I’ve been waiting for this Sepalcure song to drop since I heard Praveen play it on his PercussionLab radio show, sadly no vinyl or digital yet, only this video, I love these guys even if their video isn’t making much sense to me, HIGHLY RECOMMEND the song.
Digging for songs to play this Saturday at Brooklyn Electronic Music Festival, i’ve always checked out what Nick Chacona puts together, he definitely delivers deep tracks and tasty arpeggios.
On a similar tip to the Nick Chacona track but with a lot more punch is our first taste of new work from Fred Falke, people will never get sick of that filtered breakdown into a big drop style dance music, I don’t blame them as long as its coming from some quality like Fred Falke.
Droned and stretched out Clams Casino does his version of Washed Out’s single Amor Fati.
Honestly one of my favorite things Dabrye has done, if Burial ever switched gears in his sound I think it goes something like this. Also, Dabrye is touring again after a long hiatus, here’s some dates:
11.09 Los Angeles, CA @ LOW END THEORY (DJ SET)
11.10 San Francisco, CA @ SOM BAR (DJ SET)
11.26 Manchester, UK @ THE ROADHOUSE
Too cool for school is the attitude i’m getting from King Krule which throws me off a bit but I can’t deny enjoying his music, there’s a remarkable fusion of cheap electronics meets 50’s slow pop.
Right around this time of year the Darker Pop seems to surface which i’m always a fan of, what I like about Leisure(how is this name not taken?? great name) and this might make me feel old but it reminds me of what I loved about a young U2.
My favorite song Little Dragon played live, its what I like to call a “merch song”, you put this kind of song at the end of your set and people will buy merch, its gorgeous, I even saw it used really well on a TV show the other night.
Beautifully designed functional business cards designed by Katharina Hölzl for jazz duo Ritornell. The laser-milled cards play back music when ran through a specially designed music box. Very clever take on the idea of a calling card.
Our friend Missy Livingston, aka Moderna, has put together a burner for your Saturday listening pleasure. Hot For Heat is, in her own words, “An ode to the heat, past, present and future”.
The Radio Edit of Tycho’s Dive single hit iTunes today (including the excellent Teen Daze remix of Hours) which will hopefully help Scott reach some of the non-Tycho listeners and give them something to hum along too. I personally love the longer album version, he makes all 8+ minutes count, I still haven’t had a chance to be alone with the record by the ocean which I think is where this album will flourish on a new level for me.
Jacob 2-2 has a new EP that’s almost a LP length release in this day in age. Chalked full of synth melodies that will take a few listens to hear all the details, this collection of music will touch the hearts of 80’s fantasy lovers, listen to the whole album here.
Those of you familiar with midi controller surfaces will know that, by in large, the product design associated with them leaves much to be desired. They are usually garish, overstated affairs seemingly designed to catch the eye of 18 year old ravers passing through Guitar Center. So I was pretty surprised when I saw the new line of Cubase control surfaces from Steinberg. The CMC line of modular controllers allow you to build a control surface using only the modules you deem necessary to your workflow. They even offer a frame to hold up to four modules of your choosing.
Of course, upon seeing these I was immediately reminded of the question I have been asking myself for years: why don’t we as Photoshop users have a system like this? There is something that comes close; the Avid Artist Color, but it isn’t compatible with Photoshop. Can you imagine having a modular system like the CMC that you could customize to run actions, edit color on the fly, manipulate images? Perhaps I’m being a little presumptuous, but I would think a lot of Photoshop users (and creatives in general) could benefit from an open standard for controlling software like Photoshop, Lightroom, and After Effects. The funny thing is that the standard exists already in MIDI, Adobe just needs to implement it and allow us to map controls to functions within their software. I guess after working with music software for so long and having hardware control surfaces as a given, it’s hard to understand why they’ve never made the leap to the world of visual production.
Would you use a hardware controller to work with Photoshop?
Also, here’s a pretty annoying video detailing the CMC system: