Nitsche: Convair 880 Poster
Beautiful poster for the Convair 880 by one of my favorite designers, Erik Nitsche. Apparently $1,000 will score you one of these rare prints.
via Grain Edit
Beautiful poster for the Convair 880 by one of my favorite designers, Erik Nitsche. Apparently $1,000 will score you one of these rare prints.
via Grain Edit
Just a quick summary of this case since the details and “facts” have been shifting so much: Designer Jon Engle cried foul and the entire internet rushed to his aid. Engle accused a stock art site of stealing his designs and then billing him $18,000 for them. But as it turns out, he may be the real culprit. Read on and come to your own conclusions. This is an epic tale!
DOUBLE EDIT!: It just keeps looking worse for old Jonny-boy’s case. Jo just linked to a nice summary of this whole disaster which can be found here. Frank also sent in this link to some side-by-side comparisons of Jon’s work and the StockArt stuff. If this turns out to be all wrong, why did this guy do it? Perhaps he didn’t think it would blow up so big? If in fact this is all some elaborate hoax, $18,000 is probably the least of Jon Engle’s worries now. What a mess!
Edit: Wow! This is a saga for the history books. After posting this article, a few astute readers pointed out this thread on Reddit. Pretty interesting information there. I guess it’s up to you to decide who’s at fault here.
The alleged story — in Jon’s words — can be found here. But in light of recent information, you may want to take it all with a grain of salt. Either way, quite an interesting train wreck of a story this will be if it all turns out to be as upside-down as it’s starting to look.
I finally took the time to check out Daft Punk’s latest film, Electroma, tonight and I must say it was pretty impressive. The cinematography and visuals are breathtaking and the sound design and music (which was, sort of ironically, not made by Daft Punk) is incredible. The plot is pretty much an afterthought though; your standard issue vague, arthouse storyline that didn’t really move me in any way. But I didn’t want that out of it, nor was I expecting it, so I can’t knock the film for it. The substance is in the imagery and it’s simply beautiful. When paired with the excellent sound design it achieves a 2001-esque vibe, a sort of retro-future as imagined in the 80’s. You can watch a Vimeo clip from the film below featuring the superb laboratory scene (from which the stills above were taken). It’s out now on DVD and I would have included the cover and title graphics, but they’re pretty bad, which is a shame because a film with imagery like this just begs to be wrapped in quality design.
It’s been a few weeks since we launched the ISO50 Playlist and now a brand new set of tracks is loaded up for your listening pleasure. Just hit play — top of the page, center column (RSS readers must visit site to listen). I am working on the code to allow loading of older playlists which will be archived in the future. Enjoy!
ISO50 Playlist 002 – Compiled by Jakub.
Track Listing:
1. SKALPEL – SCULPTURE
2. CLOUDLAND CANYON – DAMBALA
3. BIBIO – ABERRIW
4. JIM O’ROURKE – FUZZY SUN
5. M83 – YOU APPEARING (ADDLED EDIT)
6. GROUPER – HEAVY WATER/I’D RATHER BE SLEEPING
7. TSTEWART – WHAT’S THIS COLOR
8. AMERICA – AMERICA – TIN MAN
9. MICHNA – DO WHAT YOU WANT TO DO
10. RATATAT – MONTANITA
11. STUDIO – LIFE’S A BEACH!
12. PETER BJORN AND JOHN – ERIK’S FISHING TRIP
13. TOM TYLER – DAYLIGHT ROBBED HER
14. CLOSER MUSIK – 1,2,3, NO GRAVITY
15. FARBEN – AS LONG AS THERE’S LOVE AROUND – ORIGINAL MIX
16. PAUL KALKBRENNER – AARON
17. THE CHAP – AUTO WHERE TO
18. MILOSH – COULDN’T SLEEP
19. MOUNTAINS – BLOWN GLASS TYPEWRITER
20. ANIMAL COLLECTIVE – VISITING FRIENDS
Hit play on the player at the top of the page (center column) to start.
@McCrothers pointed out the fact that you could find some very interesting vintage items on Etsy. I thought it was all about handmade accessories and trinkets, but the above examples suggest otherwise. They’re from the 26 Olive Street shop where you’ll find a few other interesting odds and ends along with a lot of nicely Poladroid-erized product shots. This comes via a Valet article breaking down the Etsy second-hand market.
When I was down in LA for the Ghostly show, Jakub, Sam and I were talking and this Schaefer’s Beer ad came up. It’s one of those things that’s so great you want to wait to post it for as long as possible. Well, it’s been years since I first saw it and I guess now is as good a time as any.
This is Ed Kalehoff performing a jingle he wrote on the Moog Modular System for Schaefer’s beer. Even if you don’t know of him, you know his work; he did most of the music and cues for The Price is Right. Nothing tops this though, nothing. How great it would have been to live in a time when a beer slogan like that could fly. Also, was he scratching on that 2″ reel? Awesome.
I love digital technology. I love the convenience, the economy, the permanence, and the instantness (yes, that’s actually a word….who knew). So I’m constantly trying to trick myself into believing that I don’t need film photography because digital can replace it. Then I see pictures like the ones above and remember that it’s never going to happen. There’s something going on here that I’ve yet to see captured in a digital image. Sure, I’ve seen incredibly beautiful digital photographs, and they stand on their own. But that’s all they do. They don’t stand over film and they don’t replace it. Film can never die or we will lose our ability to capture the beauty that hides behind the subtlety and nuance that digital seems to miss. There’s a tone, a separation and depth here that I think can only be produced by an analog chemical reaction. The grain is so beautiful it just begs to be blown up to wall-size.
The pictures are of the band Panic Ensemble and were taken with a Canon AE-1 Program by dirkhaim. AE1-P’s can be had for next to nothing (with glass!) on eBay.
So considering all the infinite hype surrounding it, I’ve finally been experimenting with Twitter over the past couple weeks and I have to say, it’s been surprisingly fun. I hooked the blog up so that all the posts are linked up on my Twitter page (using Twitter Tools) and it’s been an interesting way to communicate via a more direct route than is possible with the blog alone. I’ll be posting up giveaways, extras that didn’t make the blog, process stuff (pictures of the daily work), and random other tidbits here and there. It will also be the front lines so you’ll be the first to hear about anything useful or interesting before it hits the blog.
So there you have it, ISO50 on Twitter, join up! @ISO50