the type on them or if the images stood alone. In some IBM ads, it appears that type was both on and off the images.
I noticed Jesse Brew in the comments sometimes, always super kind. I had to check his work to see what he was up to and i’m so happy I did. He has great a photo series growing and a wonderful eye, I hope to share more in the near future.
It always seems that when something great goes away, we don’t realize how great it actually was until its nearly gone. Film is that thing. Although I wouldn’t say film is gone, it certainly has been on its way out. I know I’ve personally taken it for granted, but when I see cameras like this or the return of the Polaroid, it makes me want to experiment.
This camera by Steven Monteau is called the Guillotine / Adidas Camera and was intended for use shooting ultra-wide action sequences on 120 film. The effect that the three images as one create is really beautiful.
The way the camera works is by sliding the long angular strip that acts at your shutter quickly once to expose the film. The body is built out of cardboard and utilizes two winding knobs to wind the spool. I’m quite curious though whether or not there are stops so you know how far you’re winding the spool or if you have to guess.
You may remember Impossible Project as the company that’s been promising to revive the recently-defunct Polaroid instant film brand. They delivered partially in March with the sepia PX 600 but now they’re finally offering full color film with their PX 70 product. The results (you can see some in this gallery – towards bottom of page) are a bit washed out for my tastes, I still would prefer the expired Spectra they offer. But it’s a step in the right direction for now.
