Stylepark has some beautiful photos (shot by Thomas Wagner) from the Mercedes collection at Pinakothek der Moderne, Munich. The show goes until Sep. 14 and features some incredible examples of the German auto maker’s inspiring creations.
I love the wall treatments, and the license plate in that second shot is incredible. Now compare that to this, and you start to understand why so many great designers come from Germany. It’s like those stupid faucet commercials (which I hate simply because of how the piano starts playing when she pulls a faucet out of her purse all dramatically and slams it down on the guy’s desk like it’s the most profound thing he’s ever seen when somebody starts throwing plumbing components around his office. What the hell does it even mean. Did you see how confused her husband looked? I felt the same way. She damaged the finish of that desk and I bet it wasn’t cheap considering how pretentious successful architects are.), I could seriously design a car around that license plate. I bet if you told the Mercedes designers they had to design the car for the US style plates they would just quit and throw a wrench or some molding clay or something. Also, if I moved to the states from Germany and had to do this, I would just drive the car of a cliff because the whole thing is ruined. I have a feeling the “California” font only looks like that because the state couldn’t afford to license Papyrus.
Also check out these posts for some more vintage Mercedes action
Hulger makes some very well executed VoIP handsets with a nice retro slant. I’d have to say my favorite is the PIP*, it’s dripping with 80’s rich guy nostalgia. The Pappa is a little heavy-handed and leaning hard into 60’s Bostitch stapler territory, but it would look nice on the right desk if I had a second office that smelled of rich mahogany and a pipe was somehow involved.
Lee Morris from Fstoppers did a fashion shoot using only an iPhone 3GS. As you can see, the results were nothing short of incredible considering the equipment being used. But I think this is less about the camera and more about how powerful quality lighting can be in photographic work. Of course, for a phone, the iPhone has an exceptional camera built in, but with good lighting a great photographer can make any camera take good pictures. Which takes us back to the idea that you shouldn’t ever blame your equipment, just ask this guy.
I personally don’t buy whole-heartedly into this concept. Yes, a professional with the right equipment and a lot of knowhow can get great output from almost anything. But better cameras do make a difference, they make it easier to get good results and many times are just easier to use from an interface / usability standpoint. I think this is all the more important for those of us who are primarily graphic designers. We often don’t have the budgets to hire professionals when we need photo work for projects. But we also might not have the background and expertise that a full-time photog would have. A camera like the 5D or D700 put professional results within the grasp of us mere mortals, because I’ll tell you right now, not in a million years could I get a iPhone to output the stuff you see above. But I shot a 7D last weekend and got the best pictures of my life in a living room under natural light.
But seeing Morris’ results definitely makes you think the whole thing over again.
I’m not to up on the world of fine art but these paintings by Maurizio Bongiovanni really caught my eye. For a split second I thought they were manipulated photos, they look very Photoshop-ish with that stretch out effect.
Just caught this on NPR and was reminded of a couple great films: the William Shatner Narrated Trinity and Beyond (The Atomic Bomb Movie) and Nukes in Space: The Rainbow Bombs. Both were excellent docs that featured meticulously restored film footage from US atomic tests on land and in space (and also anywhere else they could make up a reason to blow up). The space tests are particularly (eerily) beautiful, the title Rainbow Bombs is very apt.
To enter, just comment on this post and be sure to leave a valid email in the email field (will not be published) so we can contact you. Winners will be drawn at random from the comments. The first email drawn will receive the Ghostly Bento Box and a pair of tickets to the show of their choice. If the winner cannot attend the show, the tickets will be given to the next email drawn. Four pairs of tickets will be given away in all (two pairs for each show, SF & LA).
Entries must be received by midnight PST, Wednesday, July 7th, 2010. Winners will be announced shortly thereafter. Enter in the comments. Good luck!
I’m very pleased to announce that not only will I be speaking at the next FITC, but it will be right here in San Francisco, August 16th-19th, 2010. I’ve presented at FITC numerous times in the past — recently Toronto and Amsterdam — and it’s always an incredibly immersive and educational experience. For the uninitiated, FITC is a series of events focused around interactive platforms like Flash, Flex, and AIR, along with animation and motion/film. But that’s just sort of the core of it, there are all sorts of other design related topics being covered (case in point: the fact that a print designer / musician like myself is involved). Basically just a very inspirational event centered around design and technology. Also, they have incredible parties each night often involving boats and free booze.
For the San Francisco event I’ll be speaking a bit about my background, process, and theory along with some walkthroughs and presentations of recent work. For a rough idea of the style of my presentations have a look at my Academy of Art lecture from April (although this was geared for the students in the Academy program, as opposed to professionals, so it was a little different from what I normally do).
FITC always stack the events with great speakers but this SF date seems to be the most epic yet. It’s the only where you’ll see Yugo Nakamura, Colin Moock, Erik Natzke, Kyle Cooper, Jared Ficklin, Kevin Lynch, and Robert Hodgin (along with over 60 others). It’s also probably the last time I’ll be speaking in 2010 as I finish up the Tycho album and prepare for touring.
Early bird pricing for the event ends Friday July 2nd, so be sure to get your tickets now (they also sell out very quickly, so if you don’t get in on the early bird be sure to get them soon after). You can register here. Enter code “isofifty” under discount code to get an additional 10% off the registration.
